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Attached is the flier made up by Tom Owen ( Welsh Society of Portland ), highlighting the musical events of interest to the general public at the North American Fesitval of Wales [NAFOW], in Portland. Please circulate as widely as you can, to help promote the wonderful Welsh festival happening this week! For those not in the right time zone to actually join with us this week, I thought you might appreciate knowing about the event anyway.

NAFOW Music.pdf
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Welsh MI5


By Gaynor Madoc Leonard, 2010-08-29

I had to look up directions to a place where I'll be meeting a friend this week and found that it's very close to the MI6 building in London which is marked on the London streetmap as "Secret Intelligence Service", rather defeating the purpose one would have thought, except that the building is well-known throughout the world since being featured in a Bond film.

I looked up both MI6 and MI5 on the web (they both have easily-accessible websites) and was rather impressed that amongst the 6 or 7 alternative languages MI5 provides on its site, Welsh is one. MI6 does not do us that courtesy.

We'll know we've arrived when we have a Welsh-speaking Bond villain.

Gaynor

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Late Breaking NAFOW News!


By mona everett, 2010-08-28
The Choir for the NAFOW Grand Concert, Cor Godrer Aran, has some very good soloists, and some of these have agreed to compete in in a special solo voice competition, Fri, Sept. 3, at 2 or 2:30 pm. There will be about 6 competitors and it will last about an hour. The winner will receive the NAFOW trophy award.This promises to be an outstanding competition. Entry into the event iis free! This will be at th aDoubletree-Lloyd Center in Portland, Oregon.
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The Last Llanelli Train


By Gaynor Madoc Leonard, 2010-08-26

Has anyone else read Robert Lewis's series of books about Robin Llewellyn, grubby PI and professional drunk? I've just read The Last Llanelli Train and intend reading the others. Really bleak but a very mature novel for someone in his twenties, as Lewis was when he wrote it. I particularly liked the black humour of the following:

'I've never been one for long, dark nights of the soul. I've tried, but I just couldn't stay awake...'

Gaynor

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An Interview With Lorin Morgan-Richards


By Ceri Shaw, 2010-08-26

Lorin Morgan-Richards is a composer, author, illustrator and purveyor of finely crafted dark humor handmade books. He is a direct descendant of Welsh American poet Robert Dennison Morgan. Lorin will be appearing at our booth at Wordstock on October 9th- 10th. He will be presenting a limited edition print of 'The Goodbye Family in Wales' to the first 100 visitors to the AmeriCymru table on both days. Be sure to arrive early! The location of our booth can be found here ( booth 620 ) and samples of Lorin's work can be found in the slideshow at the bottom of this page .

AmeriCymru: Your latest book is titled 'A Boy Born From Mold' . Care to give our readers an idea of what they will find between its covers?

Lorin: Diolch Ceri for allowing me the opportunity for this interview and giving me a chance to share my passion. 'A Boy Born from Mold and Other Delectable Morsels' is my second published book through my small press, A Raven Above Press, which encompasses dark humor short stories with pen and ink illustration. Readers often call my books 'Gothic Fairytales' because they are reminiscent of Victorian Era moral stories.

'A Boy Born from Mold', my title story, reveals a mysterious boy named 'Rune' who lives in a basement, after having been hatched from an old forgotten family quilt. His neighbor upstairs is a lost little girl who seeks knowledge about her family's heritage. The two intersect and the story unravels so to speak.

I find it interesting the symbolism and metaphors that readers pull from this story. Some have thought of it as giving insight into some sort of Pagan beliefs. One commented it was a metaphor for the Celtic Tree of Life. The little girl upstairs represents an above plane while 'Rune' resides in the below or Otherworld, and the remaining between provides the journey towards consciousness of spirit and self interconnected. I will not say if these are accurate or intentional in any way, but obviously, the story itself was meant to fascinate adults as well as children, and like one reviewer mentioned, this story is fundamentally about finding oneself. 'A Boy Born from Mold' is just one of seven delectable morsels in the book.

AmeriCymru: You have an interesting, perhaps unique, method of publishing your work.Can you give us a brief idea of the process by which you individually handcraft each volume and the materials you use?

Lorin: In making 'A Boy Born from Mold and Other Delectable Morsels', I begin by gathering tools and my materials. After this, I use an Epson printer to make two sided booksheets. Both the booksheets along with the endsheets are folded into fourths and are cut to size. I then measure out and paste down cotton cloth and hinges to the first and last signatures. One by one I sew the signatures together using Irish linen thread, and these are knotted and glued. After I glue the spine, I attach a ribbon and let it dry. I then begin constructing the hardcover case. Last steps are adding the title to the spine with my foil stamp machine, gluing the pages to the case and pressing each book for several hours. Each book is signed and limited in edition to 400 copies. The bookbinding process is hard to measure in time, but once the pages are printed it takes a little over an hour for each book. Interestingly, the sewing is both the most time consuming and therapeutic part of my bookbinding.

AmeriCymru: Is there any significance in making them limited edition?

Lorin: In the ancient tradition of making things by hand, each book is interconnected with the author and thus has its own life principles. To further emphasize this, I made each part of a limited edition of 400 copies. However I wont delve into the significance of the number 400.

AmeriCymru: On your website we learn that you are of Welsh and Amish ancestry. How did you become aware of your Welsh ancestry? Does it influence your work in any way?

Lorin: I believe dreams connect us to our ancestors and it is through creativity that we can tap into this in the conscious state. Creativity is a sort of trance that we have as artists that erases time and space. My mother's side, the Morgan family, is originally from Wales. I began questioning my identity pretty early on, but didn't understand or learn about it until I was in college when records and books became more readily available. By this time, unfortunately, my grandparents had also all passed. From here, I became heavily involved in genealogy and found in the US Census reports my direct ancestor 'John Morgan' as being born in Wales. Last year, I visited Cardiff and did more research, but found that the commonality of the name 'John Morgan' was equivalent to 'John Smith'. So my research continues. But in the meantime, I've begun taking steps to reconnect by learning Welsh and will be incorporating even more of the culture into my writing and illustrating.

AmeriCymru: You are currently working on several written projects with a Welsh linguist in Swansea. Care to tell us more?

Lorin: In the fall, I will be releasing an audiobook of 'A Boy Born from Mold' with narration by Welsh linguist Jason Shepherd. I met Jason through 'The Learn Welsh Podcast', an informative podcast that he created and hosts every week. I am very lucky to have his talents for this project. His voice is simply stellar and his readings add a lot of charismatic dimension to the stories.

AmeriCymru: Do you see yourself as primarily any particular type of artist - painter,musician or writer?~ Do you have a favorite medium to work in and if so, what is it about that medium?

Lorin: I am most comfortable with writing and pen and ink illustrations. My filter tends to be cut ups of what is around me blurred into my own feelings and interests of the Victorian era. I don't try to categorize myself but I do recognize my influences are a bit more macabre than usual.

AmeriCymru: What is next for Lorin Morgan-Richards? Do you have any new works in the pipeline?

Lorin: On September 12th, just in time for Grandparents Day, A Raven Above Press will be releasing a book entitled '13 Disturbing Postcards to Send to Your Grandparents'. This book is a lighthearted take on the mushy postcards kids send to their grandparents. I personally had terrific grandparents, but I thought it might be funny to create a book that is polar opposite to the postcards available today. I will also be releasing a miniature illustrated alphabet book that I will have finished by Halloween entitled 'The Terribly Mini Monster Book.

AmeriCymru: Any final message for the members and readers of AmeriCymru?

Lorin: Thanks for the appreciation and I hope that I am able to meet some of you at Wordstock in Portland! Hwyl fawr am nawr!








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Only Men Aloud, under their US name Men Aloud, are appearing on Public Broadcasting stations throughout the USA September through December as part of a major annual fundraiser for Public Television. The promotion will feature pre-recorded footage of the choir in a concert at the Wales Millennium Centre and interviews with founder and conductor of Only Men Aloud Tim Rhys Evans who talks about Wales and his own vision for bringing the Welsh choral tradition into the 21st century.Public Broadcasting in the USA is a network of TV stations that broadcast quality programs and carry no commercials. The stations rely on donations from viewers to keep them afloat. Viewers who pledge money during the Men Aloud fundraising drive will receive copies of the new 'Men Aloud - Live from Wales ' DVDs and CDs which have just been released in the US market by Denon.The Welsh Assembly Government in New York worked closely with Only Men Aloud and their agent Merlin Media Group to make this promotion happen. Catrin Brace of the New York office said, We have enjoyed working with OMA on this project and hope that the publicity gained from this very important promotion will help OMA on their way to becoming a professional choir and create jobs in the Creative Sector in Wales . The promotion will also go a long way towards our aim of raising the profile of Wales in the USA .
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Young Welsh folk band Calan won first prize in the folk group competition at this year's Interceltic Festival in Lorient on its 40th anniversary. Fifteen groups from the other Celtic regions took part and Calan won the unanimous decision of the judges to take first prize.

Calan were also performing as part of the Wales delegation, supported by the Welsh Assembly Government, for this celebratory year, along with contemporary Celtic folk band Mabon; also performing were Parti Cut Lloi, a male voice folk choir from Montgomeryshire led by singer and harpist Sin James, Dawnswyr Nantgarw, one of Wales' top traditional folk dance teams and harpist and singer, Gwenan Gibbard. The visual arts were also represented by painters Neil Carroll and Sarah Carter, through the support and sponsorship of Cynon Valley Museum and Gallery.

Calan's success rounded off an excellent week for the Welsh performers at the annual Celtic gathering, the largest to date - an estimated 800,000 people visited the small Breton city over the ten days. The quality of the Welsh musicians, dancers and artists lifted the profile of Wales and audiences showed their appreciation night after night. On Saturday 7th August, Parti Cut Lloi, Dawnswyr Nantgarw and Gwenan Gibbard performed to 11,000 people in the opening spectacular 'Nuit Interceltique', with Mabon and Calan performing to packed venues at all their concerts. Parti Cut Lloi were also fortunate to be involved in a performance of a new symphony based on themes of Celtic music, composed by Didier Roper and performed for the first time in the festival's main 3,000- seat pavilion.

However, despite the impact made by the Welsh performers and artists, Wales was also conspicuous by the absence of a pavilion in a year when all other Celtic regions were present. Cornwall and the Isle of Man provided pavilions to present their culture and tourism, alongside the Scots, Galicians, Asturians and Irish.

Brittany was the featured region for this 40th anniversary, showcasing its enormous amount of musical and cultural talent. Next year will feature the Celtic Diaspora, Celtic peoples who have made their homes in other parts of the world like Nova Scotia, Patagonia, the United States and Australia, but still hold fast to their traditions and languages.

The ten day event closed on Sunday evening with a two-hour broadcast of the 'Nuit Interceltique' for the first time on prime-time French television, featuring the Welsh performers alongside those from the other regions. Antwn Owen Hicks, organiser for the Wales delegation, said, "After 40 years, the festival continues to go from strength to strength. It is a unique and valuable event for Wales to be involved in, for Welsh performers and artists to engage with audiences on this scale and to meet and collaborate with artists from the other Celtic regions. Long may it continue!"
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AmeriCymru spoke to Lyn Ebenezer about his fascinating new book 'Operation Julie' published by Y Lolfa. The book investigates what was at the time, the biggest UK police anti drugs operation in history. Allegedly 50% of the world's LSD supply was manufactured in the small Welsh village of Llanddewi Brefi. For more background information read the press release here .




AmeriCymru: When did you first become aware of Operation Julie? Care to tell our readers a bit about the background?

Lyn: I did not become fully aware of Operation Julie until the week-end of the arrests in 1977. Yet there were pointers that should have made me aware that something strange was happening. There were strangers more than usual in the bars of the local pubs in Tregaron. They passed themselves off as bird watchers. And a few weeks before the swoop I was told by a local man of a strange encounter with a stranger who carried a holdall. He began talking to my friend and they shared a few pints. As the stranger was preparing to leave he offered my friend a considerable sum of money for keeping his holdall for a few days. My friend, believing the man to be a bank robber or a member of the IRA made an excuse and refused.

Following the swoop, others mentioned similar experiences. In fact I know of one person who burnt over 10,000 he was safekeeping in his coalhouse for one of those arrested in case the police discovered it and traced it back to him.

AmeriCymru: Were any of the villagers in Llanddewi Brefi suspicious of the 'hippies' who had settled amongst them? Was there any friction?

Lyn: At Tregaron there was no friction between Richard Kemp, the brilliant chemist and his partner, Christine Bott. They, of course, were not hippies but seekers of the Good Life who kept goats and grew organic vegetables. They were rather reserved, but their next door neighbours found them to be friendly. At nearby Llanddewi Brefi, Alston Hughes, or Smiles one of the principal dealers - was a living legend. He was gregarious, funny and generous. He would throw money around like confetti. In fact, as I state at the end of my book, should he and his friends return there today, I have little doubt that they would be welcomed.

AmeriCymru: It has been suggested that the people arrested in Operation Julie were responsible for 90% of the UK supply of LSD and 40-60% of the world's supply. How accurate do you think these figures are?

Lyn: Many of the figures released to the press were massaged. I have no doubt of that. Operation Julie was political. Its brief was to stop LSD production in the UK. But as Christine Bott said in court, it was more to do with the money being made rather than with drugs. I also believe that the Government was wary of the young peoples popular movement that was rapidly spreading from Haight Ashbury around the globe. There was also a political element being Operation Julie. Dick Lee, the Operation Commander had dreams of establishing a UK-wide drugs squad like the FBI. So he began feeding the press with some exaggerated stories in order to further his case.

Differing figures were bandied about. It was said that the two LSD production rings were responsible for from 40 60% of LSD made world wide and 90% of LSD made in Britain. It was also said that Operation Julie led to such a scarcity of LSD that it rose in price from 1 a tab to 8. I would rather believe the Release organization that stated that the price of a tab of LSD soon after the trial was as low as 10 pence a tab for the buyers, who sold it on at the same prices as before, 1 a tab on the street. Operation Julie may have dented the trade, but LSD, following the sentencing, was as easy to obtain as cannabis.

AmeriCymru: In a recent press release it is stated that you were able to record recent interviews with people who were involved in these events. How difficult was it to track down the participants?

Lyn: My interviews over the past 30 years have involved mostly ex police officers who did not wish their names to be made known. But I am friendly with Alston Hughes friend and chauffer Buzz Healey, who is a charming man. He was present when exchanges were made with 50,000 tablets changing hands for 62,000 at one bar and worth 125,000 of LSD being exchanged in another bar. Healey has not disclosed any incriminating evidence and I have never pushed him for information. He was not involved in the LSD conspiracy but was jailed for 12 months on charges relating to cannabis. He still lives locally and is much liked.

AmeriCymru: David Litvinoff plays a central role in these events and indeed you devote a whole chapter to him in the book. Care to tell us a little about his background?

Lyn: Litvinoff, like Alston Hughes also became a legend but some six years before Operation Julie was set up. He had been involved with the Kray Brothers in the East End of London and had been forced to flee. Ronnie Kray had slashed him across his face with a sword. He was also deeply involved with the pop scene and the Chelsea Set, who included the Rolling Stones and Eric Clapton. He worked as dialogue coach on the film Performance. Days after Hendrix died, Litvinoff showed me an invitation card he had received for Jimis funeral. Stuck on the card was a boiled sweet impregnated with LSD. Those who were not able to make the funeral were told to take the sweet at the exact time of the burial.

Litvinoff played me back a telephone conversation he had made with Bob Dylan. They seemed to be on friendly terms. It is believed that the character Davies in Harold Pinters play The Caretaker was based on him. Litvinoff left suddenly in the early seventies. He had been involved with drugs, undoubtedly, and I believe that he was the harbinger of the hippy invasion of the area. He later hanged himself.

AmeriCymru: What was the American connection in all this? We hear about visits to mid-Wales by Jimi Hendrix and others but were any Americans involved in the manufacturing operation itself?

Lyn: Plas Llysin, where Richard Kept manufactured his LSD at Carno had been bought by Paul Joseph Arnaboldi, an ex New Jersey schoolteacher. He was later employed by an American construction company in the Middle East where he sustained a serious injury. He was a friend of LSD prophet Timothy Leary and The Brotherhood of Eternal Love. He bought a home at Deia on Majorca and then bought Plas Llysin, on the pretence that he was there completing a biography of President Kennedy. He was at the top of the conspiracy to manufacture and marketing of LSD. At the time of the Opeartion Julie swoops he is believed to have been tipped off. He fled to Majorca where he was arrested but was released because no extradition treaty existed between the UK and Spain. He then flew to America and disappeared, but is believed to have died at Deia..

AmeriCymru: How did the UK press react to these events? Do you think on balance that they reported accurately and played a positive role?

Lyn: As I previously mentioned, the press was in Dick Lees pocket. As soon as the premier players in the affair had been jailed, Lee published his book on his part in Operation through the Daily Express, ghost written by an Express journalist, Colin Pratt. Another officer, Martyn Pritchard published his own memoirs through the Daily Mirror. Wild and exaggerated stories were circulated involving a plot to dump LSD in a Welsh reservoir in order to turn on the whole of Birmingham. Lees book is also riddled with mistakes. In fact, the first impression had to be called in after damages of 1,000 were awarded to a man libeled in the book. Much was made by Lee of a terrorist connection involving Bader Meinhoff, The Angry Brigade and the IRA. But not one of those charged was accused of anything remotely connected with terrorism.

AmeriCymru: In what way was the area permanently changed? How did the rural community react to the glare of international publicity?

Lyn: The influx of hippies to rural Wales coincided with the great influx of incomers in general in the sixties and seventies. Small communities virtually changed overnight. Yuppies and Good Lifers from the cities were able to sell their homes for around half a million pounds and buy a cottage in rural Wales for around 10,000. The LSD conspirators were a part of that influx. Having said that, many of these semi-hippies who settled down were largely welcomed. Otherwise they would not have been able to hide their secrets so successfully and for so long.

AmeriCymru: Do you think there is any truth in the rumour that there are 'undiscovered stashes of LSD and hidden fortunes' concealed in the hills and fields around Llanddewi Brefi?

Lyn: I believe the stories of hidden fortunes have been concocted by mischievous locals, as well as by friends of Smiles who wish to perpetuate his legend.

Any final message for the members and readers of AmeriCymru?

Lyn: Be careful what you believe. Fact and fiction have been so confused that it is almost impossible to separate the one from the other. Still, be they fact or fiction or a little of both they still make a great story!

The Last Bard Standing live poetry competition has been combined with our Thursday night event at the Buffalo Gap. BOTH the live poetry and live story telling events will now take place at the Buffalo Gap on Thursday October 7th. Tickets for Friday nights event will be valid for Thursday night and we will be emailing everyone who has bought a ticket for Friday night individually over the next few days. Anyone who cannot make it on Thursday night will be entitled to a refund. Meanwhile we will be announcing the full and final program for the Night of The Living Bards event some time in the next 24 hours.

Alternative plans for an event on the night of Friday October 8th will be announced shortly. We apologise for the confusion but we have been overwhelmed with preparations for our presence at the Wordstock festival on 9th-10th October. We will be releasing full details of our presence at that event in this group shortly.

Night of the Living Bards - Left Coast Eisteddfod

Where: The Buffalo Gap 6835 SW Macadam Ave - Portland, OR 97219
When: Thursday, October 7 from 5:00 pm to 11:55 pm
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Check this out!


By mona everett, 2010-08-24
http://www.thewelshdragon.co.uk/

I was surprised to see they used the word " Mabinogion ," when the correct form, I believe, is "Mabinogi," --regardless of what Lady Charlotte Guest called her translation! :)

However, it is an awesome undertaking! Thanks to K.J. for sharing!
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