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"It is the Tale of American Wales,or South Wales or Modern Wales, since 1945...."
Read our review of Dream On here
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AmeriCymru: Helo Dai and many thanks for agreeing to talk to AmeriCymru. ''Dream On'' is your first novel. What inspired you to write it?
Dai: Dreams are as actual as day to day living but elusive in any representation of that living. Writing history is another way of dreaming up that past life by imposing a narrative or analytical order which the simultaneity of living,in past and present and in dreams and waking, implicitly denies. So,I wanted to find a form to tell an underlying truth,one to be found in the rhythm of dreams,about the people and places which hold me and which I have long attempted to reveal in my historical writings. That form was a fictive one, for a deeper story.
AmeriCymru: How would you describe the novel for an American audience?
Dai: It is the Tale of American Wales,or South Wales or Modern Wales, since 1945, and the intermeshing of the global and the local in various lives fixed by this space over time. My novel is a kaleidoscope which the passage of years shakes to rearrange the shards of individual, yet related lives. Something was available and someting has been irretreivably lost.Then,in keeping with my tragic theme,I use the bewildering variety of genres and language,of cultures and attitudes, which expressed those lives,at times irrespective of intentions or desire. We move at a pace from the blackly comic to gothic grotesque, from the noir of the thriller to the mundane entrapment of manners and customs.The intention is to subvert, by plot and tonality, any easy expectations at every turn. Just as it was in the lives of the dreamers I here imagine.
AmeriCymru: How significant was the immediate post war period in Welsh and indeed, British history? What role does the memory of that period play in the novel?
Dai: South Wales, politically and socially and culturally, was centre stage in British life for almost two decades after the Second World War. It was the very embodiment of the Phoenix which was set to emerge, and almost did, from the ashes of Depression and War. Think Aneurin Bevan and the NHS, Richard Burton and Stanley Baker, Gwyn Thomas and Dylan Thomas, and a supporting cast of hearts, minds and dreams. But, of course, as an economy based on coal and steel the Star was dying from within, even as its glory burned brightest. This, too, is my subject,and the contrast between the wild aspirations of the beginning of the twentieth century and of this more circumspect one.
AmeriCymru: There is much in ''Dream On'' to suggest a decline in political idealism since the miner''s strike of 84-85. Do you think this is true?
Dai: Yes. But one world has passed, and this new one needs a different approach, albeit if some human values must be constant.
AmeriCymru: Care to tell us something about your other recent title ''In the Frame: Memory in Society 1910 to 2010''?
Dai: That book, a compound of Memoir and History, was the bridge I constructed to let me cross over as a writer of fiction. It is a one way bridge.
AmeriCymru: What was the book that most influenced your fiction writing — and why?
Dai: The Great Gatsby. Because it remains the quintessential Fable of Modern Life, set to shape and direct all aspects of existence. And because it is gorgeous and indeed great. I never tire of reading it.
AmeriCymru: What are you working on now?
Dai: Well, I have just edited two volumes called "Story", to be the definitive volumes of short stories written in English from Wales. It will appear in the Library of Wales Series, of which I am General Editor, in the autumn. And a sequel to "Dream On", but set further back in time, is irrepressibly bubbling up.
AmeriCymru: Any final messages for the readers and members of AmeriCymru?
Dai: That we are closer, for all our differences, than some may ever care to know.
An Interview With Welsh Writer Vanessa Gebbie - Author Of 'The Coward's Tale'
By AmeriCymru, 2012-11-12
AmeriCymru spoke to Vanessa Gebbie recently about her novel ''The Coward''s Tale'' and her future writing plans. Vanessa is an author from South Wales, currently living in the south of England who has previously published two collections of short stories. ''The Coward''s Tale'' is her first novel and it is to be hoped, the first of many more. Visit Vanessa's website here Find her AmeriCymru page here Buy The Coward's Tale here
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Vanessa: Hi, and thank you so much for the invitation! Merthyr was always referred to as ‘home’. ‘Home’ was with my paternal grandmother Ethel Rose Rees, my uncle, aunt and cousin, in Highland View. Other relatives lived in Gwilym Terrace, off Plymouth Road, and Christopher Terrace. Memories are so many and so clear - I could (and probably did...) fill a book with them. But a few...
Wild ponies came to graze on the old coal tips at the end of Highland View. There were a few of us kids - we used to try to catch them with lassoos made of washing line. No chance! I remember one, a beautiful thing, grey as the mist. We called her Venus, but I expect that made no difference. As a small child, I would go up to bed before Coronation Street came on the television. I shared my grandmother’s double bed - and can remember the struggle to climb up, and how lovely it was - soft as anything. In the intermission, she would come up with a pack of sweet cigarettes - and I would lie and ‘smoke’ listening to the theme tune trickling through the floorboards. Listen - “Da - da da dee di da...” (!)
There was no plumbing inside the house - apart from in the kitchen. No bathroom. I remember how cold the china pot under the bed was!
I used to go with my uncle for walks across the river. He knew many things - where to find wild strawberries, and where the gypsies camped, and how to trick people into shaking his hand when he was holding rabbit poo. Squish...
He took me to the mouth of the old railway tunnel and we would stand together and shout into the darkness to hear the echoes. You could see the rib cage of a sheep a long way in, across the rails, like it was luminous.
And I remember my aunt sitting so close to the fire in the front room, that her left leg changed colour. It became mottled, like a map. I was fascinated to see how far up it went - but never found out.
Vanessa: Thank you for the comparisons - I learned a lot from Dylan Thomas, obviously, but I wanted to create something that wasn’t mere whimsy, like Under Milk Wood - lovely and genius though that is. Yes, there are individual tales - but the whole is a weave that makes them impossible to take out - or the whole would miss something - I hope you agree!
At the back of all the tales there is the echo of a disaster that happened a few generations ago - the collapse of a coal mine called Kindly Light. Families now are still coping with the fallout - even though they had no direct experience of the accident. One of the themes I was exploring is that of coming to terms with the past - understanding and acknowledging it - and then you can move on. Without that understanding, we are tethered, somehow.
That all sounds rather heavy - but the book isn’t heavy, is it? Like life, it is at times sad, then funny, sometimes serious, sometimes not.
I was also exploring the importance of ‘story’ to us all. Isnt it through fiction that we learn important truths about ourselves and others? I’ll leave that as a question.
AmeriCymru: ''The Halfwit''s and the Deputy Bank Manager''s Tale'' resolves itself with a wonderful and symbolic device. The dead and frozen fish rescued from the Taff illuminates the theme of the whole with a clarity that caused this reader to gasp with delight. As an aspiring short story writer I must ask ....how do you construct your stories? Do these revelatory episodes arrive first in your imagination and is the rest of the story constructed around them?
Vanessa: I am delighted you liked that story. And although I don’t plan and plot when I write, I often do have an idea of the final tableau of a piece - and set characters loose to work towards that tableau, to make sense of it. I think that’s how that piece happened - I wrote most of it in about 2005/6 so it’s a while back now.
The river freezing was a real gift - when things like that happen as I write, it reminds me why I love this work. Then I found photos of The Taff frozen over in reality - and that was great. Here’s a link to some images, taken in 1895. http://www.peoplescollection.org.uk/Item/7446-view-of-the-bridge-over-the-frozen-river-taff
But if course, this happens in September, in The Coward’s Tale, and at the end of that piece it says, “but rivers don’t freeze in September...” so it’s up to the reader to decide whether it did or didn’t! I love playing games.
I am a visual writer, and take inspiratation from visual images too. Photos, paintings, all sorts.
If you are a short story writer, I think Short Circuit - Guide to the Art of the Short Story is available in the US. I was asked to pull together a text book on writing short fiction - and as I’d never got to the end of a single-author ‘how-to’ book myself, decided to invite over twenty prizewinning short story writers, who are also teachers of writing, to contribute chapters/essays on all sorts of craft and process issues. It’s gone down well - and is recommended reading on many writing courses. It’s deliberately slightly different - there is no single ‘do this and you will be successful’ message, like there is with so many others. Something for everyone.
AmeriCymru: In a recent Telegraph article the reviewer/interviewer observed that "...Astute readers will find the 12 apostles in the characters he (Ianto Jenkins ) describes." Is this a religious novel? Does it have a religious dimension?
Vanessa: No - it isn’t. Not in the “Religious with a capital ‘R’” sense. I am not religious, really. However, the creation of the main characters was greatly helped by images and myths that have attached themselves to the twelve men who we have come to know as The Twelve Apostles. All I was doing was using those images as guides in making up my men, and/or their problems. They gave me jump-off points.
Some were easy - Peter, for example, The Rock - it was obvious to attach him to coal in some way. Others were less easy. Nathan, or Bartholomew, for example - less immediately well known images. I needed to research, and I much enjoyed finding out about the myths and legends, and in many cases used Biblical stories too. The Clerk’s Tale, for example, uses Tommo Price, a character who is a modern version of Doubting Thomas, in large part.
But having said I am not religious - I wouldn’t say I am not spiritual. Maybe partly, the novel is saying we need to accept the existence of things we don’t understand, things that have no or little logic?
AmeriCymru: I know you must have been asked this before but how does it feel to have your first novel described as "the legitimate offspring of Dylan Thomas and Gabriel Garcia Marquez” ?
Vanessa: Rather nice! I am immensely grateful to a fab writer, Charles Lambert, for that quote.
AmeriCymru: Besides appearing in numerous anthologies you have also published two collections of short stories, ''Storm Warning'' and Words From A Glass Bubble Can you tell us more about these collections? What can we expect to find between the covers?
Vanessa: “Storm Warning - Echoes of Conflict” is my ‘war book’. Written for my late father, who was a Sapper, and decorated in WWII, it explores conflict from the point of view of those caught up in it.
My father was a mild, gentle man from a Welsh valley town, working in a drawing office. He was pivoted into WWII as were so many, not really knowing what he was going to. He rose to the rank of Captain in the sappers, and was awarded the MC. But afterwards, he never really came to terms with what he’d experienced - it affected him for the rest of his life, in subtle and not so subtle ways.
‘Storm Warning’’s stories usually take place after the conflicts - WWI, and WWI, Vietnam, and many many others - and explore the legacy of the conflicts. (My Vietnam story is interesting, about power, and revenge - a man wants to take revenge on his old commander, and takes a job as janitor in the block of flats where the now-retired man is living...)
‘Words from a Glass Bubble’ is my first collection, a gathering of stories that had won prizes here and there, at Bridport, and Fish among others. Both that and ‘Storm Warning’ are from Salt Modern Fiction.
AmeriCymru: From your blog ( http://morenewsfromvg.blogspot.com/ ) we learn that you run a series of ''Daily Story Gym Exercises'' on Twitter. Care to tell us more about these?
Vanessa: Sure. I tweet as vanessagebbie on Twitter. But it struck me that it would be nice to have writing prompts appearing out of the blue, not attached to any writer in particular. So if you search for #StoryGym on Twitter, you will find a daily writing prompt tweeted by me, designed to intrigue, to kick off a new character, a story, perhaps. It’s about the first thing I do every morning!
AmeriCymru: What are you working on currently? What''s next from the pen of Vanessa Gebbie?
Vanessa: A novel, but it will take a long time. It is a prequel and a sequel in one, to The Coward’s Tale. Ianto and Laddy feature large as life. I am also writing poetry, and doing a lot of teaching.
AmeriCymru: Any plans to visit the US?
Vanessa: I wish! Who knows, maybe if the book does well, Bloomsbury will stump up for a ticket and a vist to an Eisteddfod. Wouldn’t that be great!
AmeriCymru: Any final message for the members and readers of AmeriCymru?
Vanessa: Thanks for your time reading this, it is greatly appreciated. And thanks Ceri for such interesting questions. Good luck with your own writing.
Interview With Lawrence Davies - Author of 'Mountain Fighters - Lost Tales of Welsh Boxing'
By AmeriCymru, 2012-07-03
AmeriCymru: Hi Lawrence and many thanks for agreeing to be interviewed by AmeriCymru. When did you first become interested in boxing and in particular Welsh boxing?
Lawrence: Hi Ceri, great to hear from you, its a real pleasure to be asked. I guess like most boxing fans I have fond memories from tuning in and watching fights sitting on the rug next to my dad as a kid, who has always enjoyed the boxing. Saturdays it was always wrestling on ITV in the afternoon and a fight in the evening, maybe a bit of Fit Finlay or Kendo Nagasaki after lunch followed by some Bruno, Benn, Eubank or Tyson with a bag of Frazzles. Happy days !
I grew up in Cardiff, where everyone knows the name of Jim Driscoll, even if they arent familiar with his story. They called him Peerless Jim for his boxing skill, but it was really his kindness and charity that cemented his name in Welsh sporting history. He was the first British boxer to win the Lonsdale featherweight title belt and gave up the opportunity to fight for the championship of the world in the US as he had given his word he would fight on a fundraiser for the Nazareth House Orphanage in Cardiff and returned home. It has been estimated that up to 100,000 people lined the streets of Cardiff when he died, which would make it the largest funeral in Welsh history.
The orphans of Nazareth House made up a large number of the mourners, and there were countless famous hard men of the ring weeping among them, friends and opponents alike. It struck me as the strangest contrast, that a man who spent his life in one of the toughest professions there is had such a kind heart when it came to his own people. He gave a lot of money to the poor and needy, and boxed thousands of rounds to raise funds for those less fortunate than himself. He became a true peoples champion in Cardiff, and was one of the most admired champions in British boxing, as much for his actions outside the ring as within it. I think he must have been a remarkable man, and like all the greatest boxing stories, Jims story really transcends the sport. Inspirational and heroic in a way I think we rarely glimpse in boxing today. There is a statue to Jim and his achievements in Cardiff city centre.
(Click the image below for video footage of Peerless Jim Driscoll's funeral: Ed)
As I got older I followed the careers of local boxing stars made good like Steve Robinson and Joe Calzaghe. Steve followed in Driscolls footsteps and became featherweight champion, and obviously Joe will long be remembered after retiring undefeated. One of my fondest memories was being at ringside years ago for the Calzaghe Brewer fight. I was working in a warehouse at the time, and I was probably living off beans on toast for a month afterwards, but it was a hell of a battle and worth every last depressing baked bean.
Over the years I read quite a bit about the first boxing greats to come out of Wales. What was fascinating to me was that all of their stories are so intriguing in their own right, and I was surprised to find that so many of the early Welsh fighters had been forgotten. Even more interesting to me that their careers started at the end of an earlier fighting tradition, where the fist fighters had been known as mountain fighters, before modern boxing had really taken off in Wales. Fist-fighting or prize fighting was illegal, so most fights happened outside the reach of the law, on the mountains above the towns of the South Wales valleys and were scheduled to start at dawn to avoid the police, in areas called bloody spots or blood hollows where they did battle with the raw uns, meaning that these were all bare-knuckle battles. Although it was an underground sport, it was incredibly popular even though its brutality meant that many of the men died on the mountains due to their injuries, every town and village had its local champ. A fight continued until a man was knocked unconscious or was unable to continue. As the fights could often go on for hours and there were unlimited numbers of rounds that only stopped when a man went down, the men that fought were often left hideously disfigured. Broken teeth and smashed up faces became the badge of the mountain fighters. In a sense they were almost like unarmed gladiators of early Welsh boxing.
In a strange twist, the boxing rules on which modern boxing were based had been drafted in 1865, and were also written by a Welshman from Llanelli, named John Graham Chambers. The rules were named after his friend, the Marquess of Queensberry, in an attempt to lend a degree of respectability to the sport and also distance boxing from the horrors of the old prize-ring and showcase scientific boxing skill as opposed to a bloody mauling. The new rules didnt automatically take hold in Wales, as the knuckles were the time honoured way of settling disputes, although a few early showmen were promoting contests wearing gloves. Boxing booths, little more than travelling tents with a string of boxers demonstrated their skills on fairgrounds and accepted challenges from the audience. If they were skillful or lucky enough to last a set number of rounds they could claim the showmans cash prize.
The showman would charge a fee for entry, and some did particularly well out of the trade and became celebrities in their own right, people like William Samuels and Patsy Perkins. Many of the knuckle men were quite resentful of the booth boxers and would often turn up on the fairground to try and further their reputations by mauling and battering them.
Despite this, the booth was a very effective training school for boxers. Many would say that there hasnt been a better system for making boxing champions since. Most of them fought multiple times each showing, so by the time they might be termed professional boxers, they might have met hundreds of opponents. In Wales the booths did a roaring trade, and virtually all the old British champions came out of them. I find it astonishing that the first three Lonsdale belt winners were all Welsh, two had come via the booths, and all were competing in a sport where the modern game had developed on rules had also been drawn up by a Welshman. One of the longest running booths was Ron Taylors, which was actually still touring the country until just a few years ago.
Although I came across a couple of notorious characters of this time that had been mentioned in passing in romanticized works of historical fiction, I found very little solid documentary information about them. It seemed to be a very interesting period in Welsh history that was mostly forgotten or merely alluded to, so I decided to look into it myself.
AmeriCymru: What inspired you to write 'Mountain Fighters - Lost Tales Of Welsh Boxing'?
Lawrence: As a teenager Id occasionally drop in for a pint at the Royal Oak in Newport Road if they had a decent band on. The great guitarist Tich Gwilym used to play there back in the day. It was stuffed with photos and pictures of Jim Driscoll back then and Id have a look over them while nursing a pint. Jim was instantly recognizable, and all the others in the pictures were a mostly unnamed or unknown clump of tough looking old bruisers with squashed noses and cauliflower ears. It struck me that in boxing, the greatest part of the story is often forgotten. We remember the champion, and not necessarily the men that he beat to get there. If Driscoll and Jimmy Wilde and all the others had become champions, who did they beat? I thought there must have been some fairly established fighters knocking about to have even paved the way. I figured that some of their stories should be remembered. I didnt get round to it straight off, but the thought remained.
My family are from Merthyr and my uncle once met the immortal Jimmy Wilde, who is usually recorded as having been born in Tylorstown, but was actually born near Merthyr at Quakers Yard. He became flyweight champion of the world in 1916. Wilde fought hundreds of times, frequently giving away stones in weight. He remains one of the greatest marvels in boxing. Apparently, even Jimmy used to sit agog hearing the tales of his mountain fighting father-in-law Dai Davies of Tylorstown, who wasnt adverse to a bare knuckle fight for hours on end, probably more often than not for a jug of ale as a prize. Unbelievable. Today theres not many people outside boxing circles that even remember Jimmys name, which is something bordering on sacrilege. Sadly there is no statue to him in Wales, though I do remember he was at least languishing at a fairly low number in the 100 greatest Welshmen lists a few years back. Id have put him in the top ten. Jimmys tale is one of the most wonderful boxing stories there is.
Years ago I met a fragile old boy at a bus stop and talk got round to boxing. When we picked over some of the best, I mentioned Jimmy Wilde and he got a strange gleam in his eye and minutes later he was shuffling about telling me of how his grandfather had seen him fight in his youth, magic, boy, pure bloody magic he said, remembering his grandfathers story, and started demonstrating a few shaky punches. It was like hed dropped sixty years and was a boy again. There really is something special about boxing that ignites a fire in Welshmen that I dont think you see in any other sport, not even rugby.
I studied English and Anglo Saxon heroic literature at the University of Wales, which really made me think about boxing again a few years later. The emergence of a hero who rises against all odds is a central re-occurring theme in most folk literature. As a child I was fascinated with the stories of Greek mythology. Strength and courage are almost universally admired and usually form the main defining characteristics of a hero. It seemed to me that many of these early fighters became symbols of triumph to their countrymen for having found a way to rise above the fate that most were forced to endure.
Personally, I have always admired fighters over most athletes and sportsmen because to fight requires absolute mastery of the will. The training would be enough to level most of us. Strength and courage are not enough, while you need physical strength and stamina on a level beyond what is required in virtually any other sport, you also need an impossibly fast brain. To deal with evading blows, while trying to plant them on an opponent inside fractions of seconds is a bit like patting your head and rubbing your stomach while jogging backwards. That a boxer walks into a ring knowing that he is facing an opponent completely alone takes unbelievable self belief. Its not something that just anyone can do, let alone do well.
AmeriCymru: You have resurrected a colourful and fascinating cast of characters for a modern audience. People like William Samuels and Redmond Coleman were both working class heroes (and villains) in their day. Do you have a personal favourite?
Lawrence: Thats a really hard question, because hunting down information on some of them has been such a long and involved process. Some have grown from little more than a list of names. The characters and stories of some fighters only emerged over quite a long period of time, while many of the lesser names are more like blank canvases. Even now I have a list of fighters which I never really discovered any more about other than a name. Some still gnaw at me a little bit, one was called the Lasher which I think is a superb ring name; I just wish I knew how the Lasher earned it.
William Samuels of Swansea would probably win by a nose because you couldnt invent a character like him, and Im glad to have had the pleasure of uncovering and recording some part of his remarkable career. He was an acrobat, a strongman, and a circus performer before starting his boxing booth, and claimed the bare knuckle heavyweight championship of Wales for donkeys years. He once beat down a man who was thought to be one of the best fighters in South Wales when he was past fifty years old with one arm, after having broken the other on his opponents body. Samuels knocked them down in fairground boxing booths where hed take on all comers in towns and villages all over South Wales for twenty years and more. One of his stunts was to take on six challengers at a time, one after another. He also had the temerity to walk into a circus cage full of lions and shoot starting pistols in their faces and somehow emerged unscratched, and had enough courage to square up to John L Sullivan, the bare-knuckle champion of the world.
Samuels had a terrible temper, and fell out with almost every other Welsh boxer of his time, and became something of a celebrity in old Swansea town. I was researching him for a long time before I actually turned up a photograph of him, which was a very exciting moment, and I was pleased to see he looked just as proud and haughty as I hoped he would be. William Samuels was the first real boxing showman of any real note in South Wales. I admire his grit, and get a kick out of his contradictory nature. They say he was always laughing, good spirited, always had a penny or a peppermint to give to a child, yet he could easily blow his stack in the blink of an eye and be rolling up his sleeves moments later. He sounds like a handful, but was a man who I dont think youd forget too easily. The stories of Samuels time read quite like the film Gangs of New York, just with bare fists or gloves rather than shillelaghs or stilettos. There should really be a pub named after him in Swansea.
Redmond Coleman has always been a fascination of mine, partly because he inspired admiration and terror in almost equal measure. Redmond was locked up by the police over 120 times; hed fight anyone, anywhere, and seems to have earned his nickname of the Ironman through his willingness to fight outside the ring as well as within it. They say the only people that could keep him in line were his sister (with the aid of an iron bar she carried to beat him into line) and the local priest, who carried a stick to threaten him with one. Still, for all that he was a very hard man. Some people had suggested to me that a man like Redmond shouldnt be remembered at all, which I think is completely wrong. He was a product of the hardness of his time, where the majority slaved for a pittance and lived in abject poverty with a gloomy future stretching out before them. Redmond might have started battling on the mountainsides bare-knuckle, and with the Merthyr police force, but he also fought with gloves before Lords at the National Sporting Club in London. He was also one of the first to put his hometown of Merthyr on the map as a fighting town.
I think that being known as one of the toughest fighters around, he was targeted by a fair collection of local toughs eager to claim they had beaten the famous Ironman. He also suffers from having been recorded in works of fiction as having been the Emperor of China which was a notorious slum area of Merthyr, which is historically incorrect. Amongst the thugs, thieves, prostitutes and career criminals of China, the toughest man in the district was given the title of Emperor which would put Redmond at the top of the tree of a whole community of undesirables. In reality, China had been in decline even before Redmonds time, and he never was the Emperor of China. I think his notoriety led to his story being rolled into that of an earlier Merthyr hardman, John Jones, better known as Shoni Sguborfawr, who became notorious for his role in the Rebecca Riots, and was a much earlier Emperor of China. Redmond did serve in WW1 and appeared on a number of benefit events for Nazareth House, so he cant have been all bad.
One of the most likeable fighters in the book is probably Morgan Crowther of Newport, who I knew virtually nothing about when I began writing. He started fighting almost before he had grown out of short trousers. Although he was a small guy and didnt really have much of a telling punch, he was phenomenally durable. Morgan Crowther would think nothing of a forty round match and come up smiling. He is recorded as being a very likable and affable sort of chap, so won a lot of friends that didnt even realize he was a boxer as he didnt seem to fit the profile of a knuckle fighter. He travelled extensively to fight throughout Wales and England, and fought everywhere from a churchyard in the dead of night in Wales, through to meadows in England, racecourses, and fairgrounds as well as high end gentlemans clubs. He was an absolute pain in the neck for police forces throughout the land, who hid behind railway station walls and hedges everywhere hoping to capture him. He even got a mention in the House of Commons he became so notorious. Morgan was something of a lovable scoundrel, and was the toast of Wales among the public, probably all the more so for being hauled before the courts on a regular basis and carrying on regardless.
Having spent so much time puzzling over so many records, and trying to find pieces of information to build the story of each fighter for so long, I have to say I have a great deal of affection for all of them even some of the undesirables. Some continue to niggle away at me, because I really want to find out more about them. One of these is Robert Dunbar, who claimed the lightweight championship of Wales as well as running his own boxing booth and was a committed enemy of William Samuels. He blew out one of his eyes in a firearm accident, yet continued to fight on with just one eye for many years. I still havent found a picture or a photograph of him. Another old timer which I am very interested in is Dan Pontypridd who turned his back on prize fighting and became a preacher fighting for God rather than prize money. He even burned a belt made of gold that was given to him by his supporters after his conversion. A fascinating character and one of the earliest Welsh prize fighters to be acclaimed nationally outside Wales. I also have a great deal of respect for Ivor Thomas, who was a great fighter and was already approaching the end of his career when Jim Driscoll was the next big thing on his way up. They were friends, but Ivor had been asking him to fight for a long time before, and would always ask Jim, when be us going to have a go?. One of these days, Ivor was the usual answer. Eventually it came to pass and inevitably Driscoll was victorious. Ivors brother, Sam was also very well known, but he preferred to fight on the mountains bare fisted and was a very famous knuckle fighter in the Rhondda.
AmeriCymru: An enormous amount of research must have gone into this. What were your primary sources? Is the information presented in the book (particularly the blow by blow accounts of the many gruelling and brutal encounters between contestants) readily available to the researcher?
Lawrence: At first the book could easily have been a pamphlet. When I began researching I thought I would be able to find enough detail to just write short profiles of each fighter with a potted history of their fights. I had little hope of being able to discover much more, but it seemed pretty dry and boring. Part of the problem is that the Welsh newspapers of the time were heavily influenced by the anti-boxing nonconformist chapel folk. For this reason boxing coverage is pretty sparse in a lot of the Welsh newspapers before the turn of the century. Sometimes youre lucky just to pull up the odd paragraph, hopefully over time they stack up.
Most of the research process is hunting and cross referencing, finding contests, names, or mentions of fights and checking them against other newspapers to try and build more detail. A lot of it is list making, finding names, then trying to find dates of birth and deaths, which make for a good start, and just adding entries as you find them until you have something with a bit of meat on it. It is very time intensive, as sometimes the only thing you can do is work out when someone was active and try and trawl the newspapers. As much as anything it can be a question of working out their movements, and trying to find the various aliases they fought under, as many had pseudonyms to avoid being targeted or captured by the police. Usually you find that a bunch of them might crop up, if there was a fatality or the police captured a gang of them in the act, otherwise coverage can be extremely patchy. Some, like Morgan Crowther and Patsy Perkins got around a lot, so its a case of checking places against last known movements. Its a bit of a rabbit hole; each question you answer usually prompts ten more.
As my entries grew, and characters emerged it gave me enough hope that I might be able to write something that gave more of a flavour of their lives and times. I hadnt even considered that this might be possible when I began.
It is made more difficult because there is no central place where you can go and look at all the regional Welsh newspapers. I ended up going through microfilm in the libraries at Cardiff, Swansea, Pontypridd, Merthyr, and other places to trawl for references. Its pretty hard on the eyes, some older newspapers are in fairly rough shape, and others are only readily available on microfilm. I also travelled to London to look through the nationwide newspapers held by the British Library to follow up on those fighters that were also active outside Wales, such as Dan Pontypridd and Morgan Crowther. Some if not most of the records are far from complete, and only based on which reports could be found. I hope that in time, more information might come to light on some of them.
They do say that the National Library at Aberystwyth is currently engaged in trying to digitize every one of the Welsh 19 th century regional newspapers over the next few years, so that they are word searchable online. I think this is an amazing project, and only wish that it had been available to me when writing the book; it would have made a lot of the slog a great deal easier. I am hopeful that it will be a goldmine for any researchers engaged in Welsh history and will unearth a massive amount of information about all aspects of our history that was previously only accessible through long time consuming trawling.
I hope that I might also be able to tick off some of the many unanswered questions and more information on some of the boxers that I have researched, and some of those that have eluded me. Published boxing ring records did not really come into being until a bit later, to find the records of the earlier men you have to keep digging. I have thought it might be an idea to try and gather all the information I can find and compile a sort of mountain fighter ring record book, but I think it would probably be a fairly tough job, so maybe in the future.
It took a solid couple of years to try and find the material and then organize it so that I could fold it into coherent tales. The book probably wouldnt have happened without the enthusiasm of a large number of people; librarians throughout Wales helped me with searches and enquiries along the way, as did the Resolven Historical Society with the story of the Resolven Giant, Dai St. John. A gentleman and boxing historian by the name of Clay Moyle was also kind enough to find a number of documents and fight accounts that I would have struggled to gain access to without his help. Ivor Rees Thomas, the grandson of Ivor Thomas was also very kind in giving me further details and photographs of his grandfather for use in the book.
Really more than anyone I must thank a boxing historian named Harold Alderman from Aylesham in Kent, who received an M.B.E. for services to boxing a few years ago. We wouldnt know a fraction of what we know about many 19 th century British boxers if it wasnt for him. For years he has studied and transcribed boxing records by hand, compiling records, and adding to them and redrafting them until they become important historical records in their own right. I have never met anyone that has such an encyclopedic knowledge of any subject to the degree that Harold understands boxing, he is astonishing. I would think over the years he has worked almost round the clock to uncover the records of thousands of fighters and given his records to the descendents of old-time boxers, often without receiving a penny in return for his labour. His work has contributed the backbone of the work for a large number of boxing writers and historians for many years.
In fact, it was Mr. Alderman who compiled the record of Redmond Coleman, which made writing Redmonds tale a great deal easier. One of the great things to come out of the book was that I also tracked down Redmonds unmarked grave in Merthyr. Along with Harold and a number of the Welsh Ex-Boxers Association, we finally put up a marker, which I think was eighty years overdue.
AmeriCymru: Many of these fighters were coalminers or iron-workers. How important was their industrial background in preparing them for prize fighting?
Lawrence: I think it played a massive part in the lives of the early men of the Welsh ring, at the top end there were men who made a fair amount of money out of fighting and spent it just as easily. The majority fought for pennies, so there were very few men who could make enough money to support themselves as full-time fighters. The bulk of the population was employed in the coal and iron industries. There was always an overabundance of work, and so labour was cheap. Workers rights were non-existent, as any one that was deemed a troublemaker was easily sacked and replaced.
Coalminers started their working lives at the age of fourteen after having received a rudimentary education. There were few other opportunities on offer, so the coalmine loomed in their future even before the average pupil left school. Life was tough, hard, and in their working lives, fatalities were an inevitable part of life. It must have hardened the attitudes of the men to death and injury, and I expect most accepted the possibility of their own lives coming to an abrupt end through industrial accidents as a feature of everyday life. As the coal and iron industries grew, it brought men from all over the country and caused some tensions between natives and newcomers. Most of these disagreements were settled in the simplest way, with a fistfight. Many fights occurred in the coalmines themselves, or by an agreement to meet on the mountain.
It really is quite hard to imagine just how much frustration and anger must have built up in the men working at the coalface like beasts of burden, spending most of their lives in the dark. By the time they left the pit, I think it is fairly understandable that for many this daily frustration found an outlet in fist-fighting, drinking or both. As the popularity of the boxing booths grew, it also made financial sense for a man that was handy with his fists to seek an opportunity on the boxing booths. The better fighters might earn more in a few fights through collections and side stakes than they could earn in a number of weeks in the coalmines. For most it was probably a toss-up, spend your days working and possibly dying in the dark of the pit, or fight on the booths above ground and potentially risk the same outcome for more money.
AmeriCymru: The book, at least in part, presents a social history of an important sport that played a key role in the lives of many Welshmen in this period. Would you agree? How important was prize fighting in the lives of the ordinary collier or ironworker ?
Lawrence: That it was so widespread gives some indication of the importance to the Welshmen of the period, literally every town and village appears to have had a local champion. Some fought hundreds of times. Although it was a very brutal sport, against the backdrop of the age, fist fighting was really no worse than many other pastimes. At one time cockpits for cock fighting were a hub of activity in many villages, which is why the word survived after the cockpit disappeared, and is still in use today. Badger baiting and rat killing were common pursuits. Some of the earlier forms of combat led to horrific injuries. Shin-kicking and Lancashire wrestling often left men crippled or worse. Rightly or wrongly, in the eyes of the average collier or ironworker, a fist fight at least represented a fair stand up fight and a means of settling a problem without involving the police.
As an entertainment on the fairground, it was incredibly popular. In the days before the cinematograph and moving pictures, a boxing booth would draw vast crowds. The booths were often beautifully decorated with paintings of famous fighters doing battle, and many showmen incorporated other elements into their shows. Some featured strongmen, musical organs, beautiful girls and snake handlers. Many people saved up every penny they had for the fair, and was one of the most important social events of the calendar. Annual boxing exhibitions were one of the principal ways that Nazareth House raised money to care for the sick and the orphans in Cardiff, but it also raised funds for hospitals, Childrens Welfare Committees, and other charities. During WW1 some of the most famous boxing champions also boxed to raise funds for injured servicemen and the widows of Welsh soldiers killed in the war. Later on, into the 1930s, boxing became even more important in raising money for the soup kitchens, and feeding hungry mouths throughout periods of bitter striking.
AmeriCymru: Where can one purchase 'Mountain Fighters' online?
Lawrence: The best place to get a copy would be gwales.com , which is the website of the Welsh Book Council, who are the main distributors of the book. Some branches of Waterstones bookshops also have copies available or can order them on demand from the Welsh Book Council and there are a few other great independent Welsh bookshops that are also stocking it, including Palas Print in Caernafon ( palasprint.com ) and Browning books ( browningbooks.co.uk ) in Blaenavon. Hopefully, there should be a website in place in the not too distant future to sell the book directly alongside other titles.
AmeriCymru: What are you working on currently? What's next for Lawrence Davies?
Lawrence: Right now Im working on bringing another book into print written by Jimmy Wilde, entitled Hitting and Stopping which is very exciting. In the future I might work on a few extra projects relating to Welsh boxing, Id like to put together a website, maybe showcase a few old fighters, and pull together a few sources, try and develop a bit of interest and make the job of hunting some of this stuff down a little easier. Id quite like to do something on a bunch of the later booth boxers, like Driscoll, Welsh and Wilde and some of the many lesser known ones.
Next year the World Boxing Council Convention is being held in Wales, in Cardiff, and will bring boxing superstars from all over the world to Wales. The WBC were attracted to the capital mainly due to the work of Cardiff Councillor Neil McEvoy in promoting the colourful boxing history of Wales. I think that Welsh boxing history is a really great selling point for tourism, and hope that it will tempt boxing fans round the world to come and visit. Ideally Id love to see all the strands of boxing history and knowledge pulled under one roof in a Welsh Boxing Hall of Fame. Jim Driscoll, Freddie Welsh, Jimmy Wilde and even John Graham Chambers are all inductees of the International Boxing Hall of Fame in Canastota, New York, which is visited by thousands every year. I think a Welsh version would raise the profile of Wales and definitely help highlight our rich history in the sport. Id like to see an exhibition that includes some of the old back-timers and collect together what we know of them and display their achievements alongside some of the more famous fighters that came afterwards.
Additionally there was some talk a few years back of creating a Freddie Welsh statue at Pontypridd, which was suggested by his biographer Gareth Harris who also lives in the town. Although it received a great deal of verbal support, it never happened. As Welsh was the first boxer who really flew the flag for Wales and Pontypridd in the US, and was the first recognized World lightweight champion to have come from Wales, Id really like to see that happen. But then, if Freddie got a statue, Jimmy Wilde would have to have one too. Given that Merthyr is the only town on the globe with three boxing statues, I think it would be fantastic to build on its heritage and attract even more visitors. Two more statues wouldnt break the bank. It would be far more fitting than half the modern art rubbish that seems to get funding and has sprouted up in some towns in recent years.
I will probably start work on a new book next year which will require a fair bit of legwork, so I will be doing some head scratching over that. I have also had a few enquiries from descendents of some forgotten fighters, and am trying to assist them with uncovering more about their ancestors when I can. I might try and turn my hand to some article writing too.
AmeriCymru: Any final message for the members and readers of AmeriCymru?
Lawrence: Yes, buy my book, and if you keep it tidy, you can always re-gift it!
Its a decent size, good value for the money and itll keep a partner who is interested in boxing out of trouble for a fair while.
If you have heard that you were related to an old-time Welsh boxer or have any clippings, photographs or any other information about any of the boxers mentioned above or in the book, please get in touch via Americymru, I would be very glad to hear from you. If anyone has any information about any other mountain fighters or booth boxers not included, or that come from a later time period, I would also be interested in finding out more, in the hope of assisting with ongoing research. Thank you very much, Ceri. Cymru am byth.
A selection of related videos from the author:-
http://www.britishpathe.com/video/the-noble-art-of-self-defence - jimmy wilde clip
http://news.bbc.co.uk/sport2/hi/boxing/9028282.stm - boxer remembers mountain fighting
http://news.bbc.co.uk/sport2/hi/boxing/9028172.stm - boxing booths
http://news.bbc.co.uk/sport2/hi/boxing/9034673.stm - billy eynon (sparring partner of Driscoll)
http://news.bbc.co.uk/sport2/hi/boxing/1901448.stm - jimmy wilde audio interview
Interview by Ceri Shaw
