Blogs
Author’s tribute to her parents’ “awesome courage” in the face of anti-Welsh sentiment
By Ceri Shaw, 2009-06-15
Across the Severn is Eva Goldsworthys heartfelt tribute to her parents, who were forced to uproot themselves from Wales after the 1921 miners strike and had to face down anti-Welsh sentiment when they moved to England. The author says, This book is an account of two people I loved. From one angle their lives were uneventful but they illustrate the great courage inherent in the Welsh as a people the way they stick to a task and make the best of difficult circumstances. May and Joe stayed true to this tradition even though they would have been the last to admit it.
More than a familys story, Across the Severn is also an excellent piece of social history. Events in the lives of the protagonists are constantly rooted in the wider context of the turbulent politics of the early 20th century. Goldsworthy examines the devastating effects of pit closures in the Valleys and the 1921 miners strike, which left her father with no choice but to seek work in hostile England. On a trip home to Ogmore Vale in 1926, the author observed firsthand the obvious signs of poverty following the General Strike. She says, I remember boarded-up shops and thin, grey-faced men hanging around on street corners. The coal mine owners had taken their revenge and there had been savage cuts in employment, most of all for the so-called agitators. The burning aim of most of the youngsters in Ogmore was to get out.
The author also includes her reminiscences of the time she spent working on the development of radar and nuclear fission during the Second World War. Socialism, the emancipation of women, and the swan-song of the English gentry are amongst the other wide-ranging topics which form a background to this fascinating story of how individuals coped with the difficulties they faced during an era of unprecedented change.
Eva Goldsworthy was born in Wales but spent most of her life in London as a mathematics teacher. She has three daughters and now lives in Llanfyllin. She is also the author of A Flat-Pack in Greece.
Reprinted with permission from David Western's blog , all material 2009, David Western --

This week I'm doing the back side of the dragon's wing. Because this particular design is kind of a 2 1/2 Dimension carving, I want to make sure that I don't just repeat the front pattern as there is a wing passing over the other. As with all the other sections of the spoon, I do a quick bit of pencilling to make sure everything is where it should be...THEN I commit to the knives.

Here I cut down a section to separate the back wing from the front wing. Visually, the back one should overlap the little visible section of the front wing just as the reverse has happened on the front of the spoon. Confusing? It can get that way if you don't sketch things out! As I'm only working to 2.5D and not a full on 3D, I will keep the wings as opposite faces of the spoon, rather than trying to separate them completely. If the spoon were a bit thicker and I wasn't concerned about it getting too delicate, I would be inclined to do separated wings. Doing that would leave me with very thin wings which would be extremely susceptible to breakage...probably not a good thing for a dragon who is going to brave the hurly burly of an Eisteddfod evening!

With the facets of the wing marked out and the front portion clearly deliniated, I can start getting set to shape each section of the wing.

I have started to clear out material to create each fold of the wing. I use the bent knife to do the bull work and then smooth things out with a straight knife or with a bent knife with a shallow curve. I like to leave the surface a bit textured as it makes the wing look a bit more lively and a bit less processed than dead smooth faces. I generally cut from the bottom fold and move up to the top of the wing. That way, if I have a knife slip and take a bit off the fold in front, it isn't as calamitous a situation as it is to whack a finished section!

And thar she be. This is far as I will take the wing for the time being. After the spoon is pretty well completed, I'll come back over any rough areas and tidy things up for the final inspection, but this is pretty good for the moment.


These two pictures show the effect I am after with the wings passing over each other. A bit more exciting than 2D but not as dangerous as 3D! But don't despair if you are like a car racing fan who has come to see the pile-ups....I may have got this far unscathed, but there are plenty of opportunities for disaster still to come! It's what makes lovespoon carving the thrilling pastime it is!!

Dylan Thomas Prize-winner Nam Le takes on challenge of Swansea schoolchildren
By Dylan Thomas Birthplace, 2009-06-11
Drop In Sessions continue... Wednesday 24th June 2009, 4.30pm-6.30pm, Hobo's, Queen Street, Bridgend.
WMF are hitting the road again and hosting a series of Drop-In Sessions over the coming months across the country for those who would like to meet face-to-face with questions about their ventures / careers / aspirations in the music industry.Staff will be on hand to answer queries and offer general guidance to anyone who pre-books a time slot .The Drop In sessions are free to attend. If youd like to book a space or would like any further information, please drop us a line.hello@welshmusicfoundation.com / Tel: 02920 494110
Welsh writers were out in force at the recent Hay Literature Festival beating off TV cooks and broken down politicians for the attention of enthusiastic audiences. The highlight was the announcement of the Wales Book of the Year shortlists. Poet Damian Walford Davies from Aberystwyth University chaired an evening in which the three English language and three Welsh language authors were invited to read from and discuss their work.
The English language shortlist consisted of Gee Williams (Blood etc), Deborah Kay Davies (Grace, Tamar and Lazlo the Beautiful) and Samantha Wynne-Rhydderch (Not In These Shoes) pictured above from left to right. The Welsh language authors were Hefyn Wyn (Pentigily), William Owen Roberts (Petrograd) and Geraint V Jones (Teulu Lord Bach).
Later, Damian Walford Davies teamed up with Richard Marggraf Turley and presented a son-et-lumiere evening of poetry and imagery and another Welsh success: during the course of the festival Flur Dafydd was presented with the Oxfam Emerging Writer of the Year prize.
Pictured below with shortlisted authors is Dominic Williams representing Parthian who can claim two thirds of the Wales Book of the Year list. WTG Parthian!
Vote Now!...in the Wales Book of The Year Award 2009 Poll.

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