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The Epynt Evictions or They Shoot Horses, Don’t They?


By Paul Steffan Jones AKA, 2017-04-20




mynydd eppynt.jpg



World war by its very definition touches many people in many places. Those tending the tranquil slopes of Mynydd Epynt and Mynydd Bwlch-y-Groes in Breconshire in late 1939 could have been forgiven if they thought that the war with Germany would not trouble them much especially as their’s were reserved occupations that made them exempt from conscription and their produce would be needed in the war effort. However, to their horror, the War Office requisitioned their homes in order to establish an artillery training range in preparation for the fight against Hitler and his allies.

The process of official notification and the lack of consultation was marked by an authoritarian approach. Epynt was a largely Welsh-speaking area and Welsh language newspapers were vocal in resisting this move.There was, however, little real support from other newspapers in Wales. The only organisation to make a sustained resistance to the evictions was The Committee for the Defence of Welsh Culture who attended a meeting with Lord Cobham, Assistant Secretary for War, along with farmers’ representatives, MPs, and members of Breconshire County Council. The Government did not change its mind.

219 people were ordered to leave by 1st June 1940, exiting in carts with what they could carry. They never came home. 54 homes, a school, a church, a public house, and farmland were abandoned to create SENTA, the Sennybridge Training Area. One farmer was said to have “cried himself to death” on being evicted from the farm his family had worked for generations. It was reported that many of the middle aged farmers died relatively soon after being ejected from their farm houses. One continued to return to maintain the cemetery until 1985, travelling by bicycle, carrying a scythe and putting flowers on lonely graves.

Landowners were allowed compensation for the loss of property but the removed population received no support from the state in obtaining new accommodation, employment or schooling. Some managed to settle near their former homes but the community that had enjoyed plygain, the eisteddfod and the co-operation of their neighbours was broken up. Their fields became target practice ranges and their ploughs were replaced by howitzers. Their buildings were blown up and superseded and parodied by the construction of a mock German town in the 1980s to better simulate fighting Soviet soldiers in an urban conflict.

Many now regard this official action as theft and ethnic cleansing. In this single act of military expediency, the boundary of Welsh-speaking Wales was pushed 15 kilometres westwards.

Epynt means place of horses and it was once an area renowned for that animal. Occasionally, a stray horse would wander into the militarized zone following some half-remembered track-the last one to do so in 1954 was shot.

The memorial inscription at the site of the ruined chapel reads:

He shall judge between the nations, and shall decide for many peoples; and they shall beat their swords into ploughshares, and their spears into pruning hooks; nation shall not lift up sword against nation, neither shall they learn war any more. ( Isaiah Book 2, verse 4)

Or in the language of the original custodians of that landscape:

Ac efe a farna rhwng y cenhedloedd, ac a gerydda bobloedd lawer; a hwy a gurant eu cleddyfau yn sychau, a’u gwaywffyn yn bladuriau; ni chyfyd cenedl gleddyf yn erbyn cenedl, ac ni ddysgant ryfel mwyach.


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Slaughterhouse Wales


By Paul Steffan Jones AKA, 2017-04-13




Welsh Serial Killers




I grew up in a small village in West Wales. The nearest railway line had been discontinued two years after my birth and the motorway never got close. My best friend was the son of a Nonconformist Minister of Religion. As we were gradually shaped into nervous rebellion against our parents and the chapel, we became sucked into the darker regions of counter culture. We were especially interested in the Charles Manson story and quickly became aware that our little country seemed not to feature such a monster. Perverse pubescent punks that we were, we bemoaned what we saw as a qualification lacking in the nation we imagined we were living in and for.

We grew up, we grew apart as assassins shyly made their entrance onto the stage of national horror:

Joseph Kappen was born in 1941. He raped and killed 3 teenage girls who were hitch hiking home from nights out in Swansea in 1973. He escaped justice but his body was exhumed in 2001 for DNA analysis which identified him as the perpetrator, the first time this procedure had been performed on a previously interred corpse. The newspapers at the time of the attacks referred to the unknown assailant as The Saturday Night Strangler . Kappen had worked as a driver, a bouncer, and a “hobbler” in the black economy, and had a number of convictions for burglary, assault and car theft.

Lt Commander Neil Rutherford, DSC and bar, was born in 1922. He killed 4 people in The Red Gables Hotel in Penmaenmawr in 1976, his victims his former employer, her daughter and son-in-law, and their family friend from Texas. Rutherford had worked as the hotel’s gardener and had served in the Royal Navy during World War Two and the Korean War. After leaving military service he had taken over his father’s company before it was liquidated. Death by shooting with a handgun-he killed himself with it after setting fire to the building. Strictly not a serial killer as the murders did not happen over an extended period of time-the end result is the same.

John Cooper was born in 1944. He too killed 4 people, in Pembrokeshire, a millionaire farmer and his sister in 1985 (he set fire to their home) and a tourist couple on the county’s coastal path in 1989. He appeared in the TV show Bullseye which helped in his later identification. Death by sawn-off shotgun. He won Spot The Ball in 1978, an amount worth about £400,000 in 2017, but soon spent that money on gambling and drinking. Following this, he began a career in burglary which resulted in him serving a 10 year prison sentence starting in 1998. He was also convicted of assaulting a group of teenagers, raping one of them. He had worked as a farm labourer and claimed Social Security benefits.

Peter Moore was born in 1940. He killed 4 men in 1995 in isolated locations. He was the owner and manager of a number of cinemas in North Wales but his business was failing at the time of his offending. Death by stabbing. The press dubbed him The Man in Black and he was described as the most dangerous man ever to set foot in Wales at his trial in 1996. In prison, he befriended Harold Shipman, a former GP and Britain’s most prolific murderer.

David Morris was born in 1959. He was convicted of killing 4 members of the same family, all female, aged 8 to 80, in Clydach in 1999. Death by blunt force and, once again, their home was set alight. He has always protested his innocence and DNA found at the scene did not match his. Initially, members of South Wales Police were interviewed in connection with this massacre. Morris had worked as a builder.

Sex, money, rejection, jealousy and power were among the motives in these slayings which occurred all over Wales, at rural as well as urban locations. The backgrounds of these offenders vary considerably but their choices were uncannily similar despite the perceived advantages of some of them.

The first act of the United Kingdom Government in the year when these outrages began was to join the European Economic Community. In 1999, when this particular sequence of crimes ceased, the National Minimum Wage was introduced, Jill Dando was assassinated on her Fulham doorstep, and, on that terrible day when Doris Lawson, her daughter Mandy Power and granddaughters Katie and Emily met a bloody end in a burning house in Clydach, the Millennium Stadium was opened.

This slaughter commenced as we bored boys entered our teenage years. We should have been more careful what we wished for...


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Weather Forecast


By Paul Steffan Jones AKA, 2017-04-11




I wait for a storm

that has a name

more known

than people I know vaguely

more known than me

I wait for a storm

that knows me

that names me


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Posted in: Poetry | 0 comments

Remember Remember


By Paul Steffan Jones AKA, 2017-04-11




5th November

Remembrance Sunday

then some wasteful argument

about football players

wearing poppies or not

we escaped being defeated

by German Wunderwaffe

but still insist on such handbags

I remember Jackie Leven

a favourite crooner-writer

who died in the same year

as my mother

I bought him a drink once

the night he visited my county

the kind of thing one does

for one’s heroes

when they make that journey

when one makes that journey

too


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Posted in: Poetry | 0 comments

I'm a Non-Entity Get Me Out of Here


By Paul Steffan Jones AKA, 2017-03-24




The exaggerated melodrama of

the contemporary method

of delaying the announcement

of who’s been voted in or out of

this evening’s hit TV show

that pantomime pause

a menopause

by the men of pause

I’m in danger of becoming dimmed

so put me on dim watch

like most popular culture

those diversionary tactics

those big legs that carry Little Mix

blare out over the latest chapter

of this nation’s paedophile history

historical or not

what about historical abuse

that happened in historic houses?

or historical abuse

of a historical character

in a historic house?


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Posted in: Poetry | 0 comments

No Harps


By Paul Steffan Jones AKA, 2017-03-12




I am not a harper

I am not a Fisher King

I am neither of these things

I am not a father

I am not a feather wing

I am neither of these things

I am not a player

I am not a fiddle string

I am neither of these things

I am not a piper

I am not a diamond ring

I am neither of these things

I am not a singer

I am not a playground swing

I am neither of these things

I am not a sinner

I am not a waspish sting

I am neither of these things

I am not a swimmer

I am not a moorland spring

I am neither of these things

I am not a winner

I am not a rifle sling

I am neither of these things


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Posted in: Poetry | 0 comments

Song of David


By Paul Steffan Jones AKA, 2017-03-08




There used to be giants

nimbly rolling the rocks

around the known landscape

to cap water spirals

the people used to be giants

now they were not

or so they thought

though suspicious of Rome

they went about unarmoured

along forest tracks that led back to them

they strained to hear the bells

of the sixteen wall towns

of the kingdom they were told lay

under the shallow bay

they believed though no sound came

save the mourning of gulls

and the collapse of waves

he took his first steps and was injured

his father and his uncle

battled against snow to get his face sewn up

but a crucifix injected itself into his arteries

and travelled those routes for many years

forcing him out of shape

to grow tall and crooked

trying to sink into his shoulders

as his mother had done at that age

the shadow of smoke

he recalled Jesus

how gentle he’d seemed

the women loved him

still he couldn’t understand why they did that to him

he was obliged to follow the old religion

though more drawn to Hell

he looked like the Turin Shroud when asleep

he kept telling them he was dead


in a country with a higher number

of castles than any other

he played at the cottage of his great grandmother

and the motte and bailey castle

next door after which it was named

the comfort of grass and a six hundred year gap

and discovering gooseberries for the first time

both his grandfathers died at the wheels of their cars

without a mark in almost inexplicable accidents

when this curse outlived its usefulness

he would learn to drive

in order to get out of this valley

where everything was washed down slopes

into the river into the sea into the ocean

into rain back to this place again

TV was new wall-to-wall war every night

Vietnam and Ulster

and the offerings of producers

who had survived the “last” war

he in turn re-enacted liberation

and freedom fighting with comrades

and guns left over from the resolved

and unresolved conflicts

of previous generations

providing ammunition

for their imagination

he put knives in his pockets

his belt his eyes

to steady his nerves

to ward off his father

whom he had exceeded in height

he was not taught the story of his country

but guessed at its events

and found that his broad accent

was nothing to be embarrassed about


he spoke two languages

but wanted to renounce one

until he learned to love it again

to revere his birthplace for what it was

and not dismiss it for what it wasn’t

at the beginning of the space age

his parents acquired labour-saving devices

that helped them in their daily chores

and in the raising of their children

but these machines took over their time

and sucked out the soul of family life

they looked after a chapel

next to their home

the silhouettes of tombstones

dancing around his bedroom walls

illuminated by car headlights

the new people arrived

they had always been there

but now seemed to be everywhere

speaking the language his tribe had absorbed

they took over abandoned farms and chapels

and the leaderships of some of the hundreds

the inflexions and drive of a different gang

he pretended he was like them

but in the uncertainty of changing North Atlantic culture

his tongue fumbled some of the old words

in their unfolding

in the summer he slept with windows open

in the mistaken benevolence of electric light

beyond which night creatures

exhaled their excited air

and burned empty homes

he grew into song

into words and deeds

his chewing gum grin

glossing over his mistrust in his seed

until the egg begged

now the blood of princes runs through him

carries him shoulder high to computer-enhanced

mountains blue with rain

where they do not overwinter sheep

the blood of princes runs him through


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Posted in: Poetry | 0 comments

A Welcome to Cwm Teifi


By Paul Steffan Jones AKA, 2017-03-07




I leave this river
that nourished my upbringing
and inspired my imagining
as you arrive,
or, rather, return to its banks

in the valley where the sweat
of the labour of our forefathers
mingled with sweet meadow streams,
helping to replenish this waterway,

its stately, muscled progress,
trout breaking its surface
on warm, dreaming evenings,
in circles, those lines without end,

the flash of the kingfisher,
the seemingly stilted flight
of dragonflies,

the ancient, narrow bridges,
arches leading in,
leading out,
persisting, permitting.


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Posted in: Poetry | 0 comments
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