Ceri Shaw



Playlists: 6
Blogs: 1692
events: 231
youtube videos: 538
SoundCloud Tracks: 21
images: 751
Files: 50
Invitations: 9
Groups: 33
audio tracks: 903
videos: 7


Weirdly Out West - A Review

By Ceri Shaw, 2021-06-17


In one of his finest collections to date Rhys Hughes treats us to a cornucopia of Western whimsy and wierdness. Weirdly Out West , published by Black Scat Books is available now from Amazon.com  

Rhys Hughes latest offering comes complete with all the standard delights we have come to expect from his writing. There are the wonderful guffaw provoking titles such as  'Phony Express', 'Like a Rhino Cowboy', 'For a Few Hollers More' and 'Tom Cabin's Uncle'. There is also a very catholic selection of literary genres on offer in these pages....short stories, even shorter stories, poems, a play, haiku and an essay.

Rhys has been on a quest to write 1000 short stories and is currently somewhere around the 900 mark. In a recent interview   AmeriCymru asked Rhys what he would do when he reached his target figure. Here is his response:-

I will switch to non-fiction and start writing essays and articles. In fact I began last year to take my non-fiction much more seriously and I am hoping that my first book of essays will be out in the next year or two. I am in negotiations with a publisher at the moment. The techniques of non-fiction have been creeping into my fiction in the past few years or so.

I, for one, hope that he revisits this decision because literature will be somewhat impoverished without regular infusions of absurdist fiction from the pen of the Welsh wizard. Having said that, it must be admitted that the essay included in this collection is both thought provoking and entertaining. In 'For A Few Hollers More' Rhys discusses his notion of the 'weird western'. He credits the movie 'High Plains Drifter' with introducing him to the idea of the weird western and  name checks a few other other practitioners of the genre.

Amongst the stories included here we find 'Tom Cabin's Uncle' in which Tom, the fastest gun in the east, challenges the fastest gun in the west to a contest at a point in the state of Kansas near the border
with Nebraska. This leads to unexpected complications and timely lessons are learned.

In 'Bigfoot The Hoaxer' we are introduced to a Sasquatch with a sense of mischief. He is in the habit of walking around the backwoods on a pair of stilts with a pair of human boots attached. This enables him to leave human footprints in remote places to confound explorers who imagine themselves to have been 'beaten to it' when they discover new locations and geographical features.

The author has kindly consented to the inclusion of an excerpt in this review, so we are pleased to present 'Django's Fandango' (see below) as a teaser.

Aficianados of Rhys Hughes will need no further encouragement to order Weirdly Out West  but it is to be hoped that many new readers will be tempted by this latest offering. Rhys Hughes is a national treasure in my opinion and deserves to be more widely appreciated. Buy Wierdly Out West here


The West is changing. All the cardinal points are changing but the upheavals are most strikingly felt in the West. It is now perfectly acceptable for men to dance with women. In the old days men only danced with men or horses or the occasional bear. Flimsy biplanes cross the skies. The telephone has replaced the telegraph. Sometimes the telephone will ring and the voice of a woman will announce that she is coming by biplane to attend a barn dance. Django has only a limited time to construct the barn. But he is strong. He also prepares a landing strip. He has taught himself the fandango in front of a mirror that once belonged in a saloon. There are colleges out east that teach many such dances but one is quite enough for him. He could dance the fandango to the horizon and back if he wished. He hears a low droning and looks up. Biplanes are aircraft that like being flown by both male and female pilots. This one swoops towards him menacingly. The bullets from the Gatling gun mounted in the cockpit make a wavy line in the dirt that stops right in front of the toes of his boots. For a moment he feels the temptation to draw his six shooter and shoot the wheels off the thing as it comes in to land. He suppresses the urge. The West is changing and he must change too. He has already changed his pants and shirt. A permanent change in his attitude will be next. Easy come, easy go, Django tells himself as he welcomes the new arrival and shows her into the spick and span barn.


Screenshot from 20210612 094856.png

Visit Barrie Doyle's website here

One of the fun things about writing works of fiction is the excitement of meeting my characters for the first time.

Over the period of a year or so, I will meet them, name them, give them bodies and personalities and watch them develop into viable and, hopefully, believable people.

Some, I will like. Others not. Some will have strange quirks. Others will be fairly normal, even bland, people.

All will be wound together into a strange and dangerous situation that will challenge them and perhaps even destroy them. Some will pass the test. Others will fail. Still others will not survive. Some will be major protagonists or antagonists while others will be peripheral but perhaps quirky bystanders who help move the main characters along.

To me, the naming of the character is critical. The name must be memorable, give hints of the character and his or her role or background. Even if the person’s personality is astoundingly normal, he or she needs a name that will stand out for the reader while also not confusing that reader with a similar-named character at some other point in the book.

I find this a tremendously challenging but rewarding aspect of writing.

It became even more challenging when I wrote  Musick for the King.  This novel revolved around the remarkable creation and presentation of one of the most acclaimed and loved pieces of music,  Messiah,  by the composer George Frederick Handel. My major characters—Handel, King George, the singer Susanna Cibber, Jonathan Swift and others—already had their names. For me, naming the minor characters that help the plot along was the issue. In an age with too many Georges, Thomases, Williams, Marys and so on, it was no easy task.

The same applies to my suspense-thriller series  The Oak Grove Conspiracies . There, naming characters is compounded by the story settings. Wales, Italy, Turkey, the US—all requiring believable yet typical names from those nations.


Compounding this is the Welsh penchant for repeating names (Thomas Thomas, William Williams, Evan Evans and so on) as well as their extreme refusal to come up with different surnames. Everyone, it seems, is a Jones, Williams, Jenkins or Davies!

Indeed, the Welsh came up with a unique way of differentiating various individuals bearing the same surnames. Thus, the storeowner Evans became Evans the Shop, while the preacher Evans became Evans the Bible and Evans the bus driver was inevitably Evans the Bus. Plus, of course, Evans the Post, Evans the Meat and Evans the School. Then too there was Mrs. Evans Lamppost (of the four Mrs. Evans’s on the street, she was the one who had a lamppost outside her front door). There was even poor Evans Bungalow (he didn’t have too much on top) and Evans Half Step who had one leg shorter than the other.

See my dilemma? Try and come up with some interesting names for a fictional thriller when facing those challenges. Finding ethnic names for characters situated in places like Istanbul or Venice was a piece of cake by comparison!

Sometimes you can create a character and his name just pops out of nowhere but is perfect because it hints at some characteristic or background without being too blatant.

For example, my lead modern-day character in the  Oak Grove Conspiracies  series is Bradstone Wallace, known as ‘Stone’. The name implies a stalwart character—one who strong, resolute and is a ‘stone wall’, resolute and unmoving in times of danger. Or his intelligence buddy Chad Lawson, whose name quietly invokes a heritage of law keeping.

Sometimes I envy the novelists of earlier generations who named their characters blatantly and somewhat ridiculously based upon their overwhelming distinctive attribute rather than develop names that reflected their era.

Henry Fielding, for example, writes about a character named Mr. Thwackum—a particularly brutal teacher and clergyman. Charles Dickens was the master of such made up but infinitely evocative names. Can anyone top Ebenezer Scrooge, Uriah Heep or Wackford Squeers? Then there’s Fagin, Oliver Twist, the Barnacle family and Martin Chizzlewit. Memorable, if unusual, names. Certainly not the norm in Victorian England.

Naming a character means giving them a cloak of identity. It sets them in a place and in a space that they and they alone can operate in and define. It expresses their personality or attributes in subtle or not too subtle ways and gives them parameters in which they will conduct the business of moving the plot along.

Their name must be a major part of what makes them memorable to the reader. The reader must remember the evil this individual perpetuates, or the compassion they display and passion they evoke.

The novelist plays with names. You try different first and last names, middle names, or nicknames in order to find the ‘perfect’ combination. In my book The Prince Madoc Secret I had fun with one minor Welsh character whom I named Evan Thomas. He was therefore given the nickname ‘ET” and was the exact opposite of the movie ET in terms of size and volubility.

I am now engaged in creating and naming a series of characters for the fourth installment of the  Oak Grove Conspiracies  titled  “The Dragon’s Legacy”.  Some of the main characters will reappear of course, but there is a new set of bad guys, a whole whack of peripheral characters in various eras and a slew of historical characters such as Merriweather Lewis (Lewis & Clark Expedition) and US President Thomas Jefferson, among others. I’ve got my work cut out for me.

There are many memorable characters to be found in novels. People you get to love or admire; people who make you shudder in fear, or who baffle you with their wild actions or decisions. There are characters you meet once and will never encounter again. Others you will come across in a number of books that become your favourites and valued old friends.

What are the names of some of your favourite characters in novels, and why? Sherlock Holmes? Frodo or Bilbo Baggins? Lucy Pevensie, Hercule Poirot? How about Harry Potter, Atticus Finch, James Bond, Mary Poppins, Miss Marple or Winnie the Pooh?

So many to choose from in so many genres—mysteries, fantasy, thrillers, historical, romance—the list goes on,

I would love to hear from you. Please comment. 

Kindest regards

Barrie Doyle


Author of the Oak Grove Conspiracies novels and "Musick for the King"

crisis management and training  www.notifwhen.ca

John MOuse will release new single “When Wales Play Away” on Friday 4th June. This is John’s unofficial release for the Wales Football team at the delayed Euro2020 tournament.

Returning to the theme of Football, When Wales Play Away is inspired by the Wales travelling fans, known as The Red Wall/Y Wal Goch, which he experienced for the first time while playing to a sold out show in Budapest during the qualifying campaign for this tournament.

The tracks nostalgic guitar driven sound is a return to previous John MOuse albums and football themed songs, such as “I Was a Goalkeeper” and the connection with Wales “Whole in my Heart (An Area the Size of Wales)” and a departure from the last longplayer, “The Goat”, an Electronic Krautrock affair, which John has promised to return to for next years follow up album.

“I hope that this song really connects with the Welsh fans, and we get to sing it together soon at a live show, or in the terraces.” - John MOuse

The track is available on streaming platforms and available to buy on the John MOuse Bandcamp page.


Screenshot from 20210607 113716.png

Posted in: Music | 0 comments

BLOODMOON 1 3 1.jpg DSC_0799 2.JPG

bloodmoon.jpg AmeriCymru: Hi Beryl and many thanks for agreeing to this interview. How would you describe your new novel The Bloodmoon Prophecy ?

Beryl: Thank you very much Ceri for interviewing me.

AmeriCymru: How would you describe The Bloodmoon Prophecy?

Beryl: The novel was inspired  by the hills around Port Talbot.  From where I live I can see two burial mounds outlined against the sky.  Port Talbot is heavily industrialised and I had an epiphany moment when I realised that the romans had been here in their struggle to subdue the local tribe the Siliurians.  I started researching and found traces of many prehistoric tracks and dwellings, burials and a late roman gravestone. There are circles and other sites that have not been excavated but go way back.  Some of the Welsh placenames are said to have commemorated battles between the local tribes and the Romans.

It is with this in mind that I undertook to write The Bloodmoon Prophecy, using the historical locations as my muse.  Gradually a story of Celtic magic, aggression, conflict and honour let itself be known to me. The two women involved in telling the story live 2,000 years apart.  I still don’t know if it is magic or real.  I leave you, the reader to decide.

AmeriCymru: What can you tell us about the ancient Welsh Tribe, the Silures?

Beryl: Wales has an ancient history and culture which will compares more than favourably with world culture.  It took the Romans 25 years to finally subdue the Silurians who occupied mountainous territories in the Southwest of Wales They were considered as the most hostile and brave tribe,  They were fearless in battle, but did not have the discipline, training or equipment of the Romans which was their ultimate downfall.  The Silurian launch of Guerilla tactics confused the Romans, which was a qiick onslaught and an even quicker disappearance into the hills, initially confused them.  Ultimately, they were outnumbered and when Caractacus was captured their resistance broke down. They inhabited the hilltops and farmed, raised cattle and made weapons out of a new metal called iron.    The Silurians were not just an isolated confederation of tribes.  The lived in a complex, highly organised and sophisticated society.  Women had substantial rights.  If they got divorced they took whatever dowry they brought to a marriage plus the profit it had earned.  There was a complex religious system headed by the Druids, who were responsible for negotiating between fights between the clans (there were a few), law making, bardic traditions and healing.  They were volatile, intelligent and creative, and on occasions violent. The ultimate discipline and tactics and superior numbers of the Romans defeated them.  Certain elements of the Celtic tribes were Romanised but the larger and remote populations hardly ever altered their lifestyle. Trade with the Romans and the taxes which they extracted did not subdue their identity and culture.

AmeriCymru: Care to tell us a little aboiut your previous novel - Golconda?

Beryl: Golconda one of my previous novels was a story of Welsh Copper and the world wide trade which it stimulated.  Wicca and the plight of the Indentured Servants which were used before slavery is highlighted. Port Talbot is known for its heavy industry, steel, formerly coal and its huge deep water harbour.  The Silurians seem to have occupied the flat tops and the hilltops. The coastal plain was heavily forested.  The Romans seemed initially to have arrived from the East.  They built a fort at Caerleon and subsequently went inland with forts established at strategic points.  Scapula invaded at various points through what is now the Welsh Borders and the Marches finally subduing the Welsh.  The river Neath was used to establish a fort named Nidum, the estuary being tidal was ideal for landing supplies etc.,

AmeriCymru: You write historical fantasy fiction. What inspired your interest in history? Would you agree with R.S. Thomas that it is not possible to ".... live in the present, at least not in Wales?"

Beryl: It is the unlikely background to my upbringing in the industrial town of Port Talbot.  My father introduced me to my love of history, taking me around the Abbey here, telling me tales of Margam Castle and the early Christian stones found in the tiny museum at Margam.  At nine years old I was hooked!  I owe him a debt which I could never repay.

I have always been interested in writing and coupled with my historical research it seemed to be natural to combine both in a novel.  BLOODMOON is the first of a trilogy.  I am busy beavering away on the second in the Series THE CARACTACUS CODE.  As usual I am planning the book, but sometimes the characters do something totally unexpected, and the plot takes another twist.  Typical of my screwy imagination!

R.S Thomas said “it is not possible to live in the present.  At least not in Wales.”  This is a statement to which I am in total agreement.  We are surround by castles, hillforts and legends stretching back into the mists of time.  Coupled with my fascination for locked boxes, enigmas and my Welsh cultural heritage it is sheer pleasure for me to write about such things.  There is not a lot known about the early Silurian/Romano period.  The mountains to the east of Port Talbot have been well excavated by the Glamorgan and Gwent Archaeological Trust, but not the area around Port Talbot. There was an attempt in the thirties.  For me the landscape tells its own story, which of course if a figment of my imagination.so fascinate me.    I consulted old maps and any books which I could find on the subject, which led me down a magical personal path of fascination which has stimulated my writing juices and have introduced me to the works of Wilson and Blackett, a controversial pair who have discovered a rich source of the legends and forgotten sources of old Welsh history, which academics seem to refute.  This is not an argument I want to enter into, but this is a fascinating source of material and legends and is followed by a lot of colourful people, which as you know Ceri, also fascinate me.  My head is full of the mysticism and legends of these people.

AmeriCymru: Where can our readers purchase 'The Bloodmoon Prophecy' online?

Beryl: The Bloodmoon Prophecy can be purchased on Amazon. 

AmeriCymru: What's next for Bee Richards? Any new titles in the works?

Beryl: Currently I am working on the sequel to Bloodmoon with the working title of  The Caractacus Code which I hope to bring out later this year.  Ceri I thank you for your time and interest.  Speak to you soon.


Artist:  SYBS
Single Title:  'Llygaid'
Release Date:  04.06.21
Format:  Digital Single
Label:  Libertino
Location:  Cardiff, Swansea, London, Europe
Social Tags: @SYBSband @Libertinorecs @Beastpruk

‘Llygaid’ is an exhilarating change of pace for a band whose adrenaline fulled anthems have made them one of Wales’ most exciting acts. Here Osian (Singer / Guitarist) and the band take us down a more reflective, jangly and at times bucolic and beautifully melancholic road.....plus it has Tubular Bells on it, an EXTRA reason to love it unconditionally!!

Osian explains the background to ‘Llygaid’:

“I wrote this song during my first year of Uni, and was definitely a change of pace for me writing wise. A lot of the songs I was writing at the time where very dancey and energetic so it felt good to do a song that was more inward looking, and the lyrics definitely reflect this and generally encapsulate those last few weeks of my first year in uni.

It’s really weird listening back to this one because we recorded the final bits and bobs literally a day before I went home for lockdown, a little over a year ago, which makes it even more nostalgic to me. Hopefully I’ll get to make some more memories playing this song live very soon!”

'Llygaid' will be released via Libertino Records on Friday 04.06.21

SYBS Online:


Posted in: Music | 0 comments


Craig Charles is bringing his legendary Funk & Soul Club party to Feeder: The Homecoming at
Newport’s Tredegar Park on Friday 9th July 2021. The last remaining tickets are on general sale right now from www.newport-events.com . Support for the homecoming will come from special guests The Magic Gang and Welsh bands Buzzard Buzzard Buzzard and Tom Auton and the Bottle Breakers.

Yes, the legendary actor, comedian, musician, poet and presenter; Craig Charles is a man of many talents. Having played with many bands, Charles has a good ear for the best tunes and in 2012 formed The Craig Charles Funk And Soul Club. Broadcasting for 10 years on BBC 6 Music with their prime time Saturday night slot, Craig Charles has gone from strength to strength, becoming a commanding figure and DJ in the UK funk and soul scene.

Currently live every Saturday Night for 3 hours between 6pm and 9pm on one of the nation’s most loved music radio stations, has garnered Craig global support as one of the UK’s foremost Funk and Soul DJ, commentator and promoter of new music.

Event organiser Mark Hopkins says, “We’re delighted that this will be one of the first major outdoor events in Wales and we wanted to make the party even bigger! Craig Charles Funk and Soul Club does exactly that, big tunes to get everyone moving. The show was originally going to be extra special with Feeder playing a hometown show and it’s going to be even more special with this now being one of the first live outdoor events in Wales.”

Headlining will be Feeder, led by Grant Nicholas leads from the front, alongside bass player and comrade Taka Hirose. The British rock mainstays are responsible for some of the biggest British indie rock hits in the past twenty years. With 8 top #10 studio albums and 20 top #40 UK, the band are responsible for such anthems, ‘Just the Way I'm Feeling’, ‘Tumble and Fall’, ‘Just a Day’, ‘Feeling a Moment’ and the widely loved ‘Buck Rodgers’.

Since forming in 1994, Feeder have released ten studio albums, spanning early albums like Echo Park to Comfort of Sound and Renegades. The Welsh rock band's ninth album All Bright Electric came out in 2016 and the band released their most recent album Tallulah in 2019, which was met with critical acclaim. The album peaked at No. 4 on the UK Album Charts on release and was supported with singles 'Fear of Flying', 'Youth', 'Daily Habit' and 'Blue Sky Blue'

Feeder have come full circle. More than two decades after their first show the band are reinvigorated, tapping into the essential, primal energy that first inspired them.

Support for this huge event come from very special guests Brighton indie band The Magic Gang, whose second album ‘Death of a Party’ received critical and fan adoration worldwide; NME hailed it as ‘A timeless and genre-blurring record’. The line-up also sees two Welsh artists performing, first up is retro rock outfit Buzzard Buzzard Buzzard, who have received prestigious air play from BBC Radio 1’s Annie Mac, Jack Saunders and Huw Stephens and disco-infused blues rock from Tom Auton & the Bottle Breakers who has just released his latest single 9 til 9.


The Magic Gang,

The Craig Charles Funk & Soul Club

Buzzard Buzzard Buzzard

Tom Auton & the Bottle Breakers

will perform at Tredegar Park, Newport on Friday 9th July 2021. Tickets are on sale now from


Posted in: Music | 0 comments


It is always a pleasure to welcome a new single from Tom Auton and the Bottle Breakers and their latest offering '9 til 9' is no exception. Following the success of their previous single 'Victim of the Groove' the band have released yet another high energy masterpiece laced with grinding bass and heavy blues riffs. To hear a sample (or purchase) click the Spotify link above. AmeriCymru spoke to Tom about the band, the single and his future plans.

AmeriCymru: Hi Tom and many thanks for agreeing to this interview. Care to tell us a little about your new single '9 til 9’ ?

Hello! No problem at all, thanks for having me. Sure thing. So 9 Til 9 is about a 12 hour day that I spent overanalysing a song I had written. I spent that entire day trying to change it to fit someone else’s idea of ’the perfect song’.

The next day I realised how stupid I was. I came to the realisation that I shouldn’t change who I am to please someone else. 

It’s coming out on May 28th! Produced by myself, recorded at Longwave Studios and mixed at The Syncopation Station. 


AmeriCymru: What can you tell us about the 'Syncopation Station' and how it came into being?


The syncopation station is my home studio, in Cardiff. The name ’Syncopation Station’ was a joke that my friend made. He noticed that all the songs I was recording with my clients all seemed to have syncopation in them, and the name stuck! 

AmeriCymru: Care to tell us a little about your previous single - 'Victim of the Groove’?


Sure. Victim of the Groove was the start of a new sound for me. Production wise it was really heavy, heavier than anything I’d made before.. Then I had to contrast the production with my vocal melody, to keep it commercially appealing. I tracked the bass guitar 9 times to make up that huge sound that you’re hit with, in the first few seconds. I’d say it was one of my best productions to date. 

The song explores my own experience as a songwriter, when I get ‘writers block’. I had days where I would just stare at a blank page, not able to write anything, which really frustrated me. So essentially, I wrote a song about not being able to write a song! 

AmeriCymru: What can you tell us about your band The Bottle Breakers? What is the current line up and what is its history?


The Bottle Breakers are the band that play live shows with me. Consisting of 3 incredibly talented musicians: 

Josh Stock - Bass

Daniel Weaver - Lead guitar 

Arron Nurden - Drums. 


I started writing and performing music from he age of 12 and I was making very different music to the music I am making now. It used to be very ’singer songwriter/ Ed Sheeran rip off’ stuff. Which has its place, but it’s just not what I’m into anymore.

As I progressed, musically, I started falling back in love with rock music and when I was 16 I got a band behind me to start playing the songs with me at gigs. At that time, there was no name for the band, it was just ’Tom Auton’.

Eventually, around 2 years ago, I felt it was a good idea to give the guys a band name. 

The name ‘The Bottle Breakers’ came from my guitarist Dan trying to showcase one of his "party tricks" when he was drunk. He convinced me that he could play slide guitar with a glass bottle. So I challenged him to do it and he ended up smashing the bottle on the guitar and passing out. Then the next day, myself, Dan and one of my best mates, Max ,decided that The Bottle Breakers would be a great name for the band. 

AmeriCymru: Who are you currently listening to? Any recommendations?


Currently loving the new Royal Blood record! You can hear their influence a lot in my music. 

Also I’ve recently dived back into “… Like Clockwork” by Queens Of The Stone Age, such a great album.

I’m also very excited to hear the new Wolf Alice album! I’ve loved the singles so far. 

AmeriCymru: What's next for Tom Auton? Any new tours or recordings in the works?


There’s a shed load of new songs that will be coming out in 2022, I’m currently applying for funding so we can do all the tracks up properly at a great studio in Cardiff, Longwave Studios. 

We have a few tour dates in the works for 2022 but nothing confirmed yet. Venues seem to have a massive backlog of bookings coming their way at the moment so I’ll let you know as soon as we have something set in stone! 

Posted in: Music | 0 comments


incorporates a clash of punk and electronica that James Minas as a producer has crafted over the course of three years alongside his band (bassist Bob Williams and drummer Greg Davies).   It’s a skewed sideways track with a simplistic yet aggressive bass and drum combination sitting unrelentingly under a strung out, spitting vocal performance.

Taking influence from the DIY punk of Shellac and experimental electronica from Burial, Minas has combined a wide lineage of influence, as well as considering new sounds and messages from the likes of Slowthai and Sleaford Mods. This combination, plus further strong inspiration from The Prodigy and Deftones, makes up a musical, lyrical and thematic basis on which Minas has threaded through stories both grounded in his own reality and conjured up to reflect the state of society.

‘Payday’ digs into frustration and angst with a crooked grin attached. Self deprecating humour describes an almost idle boredom marked by depravity and desperation. Its chorus speaks to the title “I get paid Friday, trust me I am good for it” Minas howls over the increasing noise of his band. (...continues)

The last year has been Minas’s most prolific, releasing two singles ‘ Drinker ’ and “ Burner ” (both with forward thinking music videos and playlisted by Dummy magazine) as well as the EP ‘ Nudge ’, written, recorded and released in a span of a couple of months in lockdown. Minas was also granted BBC Horizons Launchpad funding in cooperation with the Arts Council Of Wales. This has afforded him the opportunity to create a unique recorded live show during a time where his charged, manic, crowd-fueled sets aren’t possible. Set within the walls of a circus rehearsal space in what was once a Cardiff chapel, the three piece band played through the album to no one. The show is set to be released with the album later this year.

Social Media - @minassound - Facebook / Instagram / Twitter


I was dragging my ass across the floor like a dog, mate.

You got like 4 and I’ll pay you later? Mate?

He was like “you’ve had 6 off me this week bruv!” Mate!

Ha this tolerance mate it’s gone up init.



I get paid Friday, I get paid Friday, I get paid Friday.

Trust me I am good for it.

Trust me I am good for it.

I get paid Friday, I get paid Friday, I get paid Friday.

Trust me I am good for it.

Trust me I am good for it.


My housemates staying in his room,

We’re blasting tunes, I mix up codeine in the kitchen while he munches his noodles.

My parents were punks and I’m being youthful,

What is this revelation, we’re all stuck on phones, you’ll get run over,

I used to break shit to fix things.


I get paid Friday, I get paid Friday, I get paid Friday.

Trust me I am good for it.

Trust me I am good for it.

I get paid Friday, I get paid Friday, I get paid Friday.

Trust me I am good for it.

Trust me I am good for it.

Posted in: Music | 0 comments
 / 212