Ceri Shaw


 

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Tormentor - New Music from Mr Bewlay


By Ceri Shaw, 2023-02-14

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Indie Alt-Pop singer songwriter MR BEWLAY releases his next single ‘Bewlay The Tormentor’ on via Tiwn Media with Digital Distribution via Pyst. ‘Bewlay The Tormentor’ is the first single lifted from his second EP, Black Reason. Black Reason the EP is released on 3rd March. ‘Bewlay, The Tormentor’ is currently slated for impact on 17th March.

The UK Art Pop extraordinaire Mr Bewlay has established himself as the paramount voice for the unorthodox. Currently based in Cardiff, Bewlay’s upbringing was flamboyant with an early induction onto the stage. With amateur dramatic performances of classics like West Side Story, A View From A Bridge and A Streetcar Named Desire Bewlay learnt the subtle intricacies of stage performance, a skill he brings with him to this day. Beginning his musical career under the mentorship of the respected Forte Project in Wales, In
addition he has played sold out headliner shows in prestigious venues such as Porters, Queens Hall and Ill Repute. As a champion for LGBTQ+ activism he has also given talks and performed at Queer festivals and shows with the On Your Face Collective. Recently Bewlay has signed with Tiwn Media and they are set to release the next wave of his music with their second Ep : Black Reason.

With a breadth of sound ranging from retro-spiced pop, to quiet reflective solo pieces, Bewlay’s unpredictability is also found in his music. With influences coming from artists such as David Bowie, St Vincent and Parquet Courts, Bewlay remains in a lane of his own with bombastic vocals, extravagant style and lyrics of the utmost originality.

When speaking about the new track Mr Bewlay said, “I have garnered my fair share of controversies. From riling crowds into mayhem, to releasing songs that on the outset contain dubious lyrics. All of this was in the name of artistic expression. Tormentor was a response to these actions, an over-the-top expression of a character that was meant to push the boundaries. A rock star persona that was aware of his morally grey actions and chose to embrace them. It fits in with the themes of the EP, whereas we live in a world where liars don’t hide their intentions any more and where the power hungry wear their goals on their sleeves. This isn’t a criticism of anyone's actions, more a celebration of the absurdity of a world gone mad!.“

‘Bewlay, The Tormentor’ was produced and mixed by Andrew Saunders and mastered by Graeme Lynch. Vocals and Synths by MR BEWLAY, Percussion by Andrew Saunders, Bass by Phillip Court and guitar by Tom Emlyn.

The Black Reason EP follows the previous EP ‘Electric Reason’ which featured singles such as ‘Her Name Is Juniper’ and ‘Wobbegon



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“Singer George has a musical theatre background and I think it really shows, you're gonna love it” - Amy Lame, BBC Radio 6 Music

"So many influences in that track. Brimming with quality, I absolutely love it.” - Charlie Ashcroft, Amazing Radio UK

“Bold and charismatic, an intoxicating charm blazes from the flamboyant powerhouse and emerging talent, that is Mr Bewlay” Becky and the Bands

“Incredibly imaginative, richly rewarding and sophisticated, a pop star in the making!” Adam Walton, BBC Radio Wales Introducing

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Determined to release a song for all special occasions, My Name is Ian are due to release a Valentine’s Day Indie ballad this year. Following on from their Halloween pop-punk offering, ‘Spooky Holiday’ last year, and 2018’s ‘Christmas Time Again’, ‘You Are Amazing’ will be out across all digital platforms on February 14th.

The track, which references off-kilter romantic sentiments and pairings, has long been a staple of the band’s live repertoire, and has finally been blessed with a studio recording. The track comes as the band prepare to release their latest album, ‘GO BANANAS GO BANANAS GO BANANAS GO BANANAS GO BANANAS’, due out this summer through Bubblewrap Collective.

Creatures of Cardiff, My Name Is Ian have already built a back catalogue that would have taken The Stone Roses millennia to mirror. Since 2010 their output of has dealt with break-ups, breakdowns, mysterious lion paintings and characters from the Tom Hanks movie Big. This restless productivity has seen genres including but not restricted to lo-fi, bedroom punk, garage rock, prog and anti-folk, all filtered through the pop-oriented cranium of frontman Reginald Foxwell.

Impressively prolific and prolifically impressive, bittersweet but unbroken, My Name Is Ian require your immediate attention.

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A statement from Sian Richardson, founder of the Bluetits



"I have been swimming at Porthsele beach under the cliffs on my farm which overlooks Whitesands Bay for over 50 years. Up until 2014 I had never dipped in the sea over the winter months. I decided to take the plunge in October that year because I had heard of a challenge called the Ice Mile, and it sounded like the kind of extreme challenge that appealed to me. 

I began dipping, first on Porthsele, and then all over Pembrokeshire. People were intrigued by what we are doing, some were  horrified, some vaguely interested, some interested enough to join us. My husband noticed how happy we all were when we came out of the water and suggested we call ourselves something. So The Bluetits Chill Swimmers took flight. 

Over the summer months of 2015 some people who came to my campsite at Pencarnan and heard about The Bluetits and asked if they could start up a group in their home area, and  so we began to spread far and wide, first in Wales, then the rest of the UK then overseas. My Ice Mile training was pretty much a solitary affair with just me in the water and my small team of helpers around me for safety support, and I enjoyed this, I had never really been swimming with groups of people so I didn’t really know any different. Swimming with the newly formed Bluetits was the complete opposite of course, and initially I wasn’t aware of any benefits to this. As the years passed by, the extreme ice mile completed and no more solitary training to endure, I totally immersed myself in group swimming with the many people in Pembrokeshire who were now swimming under The Bluetits banner. 

With no plan, time limits or expectations from my dips I began to appreciate the benefits of meeting up with likeminded humans. We laughed, cried, ate cake, drank warm coffee after the swims whilst warming up on a beach, walked home, made friends, went shopping in our changing robes and generally became comrades in and around the cold water. The bond created between humans who are challenging themselves to do something that scares them a little is immeasurable. 

I am always asked what is it about cold water that is life changing. The cold water is the anchor that holds us all together and going into it provides the adrenalin rush that in turn allows us to free our minds of all the crap that is in our heads for a short moment in time, but enough time to allow you to see the world with different eyes. For that moment in time all your worries and fears get pushed to the back of your mind. You notice the wonderful landscape around you, laugh with the person next to you about something that is momentarily very funny, hold your hand out for someone who is nervous, rejoice in the fact the body you have can do this.
   
Pembrokeshire has always been my favourite place in the world. I have worked here used its glorious landscape as a playground all my life. I no longer look at the winter months as a time when I retreat from the world. I now look forward to it as a time when I meet up with all the friends I have made through The Bluetits and experience more adventures in the water with them all.

It means the world to me that The Bluetits are going to be part of the DaffyDips4Dewi event. We began with two people dipping on a Pembrokeshire beach and we became 100,000 people dipping on beaches, in rivers and lakes all over the world. I hope to see pictures of thousands of daffodil hats bobbing in the water on Sunday February the 26th this year in celebration of Saint David – our very own local saintly ‘waterman’. If you want to find out more about us – then check out our website here:   https://thebluetits.co/ "

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DISCLAIMER

You are very welcome to set up your own event, however doing a DaffyDip4Dewi is entirely at your own risk. Please make sure that you are fit and well enough to do this. YOU are responsible for your own well-being. Take warm clothing and a warm drink for after the event.

If you want to have the Saint David’s Day Anthem as part of your event (get a local school or choir on board) the Saint David’s Day Anthem can be bought here: https://tycerddshop.com/collections/types?q=&constraint=composer_gwenno-dafydd





Welsh Alternative Psych Rock band 'Holy Coves' today release their brand new music video for single 'Grey' via their ever growing new YouTube channel. 'Grey' is the third in a series of five music videos created by award winning Ukrainian Filmmaker 'Taras Merenkov'. Merenkov's hazy cinematic style of direction really emphasizes the music and makes a formidable visual. 'Grey' is taken From the bands acclaimed new album 'Druids and Bards' which is out now via Welsh label 'Yr Wyddfa Records'.

Championed by Gary Crowley on BBC Radio London and playlisted on Amazing Radio's A List, Steve Lamacq on BBC 6 Music, with BBC Radio Wales support from Huw Stephens and Adam Walton, North Wales Psych-Rock Band Holy Coves had quite a year in 2022. Their acclaimed new album 'Druids and Bards' was very well received and is available now via North Wales record label 'Yr Wyddfa Records'.

Through long time friend and Producer David Wrench, 'Holy Coves' were put in touch with Texan Producer Erik Wofford (The Black Angels / Explosions In The Sky) and have built quite a magical working relationship, one where Wofford found himself on Mixing and Mastering duties for the 'Druids And Bards' album and it has certainly contributed to their new sound and ethos.

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Bethan Lloyd  is a Welsh artist whose trance inducing vocals expand over an ocean of rave inspired production, harmonic layering and otherworldly ecstasy. Her sonic exploration has taken her from training as a classical singer, immersing herself in Berlin’s experimental music scene, to learning with magicians, masters and the ancient teachings of the natural world. In her latest single,  No Umbilical , Bethan, producing alongside  ‘Jet Pack Dog’  bandmate and master of noise  Isaac Ray , takes her intense explorations of the spirit and emotional realms and blends them into something playful and danceable, a gritty experimental pop.

No Umbilical  had been through a variety of alternate versions before arriving at the one we hear today from the upcoming album,  Metamorphosis . Talking of impossible hertz and becoming the feeding ghost, it has always retained the stark lyrical ambition of its predecessors, but in its final form, Bethan and co producer Isaac Ray opted for a softer, rolling production, that hints at a 90s nostalgia with a modern twist. Bethan’s lyrics delve into the philosophy of animism and her classical vocal training shines through in the choral layering that brings the piece to a close. Accompanied by a video shot on a now vintage handheld camera, on the outskirts of Berlin, in a decaying building where nature tries to regain a hold,  No Umbilical,  both aurally and visually, places itself in a liminal space between past and present, consumerism and ancestry.

“Listen to this… This is good.. Impressive stuff from Bethan Lloyd”
Huw Stephens, BBC Radio Wales

“For Welsh artist Bethan Lloyd, the “voice” is a multi-faceted wonder - a tool, a weapon, a healing tonic.”
James Thornhill, Under The Radar Mag

“Bethan's inventive use of dream-like, layered sounds is otherworldly.. a rousing electronic set overlaid with distinct vocals... if it’s at all possible to imagine Gothenburg band The Knife singing in Welsh, then you might well be onto something.”
Susan Hansen, Clash Magazine

"A deeply emotive swirling electro pop that fuses together Lloyd's folk influenced, pagan like, refrains that gradually creep from personal and enveloping to swooping awestruck call to the heavens, underpinned by an intricate and pulsing tapestry of shadowy electronic sounds"
Bill Cummings, God is in the TV Zine

“I love the synths I love Bethan Lloyd voice, I love the the lyrics. It's just brilliant. She is just brilliant. Very enigmatic presence in many respects and a true artist.”
Adam Walton BB Radio Wales

“I saw Bethan play at Focus Wales… She blew me away.. She was one of my favourite artists of the festival… I love her music” Bethan Elfyn BBC Radio Wales “Bethan Lloyd is an incredible musician and singer” Zakia Sewell, NTS Radio


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(scroll down for English)

Mae’n bosib mai’r ddau drac yma yw’r mynegiad mwyaf pur a chrisialaidd o brif thema’r albym – profiadau Bethan ac Ynyr o fod yn rhieni. Maen nhw hefyd yn ganeuon pop da – felly roeddent yn teimlo fel par o ganeuon addas am sengl ddwbl.

1,2,3
Fel nifer o’r caneuon ar yr albym, cyfansoddwyd y gân hon yn wreiddiol ar y piano gan Bethan. Mae Ynyr a Bethan yn chwarae’r utgyrn ac yn ymuno a hwy mae Ioan Hefin, y dyn sy’n gyfrifol am solo trwmped mwyaf eiconig cerddoriaeth Gymraeg yn Gloria Tyrd Adre gan Eryr Wen. Mae hi’n gân am gariad a’r teimlad o geisio amgyffred maint y cariad gallwch deimlo at rhywun. Mae’n berthnasol i unrhyw fath o gariad ond yn yr achos hwn fe’i hysgrifennwyd wrth i’w merch droi yn dri mlwydd oed, gyda Bethan gwneud ymgais i fynegi a deall y cariad roedd hi’n ei deimlo am ei phlentyn a mawredd rhoi genedigaeth; yr her, gorchfygu a gorfoledd a holl fregusdra amrwd y profiad.

Geiriau
Shwt gall rhywbeth mor bitw
Siglo’r ddaear, tanio iâs?
Pan fi’n teimlo fe’n curo,
So’ fe tu fewn nawr, mae e tu fas,
Un, dau, tri Menywod doeth oedd yn gwylio,
Fy nghyn-famau, rhowch i mi nerth.
Holltodd twll yn y nefoedd,
Dysgu gwers o beth yw gwerth.

Fflachlwch Bach
Teyrnged i’w plentyn cyntaf-anedig. Daeth yr ysbrydoliaeth wrth i Bethan geisio cyfansoddi rhywbeth ar y piano gyda’i merch yn ei chôl yn scriblo dros y nodau. Mae prydferthwch mewn normalrwydd a phethau dydd i ddydd, gorfoledd mewn diwrnod arferol gyda phlant bach. Mae seren y gan yn ymddangos gyda solo allweddellau a’i llinell;

‘Beth chi’n aros am? Cân neu beth?
Fi mynd i ddechre un nawr so agor eich clustiau!’

Rhwng ysgrifennu a rhyddhau’r gan, mae eu hail blentyn wedi dod i dynnu sylw a chreu anrhefn wrth y piano unwaith eto, gan ysgrifennu rhan i’w hun yn y gân o nawr ymlaen hefyd. Mae Llyr Parri ar y dryms, Elen Ifan ar y soddgrwth a Mari Morgan ar y ffidil yn ymuno â Bethan ac Ynyr ar y trac yma.

Fflachlwch Bach (Bach) yw teitl y fersiwn fyrhaëdig hon o’r gân, gyda’r ferswin lawn yn ymddangos ar y record. Roedd y dull hyn o enwi yn fwy diddorol na galw’r trac yn ‘(Radio Edit)’ er ei fod mwy na thebyg yn fwy tebygol o achosi dryswch.




These two tracks are possibly the most crystalline and pure expression of the album’s main theme – Bethan and Ynyr’s experiences of parenthood. They’re also good pop songs – so they felt like an appropriate AA-side.

1,2,3
Like much of the album, this song was initially composed by Bethan on the piano. It features Ynyr and Bethan on trumpets but also features Ioan Hefin, the man responsible for performing Welsh music’s greatest and most iconic trumpet solo in Eryr Wen’s Gloria Tyrd Adre. It’s a song about love and the feeling of trying to comprehend the magnitude of the love that you can feel for someone. It can relate to any form of love but in this instance it was written when their daughter turned 3 years old, with Bethan trying to articulate and comprehend the outpouring of love felt for a child and the hugeness of childbirth; the challenge, escalation, triumph, glory and the raw vulnerability of it all.

Lyrics:
How can something so small
Shake the earth, spark shivers?
When I feel it beating It’s not inside now, it’s outside
One, two, three Wise women were watching
My ancestral mothers, give me strength
A hole split in the sky
Learning a lesson about what value is

Fflachlwch Bach
An ode to their first-born child. The inspiration came as Bethan was trying to compose something on the piano with their daughter in her lap scribbling over the notes. There’s beauty in normality and the everyday, joy in an average day with small children. The star of the song also makes appearance with a keyboard solo and her self-penned line;

‘What are you waiting for? A song or what?
I’m going to begin one now so open your ears!’

Between the writing and release of the song, the arrival of their second child has brought fresh distractions, beats and chaos to the piano, thus writing himself a part in the song. Llyr Parri on drums, Elen Ifan on cello, Mari Morgan on Violin join Ynyr and Bethan for this one.

This shortened radio edit version is called ‘Fflachlwch Bach (Bach)’ whereas the full-length album version is Fflachlwch Bach - bach means small or little. Whilst it’s more fun than just calling it ‘(Radio Edit)’, it’s probably more confusing. 

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Q & A with Mark



So Mark what about yourself? Have you ever experienced love at first sight?

Mark: Definitely, but unfortunately it hasn’t worked out for me yet. It is hard with my lifestyle. I am always on the road, travelling the world but it puts a lot of pressure on my relationships as you will hear on my new EP ‘Getaway’.. But these stories give me hope and you never know what is around the corner.I did see photos of Catherine Zeta Jones over the weekend on instagram of their beautiful family dancing. Just wonderful. Now apparently when they first met Michael Douglas said it was love at first sight and he just knew. He said he was going to be the father of her children and well the rest is history.

Is the song heartfelt about a true story?

Mark: Yes. When we were just 18, me and my friends went on holiday to France. On the first night, one of my friends saw a girl on the other side of the campsite bar and said ‘there she is, she is the one’. Of course we all laughed, but despite the fact they spoke different languages and lived in different countries they are now married and live happily in Wales with two children. He was right after all and this song is about them.

How did the idea come to you?

Mark: As with most of my songs, the music comes first and mainly from an acoustic guitar. I was away working on ship and sometimes when I arrive the guitar is out of tune form the travel. I remember the top E string being detuned to a D and it surprisingly sounded good, so I kept playing and ended up with this dreamy arpeggio guitar part that drives the song. The rest soon followed.

Do you think love at first sight is a real thing?

Mark: I believe so for many people. I read some statistics recently - Nearly 34% of people claim they have experienced love at first sight 41% of men 29% of women. And It’s a nice thought in a world where there’s so many break ups. But you still gotta work hard for it!

Have your written any other songs about love on forthcoming new ep?

Mark: I’ve written about being in love and it not working out, but always wanting to be there for that person. I couldn’t say it to her so I put it in a song. My last single was an upbeat summer song about Getting away from the struggles of day to day life. There’s also one about that moment you’re in love and you just want to shut out the world and make the world wait. All heartfelt stuff.

What’s next for you, more love and music?

Mark: Well, I’m still working on the love part, but my new ep will be out early next year so I’m looking forward to finally being able to share that with everyone.

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From the Wikipedia: - "Miriam Kate Williams (6 May 1874 – 8 August 1946) sometimes called Kate Roberts and better known by her stage name Vulcana, was a Welsh strongwoman. With strongman William Hedley Roberts, better known as Atlas, she toured music halls in Britain, Europe, and Australia. The couple performed as The Atlas and Vulcana Group of Society Athletes."

The extraordinary tale of a Welsh strong woman. Watch the embedded video below.

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