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The Vancouver Welsh Men’s Choir, and the Band of the 15th Field Regiment, Royal Canadian Artillery, join forces on Remembrance Day with music paying tribute to those who served to bring peace. The choir toured western Europe in 2017, singing at Vimy Ridge, Menin Gate, Juno Beach and other sites. With those vivid reflections, and the war’s end anniversary, this year’s remembrance concert will be especially poignant for the choristers as they perform with this superb military band.



South Delta - Saturday, November 10, 2018


  • 2:30pm, South Delta Baptist Church, 1988 56 Street, Delta BC.
  • Adults $30, Seniors $28, Students with ID $15.
  • More information:  vwmc Nov10  
  • Tickets online:  Brown Paper Tickets *, or call Brown Paper Tickets at  1‑800‑838‑3006* .
  • Tickets also available from choir members.

New Westminster - Sunday, November 11, 2018


  • 2:30pm, Massey Theatre, 735 8 th  Avenue, New Westminster.
  • Adults $30, Seniors $28, Students with ID $15.
  • More information:  vwmc Nov11  
  • Tickets available only at Massey Theatre *, or call the theatre box office at  604‑521‑5050* .

* Ticket service charges apply. 

Visit our website at www.vwmc.ca to learn more about the choir, our CDs, and opportunities to audition for the choir. 



Christmas is coming...  

Heads-up for our seven concerts celebrating the Sounds of Christmas. Click on the links below for more information about the concert, venue, and ticket purchase. We are again delighted to share the stage on five occasions with some exceptional school choirs who will present a portion of the programme on their own, and join with us for a few combined songs. 


Wed Nov 28 2018 - 7:30pm to 10:00pm

Michael J Fox Theatre, Burnaby , with Burnaby Secondary School choir

Sat Dec 1 2018 - 2:30pm to 5:00pm

White Rock Baptist Church, South Surrey , with North Surrey Secondary School choir

Sun Dec 2 2018 - 2:30pm to 5:00pm

Massey Theatre, New Westminster , with Winter Harp

Tue Dec 4 2018 - 7:30pm to 10:00pm

Surrey Arts Centre

Fri Dec 7 2018 - 7:30pm to 10:00pm

Centennial Theatre, North Vancouver , with Argyle Secondary School choir

Sat Dec 8 2018 - 7:30pm to 10:00pm

Shaughnessy Heights United Church, Vancouver , with Magee Secondary School choir

Sat Dec 15 2018 - 2:30pm to 5:00pm

Abbotsford Arts Centre , with W.J. Mouat Secondary School choir

 

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R.Seiliog

Welsh producer R.Seiliog aka Robin Edwards returns with his new LP 'Megadoze' a subtle shift from the sonic palette of critically acclaimed ‘In Hz'and 2016’s ’Shedhead EP’. R.Seiliog creates a gentle stir from darkness, coaxing ambisonic visions of the void with synth-driven tides. 'Megadoze'refined prologue surges through visceral tapestries of static and haze merging ambient techno, musique concrète and field recordings.

Astounding lead track 'Opal Drift' with its enveloping structures builds through ambient textures and a bricolage of half-remembered techno and synth waves, it’s like the evocative sound of flowing water softly sculpting the rocks of the Black mountains. Second track ‘DC Offset’ weaves intricate sci-fi soundtrack layers bubbles, babbles and skitters with otherworldly presence echoing homage to the finest work of Brian Eno, its followed by the incredible ‘Obsidian’ its deep-glitch woven journey unfurls into an awe-inspiring interlude of sonic revelry in its final portion. Meanwhile the ambient hauntings and glacial washes of 'Vitamin Filter' are a masterclass in the melding of field recordings and motorik electronic beats, it’s equally the soundtrack to chilling-in, or going out.


'Zemlya' resonates and chimes with harmonics that conjure echoes of the percussive music of different continents from India to Africa, underscored by contrasting hues of sub-bass driven beats, crunchy granular glitch with instrumental swathes. The ambient drops of 'Nectar Phase'with its viscous swells and fluxing breakbeat possess a timelessness. The glacial ‘Chalk Fields’ mirrors the sound of a rising sun casting cosmic beams onto your face as you lie in a dew-speckled field, samples of birds chirruping, streams flowing, a distant voice and stunning ambient textures arise into a moment of unified clarity.

Sonically daring and sewn with intricate genre-blurring levels of detail, each cut remains connected to the heart of nature in its elemental force, ‘Megadoze’ is perhaps R.Seiliog’s finest record yet.

R.Seiliog emerged from the pine coned hills of Peniel, North Wales. Releasing the warm analog psychedelia of 2012's ‘Shuffles EP’, and his debut long player 2013's ‘Doppler’ which was a wide-eyed homage to Krautrock. Manic Street Preachers were so inspired by his debut album Doppler that the band entrusted Edwards to remix Manic Street Preachers’ single ‘Futurology'.

In 2014 the release of his critically acclaimed second album ‘In Hz’ a masterful work of convoluted drone and electronics. Which led Thump to herald it as “So good it hurts” and Mojo Magazine to say “R.Seiliog presides over a subtle, imaginative record that transcends many genres.” R. Seiliog’s work has received airplay from the likes of Huw Stephens, 6 Music - Mary Anne Hobbs, Radcliffe and Maconie and Lauren Laverne.


Megadoze tracklist:

01. Opal Drift
02. DC Offset
03. Obsidian
04. Portals
05. Vitamin Filter
06. Zemlya
07. Nectar Phase
08. Waxwing
09. Chalk Fields
10. Coda

To coincide with the release of 'Megadoze' R.Seiliog has announced two shows one at Carmarthen with ACCU and a launch show at Cardiff's Gwdi Hw.

November
17th - The Parrot with ACCU
22nd - Gwdihw
http://www.wegottickets.com/event/454262

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LAUNCHPAD FUND TO HELP WELSH MUSICIANS TAKE THE NEXT STEPS



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Arts Council of Wales and BBC Wales are calling for talented Welsh artists and bands to apply for the Launchpad fund.


Launchpad will offer grants of up to £2,000 to help artists or bands to fulfil their potential and reach the next level. Aimed at emerging musicians that already demonstrate promise, Launchpad is part of the Horizons Gorwelion scheme to develop new and independent contemporary music in Wales.

Launchpad was started in 2014 and has supported over 135 artists, from more than 50 Welsh towns. A diverse mix of musicians will be supported in their creative work by the fund, allowing them to pay for studio time and equipment, commission photography, artwork and video, promote their work and go on tour.

One of last year’s musicians was Flintshire hip-hop artist Ennio the Little Brother whose work has been played on BBC 6 Music. He said:

"Receiving the Horizons grant was a huge surprise to me. It felt incredible to be a part of a group of Welsh musicians looking to take our craft to the next level. With the grant, I purchased a guitar amplifier and a looper pedal, which have both helped me to drastically improve my live performances. Just a year ago, I relied heavily on backing tracks to bolster my set, but now I can creatively compose layered music on the spot; completely live. As well as this, the way I write music has changed too! I now use the looper to create new compositions.”

Cardiff-based rapper and singer NonameDisciple received support for her A Millennial's Godfidence project. Tracks went on to be played by DJ Semtex in his "5 Tunes You Need To Know" and by DJ Target on BBC 1xtra.  She was also selected to play on the ‘BBC Introducing’ stage at the Reading and Leeds Festival.  She said: “Launchpad fund has been vital towards helping my music reach audiences, I feel honoured and thankful."

Singer-songwriter Beth Celyn from Caernarfon used Launchpad to promote her new EP. She said: “I’m so grateful to Horizons for their support and faith in me as an artist. Receiving the grant has been a massive encouragement. Without it, I wouldn’t have been able to gig or compose new material this year as my digital piano broke a few months before the launch of my debut EP. The launch scheme enabled me to buy a new digital piano and I’ve already had some invaluable experiences - from performing at the Pan Celtic Festival over in Ireland to playing at Festival No.6 in Portmeirion."

From Wednesday 17 October applications to Launchpad will be open to Wales based artists and bands.  Entries will close at midnight on Friday 16 November 2018.

For more information about Launchpad and how to apply, as well as the Horizons initiative, go to www.bbc.co.uk/horizons



CRONFA LAWNSIO I HELPU CERDDORION CYMREIG I GAMU 'MLAEN



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Mae Cyngor Celfyddydau Cymru    a BBC Cymru'n galw am artistiaid a bandiau Cymreig dawnus i ymgeisio am gyllid o’r gronfa Lawnsio.  

Bydd Lawnsio’n cynnig grantiau o hyd at £2,000 i helpu artistiaid neu fandiau i gyflawni eu potensial a chyrraedd y lefel nesaf. Mae Lawnsio, sy'n targedu cyw-gerddorion sydd eisoes yn dangos addewid, yn rhan o'r cynllun  Horizons/Gorwelion  sy’n anelu at ddatblygu cerddoriaeth gyfoes newydd ac annibynnol yng Nghymru.

Cychwynnwyd Lawnsio yn 2014 ac mae'r cynllun eisoes wedi cynorthwyo dros 135 o artistiaid o dros 50 o wahanol drefi yng Nghymru. Caiff amrywiaeth eang o gerddorion gymorth gyda'u gwaith creadigol trwy'r gronfa, a fydd yn caniatáu iddynt dalu am offer ac amser stiwdio, comisiynu ffotograffiaeth, gwaith celf a fideo, hybu eu gwaith a mynd â’u gwaith ar daith.

Un o gerddorion llwyddiannus y llynedd oedd yr artist hip-hop o Sir y Fflint Ennio the Little Brother y mae ei waith wedi cael ei chwarae ar BBC 6 Music. Meddai:

"Roedd derbyn y grant Gorwelion yn sypreis a hanner i mi. Roedd hi'n teimlo'n anhygoel bod yn rhan o grŵp o gerddorion Cymreig sydd am fynd â'n crefft ymlaen i'r lefel nesaf. Brynais i amp i'r gitâr a phedal dolennu gyda’r grant, ac mae'r ddau wedi fy nghynorthwyo i wella fy mherfformiadau byw yn sylweddol. Cwta flwyddyn yn ôl, roeddwn i'n dibynnu'n drwm ar draciau cefndir i ategu fy set, ond nawr rwy'n gallu cyfansoddi cerddoriaeth haenog yn greadigol yn y fan a'r lle; yn hollol fyw. Mae'r ffordd rwy'n mynd ati i ysgrifennu cerddoriaeth wedi newid yn ogystal! Rwy'n defnyddio'r dolennwr i greu cyfansoddiadau newydd hefyd."

Cafodd y rapiwr a'r gantores o Gaerdydd,  NonameDisciple  gymorth ar gyfer ei phrosiect    A Millennial's Godfidence . Aeth ei thraciau ymlaen i gael eu chwarae gan  DJ Semtex  yn ei   " 5 Tunes You Need To Know "   a chan y  DJ Target  ar  BBC 1xtra.   Cafodd ei dethol hefyd i chwarae ar lwyfan 'BBC Introducing' yng Ngwyliau Reading a Leeds.  Dywedodd:  

“Mae'r gronfa Lawnsio wedi bod yn hanfodol wrth helpu fy ngherddoriaeth i gyrraedd cynulleidfaoedd, rwy'n teimlo’n freintiedig ac yn ddiolchgar."  

Defnyddiodd y gantores a'r gyfansoddwraig o Gaernarfon,  Beth Celyn  Lawnsio i hybu ei EP newydd. Dywedodd:

“Dwi mor ddiolchgar i Gorwelion am eu cefnogaeth a'u ffydd ynof fi fel artist. Mae derbyn y grant wedi rhoi anogaeth aruthrol i mi. Hebddo, fyddwn i ddim wedi gallu gigio na chyfansoddi deunydd newydd eleni am i fy mhiano digidol dorri ychydig fisoedd cyn lansio fy EP cyntaf. Diolch i'r cynllun Lawnsio bu modd i mi brynu piano digidol newydd ac rydw i wedi cael profiadau anhepgor eisoes - o berfformio yn yr Ŵyl Ban Geltaidd draw yn Iwerddon, i chwarae yng Ngŵyl Rhif 6 ym Mhortmeirion."

Bydd ceisiadau i'r gronfa Lawnsio’n agor i artistiaid a bandiau yng Nghymru ddydd Mercher, 17 Hydref.  Bydd ceisiadau'n cau am ganol nos, nos Wener 16 Tachwedd 2018.   

I gael rhagor o wybodaeth am Y Gronfa Lawnsio   a sut i wneud cais, yn ogystal â'r fenter Gorwelion, ewch i  www.bbc.co.uk/horizons

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Al Moses release their blistering debut single 'I Want More' through digital platforms on the 30th November. Al Moses are an incendiary new band made up of four nineteen-year-old friends from the South Wales valleys, who take on rock and roll history and stamp it with their personalities and the youthful ambition to be heard beyond their hometowns. Debut single 'I Want More' was produced by Steffan Pringle (ESTRONS, Himalayas) at Giant Wafer Studios and mastered by Charlie Francis (Pixies, REM). With its sneering vocals, sizzling riffs and stomping beat, the rollicking 'I Want More' encapsulates their burning ambition, the disillusionment of their generation and wraps it in a swaggering chorus. It’s a hungry opening statement of intent from this exciting young band.

Al Moses singer Jack Shepherd says: 'It’s a head-on, hands-up anthem for people like us, the disillusioned youth. We just want more than what's laid out for us. And this song aims to capture that spirit and determination of how we feel right now.' Jack Shepherd.

Jack and Daf, who co-front and share lead vocals in Al Moses, met at house party 2015. A few days later, after watching The Jesus and Mary Chain at the Cardiff Students Union they adopted the name Al Moses inspired by a religious connotation.

Daf is an aspiring actor, studying at Royal Welsh College of Music and Drama, already appearing in nationwide drama and cast in various music videos. Al Moses were chosen in January 2018 to be part of the Forte Project that provides mentoring, live opportunities and practical support for new and upcoming acts based in South Wales.

For fans of The Libertines, Catfish and the Bottlemen, Cribs, Oasis, The Blinders

Upcoming gigs:

20th October: @ Swn Festival, Cardiff

27th October @ Finsbury Pub, London

17th November: Supporting Peace & Fickle Friends at Shimmer Sounds 2018 @

Tramshed, Cardiff

29th November: Headline show @ Clwb Ifor Bach, Cardiff

Al Moses:

Daf Thomas - Guitar/lead vocals
Jack Shepherd - Guitar/lead vocals
Raychi Bryant - Bass

George Percival – Drums

Facebook : @almosesband
Insta: @almosesband

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Bilingual digital magazine parallel.cymru reaches 100,000 page views in first year.




The bilingual digital magazine parallel.cymru is celebrating a successful first year of publication, with 100,000 page views being viewed in that period.

Said Neil Rowlands, founder and project manager: "The purpose of parallel.cymru is to make the Welsh language and culture more accessible. This is done by presenting Welsh and English side by side, using a range of language registers informal, formal and literary, and is completely free to access from any web browser anywhere in the world.

"I'm extremely happy that thousands of people have enjoyed reading the many articles and made use of the unique resources. Presenters like Huw Stephens and Eleri Siôn, and noted authors such as lexicographer D. Geraint Lewis, Welsh Valleys Humour's David Jandrell, Bethan Gwanas, Elin Meek and many more have written exclusively for the site. There's also resources such as a crowd-sourced map of shops, pubs and public places where Welsh is used, a bilingual grammar guide, interactive quizzes, plus some articles have been narrated so that people can read and hear the Welsh language at the same time.

"For the Welsh Government's goal of one million Welsh speakers by 2050 to be met, there is a need for us extend the reach of the language and present it in different ways. Parallel.cymru, as an independent not-for-profit organisation, captures this spirit and energy.

"Over 140 people have provided content for parallel.cymru, and I am grateful for them supporting a new and different way of publishing. I look forward to supporting many more people contributing and helping more people to enjoy our beautiful language in an inventive new way."

Garmon Gruffudd, Managing Director, Y Lolfa, said: "It's great to see how Parallel.cymru has developed over the last few months to become an indispensable website for learners and an important source of information and materials for people who want to keep a finger on the pulse in Wales. It has been a pleasure to work with Neil and the crew, and as a publisher we really appreciate that they offer a new, easy to reach platform to discuss our work and we very much congratulate Neil on reaching 100,000."


....


Mae’r cylchgrawn digidol parallel.cymru yn dathlu blwyddyn gyntaf lwyddiannus a 100,000 o ymweliadau tudalen.




Dywed sylfaenydd a rheolwr y prosiect, Neil Rowlands: “Pwrpas parallel.cymru yw gwneud yr iaith a’r diwylliant Cymraeg yn fwy cyraeddadwy. Gwneir hyn drwy gyflwyno’r Gymraeg a’r Saesneg ochr wrth ochr, gan ddefnyddio ystod o gyweiriau iaith (anffurfiol, ffurfiol a llenyddol), a hynny’n rhad ac am ddim; a gellir cael mynediad iddo o unrhyw borwr gwe mewn unrhyw fan yn y byd.

“Rwy’n hynod o hapus bod miloedd o bobl wedi mwynhau darllen yr erthyglau niferus a’r adnoddau unigryw. Mae cyflwynwyr fel Huw Stephens ac Eleri Siôn, awduron cydnabyddedig fel y geiriadurwr D. Geraint Lewis, David Jandrell a’i ‘Welsh Valleys Humour’, Bethan Gwanas, Elin Meek a llawer mwy wedi ysgrifennu ar gyfer y wefan. Yn ogystal, mae yna adnoddau fel mapiau siopau, tafarndai a mannau cyhoeddus lle y defnyddir y Gymraeg, canllaw dwyieithog i ramadeg, cwisiau rhyngweithiol, ac mae rhai erthyglau wedi eu hadrodd hefyd fel bod pobl yn gallu darllen a chlywed y Gymraeg ar yr un pryd.”

“Er mwyn cyrraedd nod Llywodraeth Cymru o sicrhau miliwn o siaradwyr y Gymraeg erbyn 2050, mae angen i ni ehangu’r defnydd o’r iaith a’i chyflwyno mewn gwahanol ffyrdd. Mae parallel.cymru, fel sefydliad annibynnol, dielw, yn ymgorfforiad o’r ysbryd a’r egni hwn.”

“Mae dros 140 o bobl wedi darparu cynnwys i parallel.cymru, ac rwy’n ddiolchgar iddynt am gefnogi dull newydd a gwahanol o argraffu. Edrychaf ymlaen at gefnogi llawer iawn mwy o gyfranwyr i’r wefan, a hefyd i helpu nifer fawr o bobl i fwynhau ein hiaith brydferth mewn ffordd newydd a dyfeisgar.”

Meddai Garmon Gruffudd, Rheolwr Gyfarwyddwr, Y Lolfa: "Mae’n wych gweld sut mae Parallel.cymru wedi datblygu dros y misoedd diwethaf i fod yn wefan anhepgor i ddysgwyr ac yn ffynhonnell bwysig o wybodaeth a deunydd i bobl sydd am gadw bys ar byls Cymru. Mae wedi bod yn bleser cydweithio gyda Neil a’r criw, ac fel gwasg rydym yn gwerthfawrogi yn fawr eu bod yn cynnig llwyfan newydd, hawdd i’w gyrraedd, i drin a thrafod ein gwaith a rydym yn eu llongyfarch yn fawr ar gyrraedd y 100,000."


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‘Nawr Yr Arwr/Now The Hero is a multi-artform, site-specific project created by Swansea born interdisciplinary artist Marc Rees for 14-18-NOW. This bold and exciting commemoration of WWI will take place in and around the Brangwyn Hall, Swansea during Harvest, September 2018.’

The website introduces me to the performance. My problem was that I didn’t have the humility to research the project before hand.

‘Harvest’ why Harvest? Now I know. The connected ‘Graft - A Soil Based Syllabus’ curated by artist Owen Griffiths has been going on for months in and around the city. The plants of Sir Frank Brangwyn’s commemorative artwork have been grown and gathered in for the making of a cawl. As an audience we will ingest the panels. We are part of the process. We are part of the commemoration.

‘I’m not hungry,’ I said when my mate asked if I fancied some soup!

‘Look Eddie’s coming down the tower. Wow!’

Eddie Ladd, The Peace Protester, travels through the experiences and images presented to us with a message of peace. She commentates/narrates throughout, a ball of energy at all times.

Performed to a dystopian soundscape, she digs, traces in the sand the aerial view of trenches, spills black earth onto them God like, child-like playing in the sand. Black earth? Scarred earth? Black blood? Bad blood? Or was it just mud?

This is my problem. I see an action: a scene, a tableaux I’m asking questions. The finale has her abseiling forward down the clock tower. No mean feat! Why? Is it for effect or is there a meaning behind the statement. Is it her? It’s got to be! Is it a stunt? Perhaps it would have been more impressive the other way?

The siren wails, calls our protagonists to action. Three warriors, aboard a power boat enter the stage. The three interlinking stories through the evening are introduced: the Celtic warrior, the Great War officer the modern day soldier. The poem ‘Y Gododdin’ reverberates through the night. The seventh century battle of 300 Celtic warriors is evoked.

The promenade performance follows Eddie through the streets of the city. The Home Front, the war work of women supporting their men. Shrouds for the dead soldiers. A WW1 tank made of coal doing the rounds fund raising, only to buy more tanks.

The last time I was at Brangwyn Hall I charged the doors as a teenager to watch the glam rock band, Slade. What was I thinking? Now Modern young soldiers charge screaming at the doors as if in bayonet practice, racing to war.

I now walk reverently into the beautiful arena of blood red trenches, adorned with Brangwyn’s panels. The wonderful Polyphony choir patiently bide their time on the stage for us to find our seats. The impressive Celtic Warrior has an authentic aura. He also waits. We settle, silence, the light show begins dramatically and the music centrepiece of the performance begins. I find myself transfixed by the choir and the bellowing sound of the organ. A lengthy dance of death as the dead warrior is swallowed by the bloody earth. The introduction of young men performing a very slow macabre dance as they, likewise, are swallowed into the graves of the bloody trench mud. I just wish I could see a bit more.

I’m woken from my libretto trance by a public announcement: 30 minutes to look round the hall and then the finale will take place.

The different rooms of the Brangwyn are adorned in tableaux and scenes from the three stories. More questions bounce around. Why is the soldier crawling? Why are the women slowly walking the length of the room with a fluorescent light travelling over the soldier’s head? Does the light represent bullets? Is the soldier a tunneller? Why are there women? Did they send the soldiers to battle? And on it goes. A peace room, a wedding room, a wake room, a locker room, t.v. installations etc etc.

We are called out, the finale begins. Nearly 500 people queue for the harvest fare and the unveiling of a flag. I think it was Eddie’s peace banner but the weather had been too kind. There was no rain. There was no wind to unfurl the flag. After post performance reading I now wish perhaps it had rained.

I’m still asking questions. I’m still discovering, as a Welshman, who I am and where I’ve come from.

Marc Rees’ Nawr Yr Arwr/Now The Hero is epic but it doesn’t answer all my questions.

by Andy Edwards

The Day We Went To Maupin


By Ceri Shaw, 2018-10-01


Out And About In Oregon (4)






I am not normally one to press my holiday snaps on others. Too many glazed eyes and polite stifled yawns over the years have convinced me that it is unwise. If, however you have a few seconds to spare please check out the pictures of Maupin in the gallery above.

Maupin in Eastern Oregon is an undiscovered gem and apart from kayakers and anglers it is largely ignored by visitors to the state who, understandably concentrate on Mt Hood, Crater Lake or the beautiful Oregon coast. In my opinion Maupin is well worth a visit and provides an ideal venue for a quiet weekend away and a superb  base from which to explore the surrounding countryside. Both Shaniko and the Tyghe Valley are within easy, and spectacular, driving distance. Mt Hood and the Columbia Gorge are easily reachable on day trips.

Over the years on AmeriCymru we like to think that we have enticed many Americans of Welsh descent to make the 'pilgrimage' to the old country. But what about Welsh visitors to the US? Sure you can visit New York, Chicago, L.A. etc but everyone visits those places. Why not go somewhere off the beaten track and get a real taste of rural America? Maupin ( and Oregon ) will not disappoint.


Posted in: Lifestyle | 0 comments

In The Museum of Peace


By Paul Steffan Jones AKA, 2018-09-26

I pledge peace not knowing where it is

as fighter planes roar through the valley

I am deaf beneath

behind their slipstream

their scorched air

feel the change inside

don’t know if it’s going well

it’s too stony for me to cry

keys fall down a drain

fast-moving mountain streams

flow back on themselves

the commodification of

the remembrance of

our war dead

the steely eyes

smart uniforms

glinting bayonets

the choreographed floral tributes

one of the things we do best

the massive architecture of cathedrals

oppresses with displays of power

the building blocks of victors

of looters

of liars

I have become acclimatised

to the idea of conflict

even though I never joined a regiment

learning to play it as a child

soldiers are waged slaves with guns

Sports Utility Vehicles

are now weapons for hire

while some bored underpaid

museum attendants daydream

of a raucous rewritten Third Reich

and getting parts as SS fighters

in b-movies

no flash

Posted in: Poetry | 0 comments








Ani Glass  Peirianwaith Perffaith by Ani Saunders.jpg

“Ani transcends language with her shimmering take on pop.” Eugenie Johnson – DIY



Ani Glass releases her new single 'Peirianwaith Perffaith' (Perfect Machinery) on the 26th of October through Recordiau Neb. She will be performing at Pop Montréal on the 28th and 29th of September and will be attending as part of the Focus Wales delegation, supported by PRS Foundation's International Showcase Fund and Wales Arts International.

Ani Glass is back with her new single 'Peirianwaith Perffaith' (Perfect Machinery) underpinned by a tapestry of pulsing and prodding synths, samples and programmed beats bathed in the neon of the city’s industrial glow. Her sublime pirouetting vocal refrains infuses a knowing pop universality into the overwhelming experience of life in the city’s engine room. Ani says it’s about how the “search for identity in a moving city and society insists on a sense of stillness often found in the shadows of progress”.

Released as a single in 2016, the industrial electro-pop of ‘Y Ddawns’ (The Dance) is a rallying call for those seeking inspiration in language and art. Laura Snapes of Pitchfork said it was "a double-edged sword that's as stern as it is hopeful; music for the end of the world, and the start of a new one." While BBC Wales’s Bethan Elfyn named it “Perfect Euro Pop!”

Ani followed this with the release of her debut EP ‘Ffrwydrad Tawel’ (Silent Explosion) on Recordiau Neb which included six infectious, socially conscious electronic pop songs. They stand as a document of Ani Glass’s artistic evolution invested with grander themes concerning the Welsh language and politics. A Remix version of the EP was later released and featured reinterpretations by Carcharorion, Cotton Wolf, Plyci and R. Seiliog.

Biography

Ani Glass is the persona of Cardiff-based electronic pop musician, producer, artist and photographer, Ani Saunders. Fiercely proud of her heritage, Glass sings in her native languages Welsh and Cornish, and in 2016 released her first solo material with lead single ‘Ffôl’ (Foolish) being chosen as single of the week on BBC Radio Cymru and gaining plays on BBC 6 music.

Ani is also known for her work with The Pipettes, joining in 2008 to record the Martin Rushent-produced Earth Vs. The Pipettes album. Prior to her stint with the polka-dotted pop band, Glass was a member of Genie Queen, managed by OMD’s Andy McCluskey.

Gigs

28.09 Casa Del Popolo - Montréal (Pop Montréal)
29.09 Marché des Possibles Park - Montréal (Pop Montréal)
03.10 Clwb Ifor Bach – Cardiff (Forté Project & FOCUS Wales)

Links

Website http://www.recordiauneb.com/
Facebook https://www.facebook.com/aniglasscymru/
Twitter https://twitter.com/AniSaunders
Soundcloud https://soundcloud.com/aniglass



Ar y 26ain o Hydref, bydd Ani Glass yn rhyddhau ei sengl newydd Peirianwaith Perffaith ar Recordiau Neb. Fe fydd Glass yn perfformio yng Ngŵyl Pop Montréal ar y 28ain a’r 29ain o fis Medi fel rhan o ddirprwyaeth Gŵyl Focus Wales – a hyn wedi iddi dderbyn cefnogaeth PRS Foundation a Celfyddydau Rhyngwladol Cymru.

Mae Ani Glass nôl gyda’i sengl newydd ‘Peirianwaith Perffaith’ sy’n frodwaith o synau synth gofodol, samplau a churiadau diwydiannol. Mae pob nodyn o’i llais yn arnofio’n swynol uwchben sain peirianyddol y ddinas. Yn ôl Ani, mae’r gân yn trafod yr ysfa i “chwilio am hunaniaeth yng nghanol dryswch y ddinas a ffeindio cysur a llonyddwch yng nghysgodion gobaith”.

Rhyddhawyd sengl ‘Y Ddawns’ yn 2016 – roedd yn alwad ar y rheiny oedd yn chwilio am ysbrydoliaeth mewn iaith a chelf. Yn ôl Laura Snapes o Pitchfork, roedd y gân yn "gerddoriaeth ar gyfer diwedd y byd, a dechrau un newydd" tra disgrifiodd Bethan Elfyn BBC Wales hi’n “Ewro-pop perffaith!”

Yn dilyn hyn, fe wnaeth Ani rhyddhau ei EP cyntaf, ‘Ffrwydrad Tawel’, ar Recordiau Neb. Roedd yn cynnwys chwe chân pop – saif fel ddogfen o esblygiad Ani fel artist wrth iddi ymwneud â themâu ehangach gan gynnwys yr iaith Gymraeg a gwleidyddiaeth. Rhyddhawyd fersiwn remics o'r EP yn ddiweddarach a oedd yn cynnwys ail-ddehongliadau gan Carcharorion, Cotton Wolf, Plyci ac R. Seiliog.

Bio

Ani Glass yw persona’r gerddores gerddoriaeth bop electronig, artist, ffotograffydd a chynhyrchwraig Ani Saunders. Bydd Ani Glass yn canu yn ei hieithoedd brodorol sef y Gymraeg a’r Gernyweg ac y mae’n hynod falch o’i hetifeddiaeth. Rhyddhaodd ei gwaith cyntaf fel unawdydd yn ystod 2016. Cafodd ei phrif record sengl ‘Ffôl’ ei dewis yn ‘sengl yr wythnos’ gan BBC Radio Cymru ac yr oedd i’w chlywed ar sianel BBC 6 Music.

Bu Ani yn aelod o The Pipettes, gan ymuno yn 2008 a recordio’r albwm Earth Vs. The Pipettes gyda’r cynhyrchydd Martin Rushent. Cyn hyn roedd Glass yn aelod o Genie Queen a oedd yn cael eu rheoli gan Andy McCluskey o’r grŵp OMD.

Gigs

28.09 Casa Del Popolo - Montréal (Pop Montréal)
29.09 Marché des Possibles Park - Montréal (Pop Montréal)
03.10 Clwb Ifor Bach – Caerdydd (Forté Project & FOCUS Wales)

Lincs

Gwefan http://www.recordiauneb.com/
Facebook https://www.facebook.com/aniglasscymru/
Twitter https://twitter.com/AniSaunders
Soundcloud https://soundcloud.com/aniglass




Posted in: Music | 0 comments

image001.jpg This week sees the publication of Absolutely Huge (Y Lolfa), the hilarious memoirs of Gethin 'Huge' Hughes, Welsh rugby's most famous imaginary player.

Affectionately sending up Welsh rugby and the media hype surrounding it, Absolutely Huge spoofs the standard tell-all sports autobiography format, charting the highs and lows of Huge’s remarkable and meteoric rise from youth player to worldwide star, and revealing the truth behind his often controversial career both on and off the pitch.

The book has already received great reviews, with The Guardian describing it as “an Odyssey for our times. Hilarious take on the chemistry between huge talent and the 21st century."

After a stunning international debut and glory for club and country, by the age of 20 Huge is on top of the world. He’s the biggest star in Welsh rugby, he’s dating the nation’s sweetheart Heledd Harte, and after one particularly heroic moment at Twickenham is voted Second Best Welshman Ever.

But the good times don’t last. He causes a diplomatic row on a Lions tour, gets involved with some calamitous product endorsements, falls out with his club, inadvertently incites a pitch invasion, and after one particularly embarrassing incident at the World Cup is voted the Second Worst Welshman Ever.

Things don’t improve after early retirement at 23. A disastrous appearance on reality TV is followed by a brush with death on Mount Snowdon and entanglement in a political scandal at the Welsh Assembly. On the eve of his playing comeback, and for the first time, the full extraordinary story of his time in the spotlight, and the subsequent wilderness years will be told.

Absolutely Huge is a big hit with Wales and British and Irish Lions star Mike Phillips, who loved Huge’s antics: "I couldn't put it down – hilarious from start to finish. If I'd got to play alongside Huge, even I might have learnt a few things!"

Absolutely Huge is the first novel by Luke Upton. Born and bred in Swansea, his first job was selling match-day lottery tickets for Swansea RFC in those last few glory years before the arrival of regional rugby. He now lives in London, and is a business journalist and Welsh rugby satirist. He co-runs @NotGavHenson, the humorous Twitter account with over 42,000 followers including a large portion of the Wales squad.

“I wanted to write an easy and amusing read that appeals to anyone who loves rugby and the larger-than-life characters it creates. At times the media circus around big-name sports stars can be a little ridiculous, and I wanted to have some fun with that,” said Luke.

“Though Huge is obviously an imaginary player, he has a mixture of traits from a range of rugby players who have graced the heights of rugby in the UK over the last 10–15 years; it’s a caricature of the kind of trouble someone in the public eye could get themselves into in these days of omnipresent social media comment. It’s also a parody on the media, and the way that they portray our rugby heroes,” he added.

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