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The angular, textured hybrid punk of Junior Bill is set to re-emerge into the spotlight this year. ‘ Boys From Jungle ’ is the first song released from their upcoming debut album ‘Youth Club!’. The track details the bleak fates of asylum seekers after their arrival in the UK. The song’s catchy new wave tunefulness makes for a juxtaposition to the incisive, cynical social comments that spill out as a collage of slogans and thrown away official observations. After airplay on BBC Radio Wales, Adam Walton said that Junior Bill have an “ability to cross pollinate cultures and musical styles but make them entirely their own … they’ve got their own spirit and defiance to them … they’re clearly brilliant”

Cardiff’s Junior Bill is the project of frontman and songwriter Rob Nichols. The band has been thrilling audiences through the small venues, pubs and festivals of the UK & Ireland since 2013. From teenage beginnings rehearsing in Cathays Youth & Community Centre, they have since self-released a string of EPs, singles and an ambitious, award-winning live concert film called 'Above Your Station' in 2017. In the live music scene they’ve made a lasting impression, opening for Supergrass during their reunion shows after a supporting tour with drummer Danny Goffey, then last year making their debut at Glastonbury Festival.

Much of Nichols's writing reaches into the lives of other people with an unusual intellect and an open empathetic spirit. Gigwise said "it's a political maturity set against a childlike honesty that makes Junior Bill so intriguing. " The band are also known for their well crafted concepts with artistic relish surrounding releases. 2017’s self-titled EP saw a guerrilla marketing campaign surrounding the fabled “Wolf In Grangetown” which ended up capturing the imagination through a series of national headlines.

" Boys From Jungle 's jolly sound is a smokescreen for the bleak realities expressed in the lyrics.” says Nichols “It’s a story about the depressing fates that often await those who’ve risked life and limb to make it to the UK. I wrote it years ago after reading a WalesOnline article exposing the grim conditions of an overcrowded hostel for asylum seekers near where I live in Cardiff. The lyrics were intentionally written with bad grammar to evoke a hastily written report." 

More singles from their brilliant new album ‘Youth Club!’ are set to follow, culminating in the album’s release later in the year. Pre-save ‘ Boys From Jungle ’ now at

https://distrokid.com/hyperfollow/juniorbill/boys-from-jungle




LYRICS




Omed said got boys from Jungle

Came through sleet and storm and thunder

Young, black skin and came on boat

Now have found a cold, hard sofa



One boy has got family down here

Waiting for mum to get visa

Paying for sister's education

What about mum well he can't just leave her



One got in a case needing legal aid

Two years now just going in circles



Only three of the boys got papers

Many waiting four years later

Round here people don't believe

Back home he used to be a doctor



Some will have to go to Swindon

Too much people, poor condition

Got to get a wristband if you wanna get fed

Keep your mouth shut for the council inspection



One boy tried to break away

No one else there spoke his lingo

Found him disappeared one day

Smashed the sink and the bathroom window



Omed said got boys from Jungle 

Came through sleet and storm and thunder 

Young, black skin and came on boat 

Now have found a cold, hard sofa 

Omed said got boys from Jungle

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Welsh alt-pop quartet 'Safari Gold' re-emerge with their latest single Last Chance Addict, released on January 6th 2023.

Lead vocalist's Morgan and Danny - "The song plays on general morality and the less glamorous side of thrill seeking. An up tempo song for the deeper soul'd out there."

 

The guys found relative success in their mid-teens under the name Cuba Cuba, following bands like Kids in Glasshouses and Funeral For a Friend during the Welsh power-pop zeitgeist of the early 2010′s.

 

15 years on, they can't quit making music together. Album number 2 has been carefully crafted over 4 years and is set for release on the 27th of January. The band are set to announce a string of live shows in early 2023.



'Last Chance Addict' is taken from their forthcoming Album 'The Years Between Dog And Wolf' which will be released on the 20th January 2023.



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Man’s Shed


By Paul Steffan Jones AKA, 2022-12-21

In the shed of my late father

mortality raises its gentle 

terrifying reminding head

among the stilled working

the colonising cobwebs 

here in this inner sanctum 

of a man’s married years

lie the abandoned hobbies

the casualties of affordability 

and changing health

golf clubs beginning to rust

and accrete DIY liquids 

transforming into new uses

a club is always a club

no matter how it is wielded

no matter where it is

or how tamed one is

a complete bathroom window

frosted

its opening obedient to a key

that hasn’t turned for decades 

a trolley of peeling paint

and complaining metal 

castors still compliant

a primitive vehicle from my childhood 

upcycled then repurposed 

to shelve rough materials 

soon to be upcycled again 

I was sent there by my father 

to find a tool I could never retrieve 

today everything is uncovered

in the light of vacating 

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Georgia Ruth - Week of Pines  Dathlu 10 mlynedd! Allan 01/03/2023. Rhag-Archebwch nawr!






 

Ailymweld ag albwm buddugol y Wobr Gerddoriaeth Gymreig 2013, a ryddhawyd ar feinyl am y tro cyntaf.

 


“Mae ‘Week of Pines’ yn albwm am hapusrwydd. A dod adre. Ac ail ennill pethau y credwyd eu bod wedi mynd ar goll. A gras ar ôl gwneud camsyniadau: mae’r elfen o faddeuant a thawelwch wedi bod yn rhan annatod o’r record yma.”



Cafodd yr albwm ei recordio a’i chynhyrchu gan David Wrench dros chwe diwrnod mis Awst diwethaf yn stiwdio Bryn Derwen yn Eryri. Mae ei band yn cynnwys aelodau o’r grwp Cowbois Rhos Botwnnog ac mae’r albwm yn cynnwys cyfraniad arbennig gan Lleuwen Steffan.

 

Georgia Ruth 'Week Of Pines' PRE-ORDER




 


 


 


Georgia Ruth - Week of Pines 10 Year Anniversary Edition. Out 01.03.23. PRE-ORDER NOW




Revisit the 2013 Welsh Music Prize’s winning album, released on vinyl for the first time. 2xLP Heavyweight Transparent Green Vinyl in a Gatefold Sleeve.

 

“Week of Pines is a record about joyfulness, and coming home. And reclaiming things presumed gone. And grace, after making mistakes, that element of forgiveness and calm has been integral to this record.”

 

The album was recorded and produced by David Wrench over six days last August at Snowdonia’s Bryn Derwen studios. Her band features members of acclaimed country-folk outfit Cowbois Rhos Botwnnog and, for the album, includes a very special contribution from Lleuwen Steffan.

 


“The Welsh harpist Georgia Ruth is a rare talent, able to transcend borders of language, style and age with apparent ease ... A dazzling debut, rich with sweet pain and joy.”
 - Andy Gill, The Independent ****

 

“Her own debut is a wonder, full of longing and melody.” -  Mojo ****



“while Sandy Denny, Bert Jansch and Van Morrison all linger on the horizon, Georgia Ruth comes over as more of a true original than most of the young hopefuls roaming these isles”   - Songlines ****





 



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An interesting basic factual account of Welsh history in the Viking era. Part 1 of this series can be found here:   Celtic Britons: the Origins of Medieval Wales - YouTube

The channel features several videos on the history of the Celts in Europe and Britain. Click here for a complete listing.





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Following on from their second album (Divine Invasions), collaborations with Welsh poet Autumn Juvenile and Polish Artist Michal Iwanowski, plus an R.E.M cover, electronic post-rock duo Ritual Cloak are back with a brand new single. ‘Shell’ will be released on 23rd November across all digital platforms.

 

Shell is about being in a dream where you’re constantly searching for someone but never quite finding them.

 

It’s an idea that’s been floating around for a few years and gone through a number of different versions before becoming what it is now. Originally Shell was written for acoustic guitar and had a completely different feel. Dan remembers re-listening to Metals by Feist and being inspired by the dramatic intimacy of the album, leading to Shell being rewritten for piano. When the song was brought to the studio Sanders suggested taking the vocals outside of the usual comfort zone.

 

The inspiration for this method of production was taken from Bon Iver and Mogwai, experimenting with vocoder and the deliberate use of autotune for the first time. As a result the song entered new musical territories, and served as a reminder to ourselves that there are no rules in what we do.




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Bethan Lloyd is a Welsh artist whose trance inducing vocals expand over an ocean of rave inspired production, harmonic layering and otherworldly ecstasy. Working within the unseen realms, Bethan has engaged deeply in the art of relinquishing control.

 

Bethan takes her intense explorations of the spirit and emotional realms and blends them into something playful and danceable, a gritty experimental pop.



Cutting Circuits is a celebration of relinquishing control, both internally and externally. Changing the pathways of one’s life and opening up to genuine and powerful experiences of awe. This song is a blueprint for cutting the circuits of control and returning to true purpose, to the web and to the void.




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The War on Terror AD 493


By Paul Steffan Jones AKA, 2022-11-21

(For Owain Ddantgwyn

our Owen of the white tooth

in battle a bear 

Arth/Ursus/Arthursus/Arthur

to his family a comfort

to his kingdom

a worthy leader

warlike as the age demands) 

so meet me at the forum

in old Viroconium city 

that vacated shell we fitted 

like a glove of mail 

of might 

of shade of light

those men of Rome left in a hurry

and tonight we can have our fill

from their amphora

so have a glass with me

a toast for declining empires

in the morning we will sharpen 

our minds and our blade edges

ready for the latest wave of pagan invaders 

to imprint the sand of our beaches

with such heavy footfall 

and cruel design

we will meet them at the heights of Badon

and claim a hopeful victory

split wrong heads asunder 

in a war that we will ultimately lose

and which will be forgotten 

as those who will subjugate us

in turn will kneel in obedience 

and kiss the ring of their oppressor

leaving us to be onlookers

in our own isle

sulky in our ale

liminal 

in the far margins

the unforgiving terrain 

where seed fails to shine

in the harshness of our tears’ rain

not knowing that scant numbers

of dreamers and word launchers 

will meditate on our time

in their leaderless day

believing as we did 

that they are near to the end of all time

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New music from Paul Hazel & Jeremy Gluck


By Ceri Shaw, 2022-11-18

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“What Jeremy Gluck has brought and continues to bring to music is what nobody else can bring, i.e. lyrical innovation and artistic integrity that goes far beyond the constraints of a business model.” Brendon Moeller (Beat Pharmacy, Echologist)

Released in the wake of their debut collaboration on Plan for a Performance for Gluck's album The Self , and the subsequent SWND single Love/I Left the Left Page Blank, their new single The Benefactor is both intense and uncompromising, comprising one eleven-minute spoken word ambient electronic soundscape that builds to a juddering climax. This powerful new work cements a working relationship between Gluck and Hazel that sees the release of a full album early in 2023.

Lead singer of cult surf-punk band The Barracudas - the subject shortly of a 3CD retrospective on Cherry Red Records - Jeremy Gluck as a solo artist has had songs covered by artists including Lydia Lunch and Rowland S. Howard (The Birthday Party, Crime and the City Solution, These Immortal Souls), and Nikki Sudden (Swell Maps), with whom two latter artists in 1987 he recorded the first supergroup alt.country album, ‘I Knew Buffalo Bill’ .

Currently a recording artist, NFT artist, spoken word artist, and prolific electronic music and video art collaborator, Gluck continues his journey into experimental electronica...

Paul Hazel has had many releases on labels such as Rising High, Rotation, Inspiral, 2Kool, Masters At Work, Welsh Modular Alliance, and SWND. He has composed and produced the music for a number of commercial films and TV programmes and exhibited several short films of his own in Japan, Venice, and at several galleries across Wales.

The video for The Benefactor is a generative art piece created by American live coder Northwoods (Charlie Kramer), with whom Gluck and Hazel have collaborated before. Taking the audio and text and feeding it into software to algorithmically trigger imagery, an otherworldly ‘scape emerges evoking The Benefactor in binary, mind and spirit.



LINKS

https://bambooradical.bandcamp.com/


https://www.facebook.com/JeremyGluckArt


https://www.facebook.com/paul.hazel.31/


https://twitter.com/nonceptualism


https://objkt.com/profile/tz2JPVuwvUZyq1LyFwNz2ghXbJ62pQ1rd9f2/activity

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