Ceri Shaw


 

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Category: Music


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801492.png Super Marine release their debut single ‘Decadent Flowers’ on the 4th of October 2019. A supercharged power pop-rock anthem, laced with glistening riffs, singalong refrains, energetic percussion and arms aloft choruses that recall to mind the anthemic work of the Foo Fighters, the melodic hooks of Jimmy Eat World and Ash and the rhythmic urgency of The Gaslight Anthem. 

Super Marine are a four-piece band from Blackwood, South Wales. Their music incorporates gutsy guitar-driven melody lines infused with classic vocal hooks.  In the spring of 2019 they started working with notable music producer Rich Jackson (Pretty Vicious, Future of the Left, SFA) and will be releasing their first single 'Decadent Flowers' on Friday 4th October 2019. 

Currently working with the Forté project this ambitious young band are cutting their teeth in the studio perfecting their sound, and playing a run of shows this autumn including a hometown single launch at the Blackwood Miners’ Institute and a slot at Swn festival in Cardiff,  that will prove they are a coming force in Welsh music. 

Super Marine say: "We’re extremely happy with how this track turned out and can’t wait for people to hear it. Working with Rich Jackson was fantastic, he really helped us bring this song to life. We’re excited to get out there and play this track at our upcoming shows."  



TOUR DATES

10 Feet Tall, Cardiff – 26th September

Cwmaman Festival – 29th September

Blackwood Miners’ Institute (single launch) – 5th October

Hardies Merthyr – 13th October

Swn Festival – 19th October

Fuel Rock Club, Cardiff - 27th October

Hangar 18 - Swansea - 8th November

McCann’s Newport - 22nd November

The Patriot, Crumlin - 29th November 



SOCIAL MEDIA 

https://www.facebook.com/supermarineband/

https://www.instagram.com/supermarineband/

https://twitter.com/supermarineband  



WEBSITE 

https://www.supermarineband.com/

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Sonny Winnebago is the moniker of Welsh-Australian troubadour /musician Harvey Jones, who's spent the entirety of 2019 living out of his battered suitcase and beloved camper van, all whilst feeding other people's cats and dogs. He was born with hypermobility syndrome which allows him a heightened flexibility, creating a very dynamic and unusual performance style. His infectious music embodies a 'melody is king' approach to pop writing, drawing inspiration from 1970s figures Harry Nilsson &  Cat Stevens .


Following a string of profiled support slots, including Michael Kiwanuka & Joel Baker, Sonny Winnebago will be releasing his anticipated debut single  'Take Me For A Ride' . It is one of four tracks he'll be releasing with the support of Welsh artist development scheme 'Forté Project', enlisting the skills of producer Charlie Francis (R.E.M, The High Llamas), featuring session musicians Davey Newington (Boy Azooga), Matt Evans (KEYS) and Steve Black (Sweet Baboo).

Harvey says that Take Me For A Ride  was written from a place of restlessness, following the event of a long-term friendship going south."It's a true story, and a relatable one too, with strong themes of detachment and self-empowerment" Backed up by an uptempo rhythm section and bright, choppy chords, 'Take Me For A Ride' ultimately engulfs the listener with feelings of summer abandonment and child-like joy.

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Yn gymsgedd byrlymus o gords gwych sy'n symud o'r bygythiol, miniog, a ffrwydol i dristwch synfyfyriol mae sengl ddwbwl  newydd Breichiau Hir yn destament i hyder cynyddol y band. Mae eu senglau diweddaraf yn profi bod Breichiau Hir yn torri  cwys eu hun. Mae'r sengl ddwbwl 'Yn Dawel Bach / Saethu Tri' yn perthyn i'w gilydd, maent yn dod o'r un man greadigol ac  emosiynol fel esbonia'r prif leisydd Steffan Dafydd - 


"Mae Saethu Tri yn esbonio'r ofn a'r edifarhad sy'n gallu dod drosta i, a sut yr ydw i byth rili'n siwr sut i ddelio ag e. Dwi ddim  yn trio dramateiddio'r teimlad yn y gân, dwi'n cadw'r disgrifio'n blaen ac yn onest, yn cyfleu'r gwacter a'r diflastod sy'n dod law  yn llaw a'r teimlad hwnnw. Mae'n drist ac yn dywyll"

"Mae Yn Dawel Bach yn ymateb uniongyrchol i'r ofn dwi'n siarad amdano yn Saethu Tri. Mae'n pwyntio allan y tonnau o banig  sy'n gallu dy lethu ar unrhyw adeg. Gall y teimlad grasho ar dy ben di lle bynnag yr wyt ti. Dyw e ddim yn gofyn caniatad, ma fe  jyst yn cyrraedd, heb wahoddiad a heb i neb ofyn amdano."

Mae'r emosiynau bregus yma i'w clywed trwy'r ddau trac ac yn cael eu disgrifio mewn modd hyfryd. Mae'r penillion llonydd yn  denu'r gwrandawydd mewn i rhyw fyd ffug-ddiogel cyn i wal enfawr o sŵn ddod i ddinistrio'r byd hwnnw.

Bydd y sengl ddwbwl ar gael ar niferoedd cyfyngedig o dapiau a bydd Breichiau Hir yn dathlu'r sengl ddwbwl yn The Dojo, Kings Road Yard, Caerdydd ar Medi 28.

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To move from the caustic, the abrasive, the aggressive to a pensive sadness that eventually brake’s into a cacophony of blistering  chords with such ease is a testament to Breichiau Hir’s growing confidence. The last 12 month of releases has shown a band forever forging their own individual path. ‘Yn Dawel Bach / Saethu Tri’ is their new Double A side single, it’s also the band's most  melodic songs to date. These songs combine Breichiau Hir’s love for loud noise and soft sad moments. Emphatic sounds and melancholic atmosphere.  ‘Yn Dawel Bach / Saethu Tri’ belong together, they come from the same emotional and creative place. As Steffan Dafydd the bands lyricist and vocalist explains:

“In Saethu Tri, I outline the dread or regret that can overcome me and how I’m never totally sure how to deal with it. I don’t dramatise  it in the song, I kept it matter of factly and tried to convey the numbness and dullness that comes with it. It’s wistful and sombre.”

“Yn Dawel Bach is nearly a response to this dread I talk about in Saethu Tri. It basically points out that these waves of panic can overwhelm you whenever it wishes. It can come crashing at you wherever you are. It doesn’t ask permission, it just arrives, unannounced and uninvited.”

These frail emotional landscapes the songs move through are beautifully conveyed. Calm verses that ease the listener into a false sense  of security and control before a wall of sound blissfully brakes into the chorus.

The single will be available on limited edition cassette tape and Breichiau Hir will celebrate the release with a launch night at The Dojo, Kings Road Yard, Cardiff on September 28th.

Breichiau Hir Links: 

https://breichiauhir.bandcamp.com
https://www.facebook.com/BreichiauHir/
soundcloud.com/breichiauhir
https://twitter.com/BreichiauHir
https://www.instagram.com/breichiauhir
https://open.spotify.com/artist/6w8gBGhM600UpUlfHtrhWy




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Hear both English and Welsh language acoustic versions of  Whirring  HERE  
Released October 25th via Hassle Records



image002.jpg The Joy Formidable are today announcing the release of a special commemorative 10-year double album edition of their acclaimed debut release  A Balloon Called Moaning.  The double album will include their 2009 EP  A Balloon Called Moaning  plus a newly recorded acoustic Welsh language version,  Y Falŵ​n Drom .  

Written and recorded in a bedroom over a decade ago by lead singer and guitarist Ritzy Bryan, and bass player and vocalist Rhydian Davies in North Wales,  A Balloon Called Moaning  was an instant hit. Rated 8/10 by NME, it was the first of the band’s releases to feature their now iconic single  Whirring –  a track that was named amongst Pitchfork’s Top 100 Tracks of The Year and described as “the song of the year” by Foo Fighters’ Dave Grohl.

In the passing decade, as the world tours, festival main stages and stadium shows have racked up, it has always been especially important to the band that they continue to recognise and highlight the importance of their Welsh heritage. In this new anniversary edition, each song from the original release is re-worked acoustically and presented again in the Welsh language. On the new release, Ritzy said: 

"We’ve been through such a lot as a band over the years, it’s been a really reflective studio session, returning to the old recordings and transforming them into these beautiful stripped back, intimate versions. It’s exciting hearing them in the Welsh language because now they have new life too and can be a celebration of language as well as memory."

In celebration of  A Balloon Called Moaning / Y Falŵ​n Drom , The Joy Formidable are also announcing the launch of Formidable Fest / Gŵyl Aruthrol ,  a mini festival at The Tramshed in Cardiff on Saturday 23 November 2019.  Ritzy commented: 

“We see Formidable Fest as a lovely opportunity for us to invite some bands to play in Wales, in front of an audience that otherwise might not get to see them. That, and having a bill that promotes Welsh language acts and bands from Wales - just a really inclusive night of great music. We’ll be doing 2 shows that night, one short acoustic Welsh set & the other full electric.”

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'Rabbit Hole'  is the first single from SERA's collection of songs for 2019 and from her new collaboration with producer Andi Bonsai.

SERA played a mellow acoustic ' Rabbit Hole'  on her guitar to Andi one wet and windy October morning and by the end of the day, that song had transformed into the high energy version you hear today. ' Rabbit Hole'  stays true to SERA's Americana/folk style but takes on some bold new ideas.The chorus explodes into  Come with me to incredible things, where the oysters march from the sea,  inviting you into a world of the fantastic. SERA's new songs will continue to follow in this theme of the mythic-surreal rooted in very real experiences.

'Rabbit Hole'  is a journey through an addictive relationship, leading through naivety and self destruction to escape. SERA hails from Caernarfon in North Wales and is a busy bilingual (Welsh and English) performer and songwriter, part of the CEG Records family.

In addition to great support from Welsh media and festival such as BBC Radio Wales/ Radio Cymru, S4C and Focus Wales, support for SERA's music has come from Chris Hawkins 6Music, Claire Blading Radio 2, specialist shows, North American Festival of Wales, How the Light Gets in, Festival Number 6, Henley Festival and more and continues to grow....

'Rabbit Hole'  will be released officially on CEG Records via PYST on June 7th along with a music video.

For all social media (Facebook, Twitter, Instagram, Youtube, Soundcloud) go to @serasongs




'Rabbit Hole'  yw'r sengl gyntaf o gasgliad o ganeuon gan SERA am 2019 ac o gyd-weithio a'r cynhyrchydd Andi Bonsai.


Chwaraeodd SERA  Rabbit Hole  yn acwstig ar ei gitâr i Andi un bore Hydref gwlyb a gwyntog, ac erbyn diwedd y dydd, roedd y gân honno wedi trawsnewid i'r fersiwn egnïol a glywch heddiw. Mae ' Rabbit Hole' yn aros yn wir i arddull Americana/gwerin SERA ond yn datblygu rhai syniadau newydd beiddgar. Mae'r cytgan yn ffrwydro i mewn i  Come with me to incredible things where the oysters march from the sea , gan eich gwahodd i fyd swreal. Bydd caneuon newydd SERA yn parhau i ddilyn yn y thema hon o'r swreal-chwedlonol sydd wedi'i gwreiddio mewn profiadau go iawn.

Mae ' Rabbit Hole'  yn siwrne trwy berthynas gaethiwus, gan arwain trwy naïfder a hunan-ddinistrio i ddianc. Mae SERA yn hanu o Gaernarfon yng Ngogledd Cymru ac mae'n berfformiwr a chyfansoddwr caneuon prysur dwyieithog (Cymraeg a Saesneg) ac yn rhan o deulu CEG Records. Yn ogystal â radio a'r cyfryngau yng Nghymru, megis BBC Radio Wales/Radio Cymru a S4C, mae cefnogaeth i gerddoriaeth SERA wedi dod gan Chris Hawkins 6Music, Claire Blading BBC Radio 2, Gŵyl Cymru Gogledd America, Focus Wales, How the Light Gets in, Festival Number 6, Gŵyl Henley a mwy ac yn parhau i dyfu...

Bydd ' Rabbit Hole'  yn cael ei ryddhau'n swyddogol ar Recordiau CEG trwy PYST ar y 7fed o Fehefin ynghyd â fideo.

Ar gyfer yr holl gyfryngau cymdeithasol (Facebook, Twitter, Instagram, Youtube, Soundcloud) ewch i @serasongs




Live dates / Dyddiadau Byw  May 23 - Beaumaris Festival
May 23 - Curiad Bangor Pulse
May 26 - Rhuddfest
May 28 - Eisteddfod yr Urdd, Cardiff
May 30 - Eisteddfod yr Urdd, Cardiff
June 7 - Single release
June 16 - Leamington Peace Festival
June 21 - Catch 22, Anglesey



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Following on from 2017’s ‘The Meanderlux Vessel’, Quodega are back with a brand new album at the end of May. ‘Only Forward’ is a departure from the scintillating post-rock debut, instead adopting the form of super-charged, perspicacious electronica. The brainchild of award-winning composer Tom Raybould, whose work has previously been released by Rough Trade and Warp Records, ‘Only Forward’ will be available as a limited vinyl run of 100 records, as well as digital release across all online platforms. 

The first single taken from the album, ‘I Design Your Eyes’, reverts to Raybould’s previous body of work under the pseudonym  Zwolf , incorporating influences from the early works of  Boards of Canada, Autechre  and  Plaid  and filtering them through the unique contours of his own musical imagination. The resultant cinematic scope and aesthetic draws upon these threads alongside Raybould’s extensive soundtrack work. Recent plaudits in this field include a Welsh BAFTA for indie film ‘The Machine’, with the OST also being released in 2019 by Swiss niche vinyl label We Release What The Fuck We Want To Records. 

The album will be released on the 31st May on a limited run of 100 heavyweight black vinyl, each housed in its own laser cut sleeve, and comes with a digital download. 

The release will also coincide with a month long residency for Raybould at Shift Art Space, Cardiff. Here the album will be deconstructed in reaction to the space, resulting in the creation of interactive sound installations available for audience manipulation and culminating in a live 5.1 performance of the record. 

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‘Safety in Numbers’ is the third single released by the Cardiff based Post-Punk / New Wave four piece Silent Forum on Libertino. Following on from the swaggering, off-kilter, infectious pop energy of ‘How I Faked The Moon Landing’ and ‘Robot’ , ‘Safety in Numbers’ explores a far more reflective musical landscape. This is a song that “expresses the importance of looking after your friends......that time will forget us, but that our relationships are the most meaningful thing we can achieve in life.”

Yet again Silent Forum delivers a song very much on their terms, a song that resonates with kindness and a musicality that captures your heart.

Performing under the name Silent Forum since late 2015, the four-piece deemed Wales' most promising band blends shadowy Post Punk with uplifting, inspiring New Wave. They move unpredictably from serious and direct to playful and overblown. Since they signed to Libertino records their sound has taken an ambitious turn, gathering praise for epic singles like 'How I Faked the Moon Landing' and 'Robot'. They have an eagerly awaited debut album set for release later this year.

Destroy//Exist "The sound sophisticated and playful at the same time, certainly reminiscent of the artful progressive pop sound of XTC, the nerve of Wire and the new wave idiosyncrasy of Squeeze and Talking Heads, while maintaining the entirety of the quartet's fervent originality."

Adam Walton, BBC Radio Wales “Silent Forum have an album planned for release on Libertino for next year, which I am really excited for. Both singles so far have been different but still recognisably them. There is something really interesting, almost PIL-like with those guitars."


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John MOuse returns with a breakup song in the guitar driven indie pop vein of 2014’s “I was a Goalkeeper”. Coming off the back of the experimental art Project “The Fen Sessions” where John MOuse wrote, produced, released and then deleted an album over a weekend, “There’s a hole in my heart (an area the size of Wales) is a punchy indie dance floor classic and is backed up with a remix of Gladiator / Contender by Bristol’s Greg Stoddard exclusively via the Bandcamp site. John MOuse will be promoting the single at Devaudin Festival , Chepstow on May 18th and Sugarfest Bristol May 26th.

John MOuse is a left of centre artist from Cardiff. John’s most recent album “The Fen Sessions” was written and released over a weekend and then deleted on the Monday. Collaborations with Sweet Baboo, Prince Edward Island, Los Campesinos and TV’s Steve Jones have littered his 5 studio albums all of which have receive critical praise and garnered airplay and support from Steve Lamacq, Tom Robinson, Huw Stephens, Gideon Coe and Stuart Maconie.

John MOuse was born out of John’s previous band JT Mouse, which featured members of Zabrinksi, The Spencer McGarry Season and Steven Black AKA Sweet Baboo. John’s debut album released in 2006, on Crocfinger records was a collection of home tape recordings. It’s “A Universal” showed glimpses of the intriguing lyrical content that John MOuse future albums will become synonymous with.

2010 saw the release of the first and long-term songwriting partnership with Phil Pearce. Pearce, songwriter for Scottish fronted Prince Edward Island and Faye Davies creative partnership helped form “Humber Dogger Forties” which can be classed as the first proper John MOuse album. The album featured TV’s Steve Jones duet-ting with his step brother on “The Last Great Rhondda Romance”, a tale of two young boys falling in love in the South Wales Valleys.

“The Death of John MOuse” was mooted as the last John MOuse album. The deterioration of the song writing relationship reinforcing the title of what was to be MOuse’s most successful album to date. Lead single “I Was a Goalkeeper” a tale of old friends reuniting, another duet, this time featuring Gareth Paisey of Los Campesinos, was released prior to the 2014 World Cup and garnered unprecedented coverage for any previous John MOuse release.

A new era of John MOuse was born out of the album, and John hooked up with a new live band from his Rhondda home. Featuring members of MEA (a local Metal band) a revolving number of bass players and Paul Scunge Sheppard of 90’s Indie outfit Hopper, John went on to tour the UK. His live show, now with a new harder edge, but still full to the brim of performance, saw the band supporting the likes of Future of the Left, Half Man Half Biscuit, Malcolm Middleton and The Wave Pictures and at Festivals including two memorable sets at Green Man festival.

Eclectic, eccentric, genre hopping, have been both the strength and weakness to John MOuse career. A comparison of artist list the size of the doomsday book including bands such as Pulp, Roddy Frame, The Wedding Present, Art Brut, the list goes on and on. The saving grace and constant though is MOuse’s lyrics. The words are immersed in cultural artefact and personalities. Comic, bittersweet and nostalgia are recurring themes in all of John MOuse’s albums.

In 2018 John MOuse released “Replica Figures” the second album on Keep Me in Your Heart Records, and saw him return to work with JT Mouse member Stephen Black aka Sweet Baboo. The album was again Chameleonic in style and was somewhat a return to his lo-fi roots.

In early 2019. John MOuse attempted his most ambitious release to date. Writing, recording, producing, mixing, mastering and releasing an album over a weekend. Each track had a two-hour window and was uploaded for free download, until 9am on the Monday morning when “The Fen Sessions” would be deleted forever. Working again with long term songwriting partner Phil Pearce, Faye Davies and Jon Hodges, “The Fen Sessions” is a concept album never to be heard again.

28 musicians, both live and in the studio, have worked with John Mouse, reflecting the forever changing sounds and styles, and progressive nature of each John MOuse live show and release.

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ynys.jpg Ynys is a new project by Dylan Hughes, ex Race Horses and Radio Luxembourg. The songs of Ynys combine Dylan’s melodic gift and adventurous playful song craft into a rich collection of melancholic harmonies and off-kilter psychedelic pop songs that mirror the vulnerability, yet assured, classicism of alternative touchstones such as Velvet Underground, Elliot Smith and Teenage Fan Club. This Aberystwyth exile based these songs on hundreds of voice recordings collected over the previous four years. They reflect moments and ideas captured in a dream-like state in a twilight suburbia, where the ordinary and mundane become the extraordinary and magical. – Libertino Records

‘Caneuon’ (Songs) is the first material recorded and released by Dylan since his days in Race Horses and it’s been worth the wait. With an open and big chorus that envelopes the listener into his world; ‘Caneuon’ is inviting and unforgettable. It’s a hymn to the power of an ‘unexpected song’ saved from the past and it overflows with longing for the pure joy that music brings. Caneuon was recorded in Tŷ Drwg with renowned Cardiff producer Frank Naughton and mixed and mastered by Iwan Morgan (Gruff Rhys, Euros Childs, H Hawkline, Cate Le Bon, Meilyr Jones) in Liverpool.



CANEUON (Songs)

Verse

Like the friend, who’s gone away,
Lost, and far away.
Another year behind your eyes,
Still waiting for something to return
Like the key under the stone, waiting for the door
Another reason to meet, and run away

Chorus

I was listening to Gegin Nos,
When it all came back.
The old lost melodies, are always here for you.


Verse
It starts to happen, one day at a time,
The voice I’ve heard a thousand times.
Sometimes when you’re lost, and no one understands.


In another dream, I’ll hear you singing once again,
Another reason to meet, and run away

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“Welsh Language emo heroes Breichiau Hir are one of the best kept secrets I reckon, combining urgency and melody and leaving you want to cry and learn Welsh”
Huw Stephens

Welsh punk band  Breichiau Hir deliver an urgent call to arms with their new single, ‘Penblwydd Hapus Iawn ' (A Very Happy Birthday). An unflinching three minutes of punk aggression powered by a wall of three-pronged guitars and cathartic screams, underscored by brittle melodic interplay, reminiscent of the band’s early influences, Sunny Day Real Estate, At The Drive In and The Get Up Kids , it proves that Breichiau Hr's visceral prescient sound is primed for wider attention. Steffan Dafydd the band’s lyricist and vocalist explains: " the setting of the song is a catastrophic birthday party I attended a few years ago where I witnessed the worst in some of the best people”.

It's Breichiau Hir’s third release on West Wales imprint Libertino records, home to the most exciting emerging Welsh acts( Adwaith, Los Blancos, Silent Forum ). If ever a band was needed to soundtrack these unhinged times, where there is a lack of political and social responsibility and accountability, Breichiau Hir fill that void with passion and honesty.  

Breichiau Hir are a cult Welsh language six-piece with a rich history spanning over a decade that depicts just how committed they are to their cause. They met in 2008 when they were schoolmates in Cardiff, inspired by the post-hardcore, punk and emo bands of the 1990s. They released a handful of self-produced DIY singles and played numerous shows throughout their university years.   "In 2015 we recorded our EP Mae'r Angerdd Yma Yn Troi Yn Gas.”  Says Dafydd “We were still experimenting and seeing what fits.  This was the first time we had recorded a collection of songs all in one studio with Mei Gwynedd who also released it via his label Jigcal"  The singles  'Toddi'  and 'Ti A Dy Ffordd' both received airplay and critical acclaim. Ti A Dy Ffordd was picked out as 2015's song of the year in Golwg magazine.

In 2018, they signed to Libertino Records and released the dark melodic sound of double-a side,  'Halen'  and   'Mewn Darnau', rounding off the year with the speak/shouty punk single, 'Portread O Ddyn Yn Bwyta Ei Hun.'

  Translated Lyrics:

OK, I’d like to say that I have nothing better to say
I’ve already used these words
I don’t want to do anything
I’d say that’s worse for me than it is for you

Biting tongues and keeping things to yourselves
Someone here deserves anything better but being here
OK, she didn’t do anything
But here you are, staring, completely still.

And I have nothing more to say
So I’m getting out of here fast
A very happy birthday to you

Thank God, I have to leave now
Your face has turned white, your veins tight
You’re black magic that only works on me I hate every day
 I’m an overflowing glass of juice, and everyday sips away at me

 What a very happy birthday to you

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