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( This is not an official press release but rather the personal observations of a Cymuned supporter )
Between Eisteddfod preparations, we are currently working hard on a second edition of the Cymuned magazine, following a very good reception to the first edition last month. Those of you who are not members are able to subscribe or buy individual copies at www.eingwlad.com . If you have articles, letters or any other material that you think may be of interest to our readership, then by all means drop us a line.
Thanks to Omer for telling us about a strange contribution made at one of the All Wales Convention meetings recently. A gentleman apparently explained to the people there that as they had been born in Wales, they were all English anyway. Those attending the meeting seemed to disagree, and the Man with the Strange Ideas left shaking his head and sighing "Oh, what's the point"... It is unbelievable that such an attitude still exists in Britain, (let alone Wales) but it does show how easy it must be for some to move to the country knowing nothing about our Welshness, or even that it exists.Thank you also to Siams who drew our attention to an article in the Sunday Times in which Daisy Waugh trundles out the tired old clichs as she talks of a property in Wales, and asks, ""What's actually wrong with (Wales)? Apart from the unpronounceable road signs, ... the rainfall ...and the slightly irritating devotion to a language only kept alive by government edict and European subsidies ... it's just the same as anywhere else in Britain, isn't it?"But wait, before we complain too much about a columnist who's just trying to get a reaction, consider this: "There's not much we're allowed to snigger at in polite company ... yet somehow fat people and the whole of Wales slipped through the sensitivity net." Ms Waugh does indeed hit on a puzzling truth here, while doing her best to continue the tradition!Lastly, Arfon Jones, a councilor in Wrexham, has asked us to publicise a petition on the Assembly's website to class MPs as public bodies under the Welsh Language Act 1993, following the refusal of Ian Lucas MP to use Welsh in his annual report. Follow this link, though you will have to register or sign in with the assembly system. PETITION HERE Until next month!Iestyn* * * * * * * * * * * * * * * * * *Dewi Sant told us to "Do the little things."To see what he had in mind, have a quick look at: www.cymuned.net/ymlaen/dewisant * * * * * * * * * * * * * * * * * *Are you a dreamer or a doer?Cymuned can't survive without YOUR help.Have a look at: www.cymuned.net/ymlaen/ourfuture to hear how to make things change.* * * * * * * * * * * * * * * * * *
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Getting Elected in West Virginia


By Geoff Brookes, 2009-06-02
When the reputation of politicians here in the UK is at a very low ebb, it is good to know we can turn to the past for a better model of how things should be. I found this instructive extract in the Swansea newspaper, The Cambrian, of October 1900 about the canvassing techniques developed by Judge John D. Holt, the Democratic candidate for the post of Governor of West Virginia.He may have been campaigning on the other side of the Atlantic but The Cambrian was mightily impressed by his determination and his versatility. To be frank there appears to have been nothing he would not do to secure a vote. In the first place he was an accomplished fiddle player, who plays quadrilles, waltzes, reels and two steps to the entire satisfaction of young people in the country districts. Apparently, as soon as he arrived anywhere on his canvassing tour he was playing away at a dance.Clearly it was hard work getting elected in West Virginia. You have to ask yourself, was it worth it? Was it really worth the humiliation of being the major attraction at some kind of ancient disco full of clumsy adolescents?But there was more. He was a good cook and handy at all kinds of housework. He didnt stop at kissing a baby. He could soothe it even in its most tempestuous moments. Obviously a man of real talent. His blackberry roll was apparently the best anyone had ever tasted. He would peel potatoes if it got him a vote or sweep the house or even undertake essential needlework in a way that defied criticism from the envious.What does this suggest? Madness? Desperation? Were there such advantages in getting elected that made it worth nursing someones ugly child to sleep? As a father I have always been uncomfortable with the idea that a politician might want to kiss any of my babies. But I know now that what I really wanted was for them to clean my house. Certainly it would have given me a real basis on which to make an informed judgement. Forget about their position on foreign policy. Lets see if they clean behind the sofa. In fact if you had lots of candidates you could get your house cleaned for a week on a rota basis. It works for me.I know nothing more about Judge John D. Holt but I am grateful to him. He has given me a model on which I can judge our current political leaders. Forget policy. Consider their pastry.Would I have given Judge Holt my vote? I would have given him a room in my house on the basis of his blackberry roll alone.
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THE HYPERBOLE CONVENTION


By Ian Price2, 2009-06-02
Whilst visiting the many and varied watering holes throughout the valley it becomes obvious, that despite the differences of locale, there are certain types of people who naturally gravitate towards bars - or at least develop certain traits because of their constant use of a pub. In each establishment one can see the gambler, the alcoholic, the sipper, the lone drinker, the cultured drunk, the needler and most interesting of all - the liar.The liar is a peculiar animal. Hes not really a vindictive man but has developed a sense of hyperbole borne out of listening to other liars. He has an irresistible urge to out do anybody who in his opinion is speaking nonsense. The fact that the best bar liars are mostly uneducated types with a scant grasp on reality or indisputable facts makes their pronouncements all the more interesting and deliciously preposterous. Better still is the fantasist liar who wants the world to be what its not and so sets about painting scenarios of surreal beauty just tinged with a dash of reality to make them digestible. When several of these types happen to meet in one room the best strategy is to keep a straight face and treat each pronouncement with deadly seriousness and the occasional appreciative chuckle. Its also well to remember that each liar, or shall we call them hyperbolists, seems blissfully unaware that another of their kind is close at hand. The effect of accumulative and escalating fibs however can be quite debilitating to the casual observer.On one Saturday morning many moons ago I had occasion to call at The Treorchy Hotel to pay some contributions towards a day trip we had booked to Carmarthern or some other place to the west. When I walked in I could see that four of the finest exponents of hyperbole were standing at the bar. This in itself was remarkable. Even more remarkable was the fact that the landlord Keith Evans himself known as Tom Pepper was serving them.First to speak was Dai Brunker. He looked at me and said Hello Ian. We were just talkin about Elwyn Thomas. Have you seen him lately? I said that I hadnt for some months and asked why. Was he ill? You could say that said Dai. Hes picked up with skinny Janice. You know her. Shes from Treherbert. Looks like a tape worm with a big ead. Anyway hes been knocking her off and we think shes killing him. Why I asked. Because he came in here yesterday and looked as though hes lost about three stone. You ought to have seen him. He looked like he had two bricks in his arse pockets. Hes nothing but bones. I started to laugh at this suggested visage. Its not funny said Dai Hes looking horrid. I laughed even louder.To his left was Brian Poole. Poole was the most inventive swearer Id ever come across and hed developed a nice line in droll insults and fantasy (he once told us that you could buy Star of David shaped pork chops in a butchers in Ton Pentre and some people believed him) and he could change any subject at the drop of a hat. Never mind about Elwyn he said Have you seen his brother Terry. He came in here last night. You know him. Hes only five foot tall but thinks hes six foot six. You ought to have heard him laying down the law last night about what rugby we were going to watch on the box. Everyone wanted to watch Cardiff except im who wanted Llanelli on the other side. I told him where to go and then he squared up to me. What happened? I was intrigued. Nothing really said Brian. I told him to get his sword out and go and fight the spiders in the corner of the room. Short arsed bonehead as he is. He then told me hed set his dog on me. HA! Have you seen it? It looks like an up turned scrubbing brush with four legs. I was becoming positively weak by now and sat down.Tom Pepper was the next to speak. He went over to Emlyn Hicks and said Been up the allotment today Em? Emlyn was a red faced man who never stopped smiling. He always had a wicked look in his eye and wouldnt give anyone a straight answer where a spurious one would do. Aye he said Ive been having trouble with rabbits eating my lettuce. Id just come back from chaining the mother in law up in the garden shed last night It was a full moon when I saw a pair of ears sticking up behind one of the lettuce. So I got up early this morning with my shot gun and as luck would have it, it was still there. Oh aye said Pepper Did you get it Nah said Emlyn I gave it two barrels and destroyed the lettuce. Thing was. When the smoke cleared there was a donkey standing there Everyone burst out laughing.Hey said Emlyn Dont laugh. The other day I was taking a lettuce to the vicar at the top of Church Hill when I dropped it. By the time I caught up with the bloody thing it had rolled all the way down to Railway Terrace and knocked one of the coal wagons over in the sidings. Anyway where have you been lately Tom? I havent seen behind the bar for some time. Ive been on a break Em. We went down to Hampshire to visit the in laws Did you have a good trip? asked Emlyn. It was OK see. It was a bit strange when we were asked to join a witches coven but we had a laugh. What balls are you talking about now? said Poole. Before he could answer Keiths wife walked in to the bar. Are you a witch Jen? said Dai Brunker. You cheeky bugger Dai. Ill put a stop to your beer if you cant keep a civil tongue in your head. Sorry Jen said Dai but Keith was saying that you joined a witches coven on holidays. Ha! We watched a film called Blood on Satans Claw. Thats all. You ought to know better than believe anything he tells you. You know hes a bloody liar like the rest of you.At this point the spell was broken so I drank my beer and said farewell. For the rest of the day I found myself chuckling out loud for no obvious reason. Im still chuckling as I write this.
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On any Sunday - riding round Wales


By Craig Whitney, 2009-06-02
Excerpt from my blog It started inauspiciously, with a where are you phone call, where I was is on the Sofa, freshly full of Paella and quietly knackered after a day on the hacking-off pneumatic gun smashing the shit out of a friends house re-furb.Lacking the ability to raise my arms beyond shoulder height, Id already mentally prepared for an afternoon of blissfull rest, but the boys were having none of it. Three separate mobile phone prompts had me togged up and wheeling the bike out of the shed in short order.So somewhat reluctantly I led the brigade into the valley. It all started quite sensibly and wellAfter fuelling up, we patiently posed through the villages, speeds and noise at a responsible minimum. 26 miles later wed disposed of a couple of streetfightered fireblades and navigated through traffic light enough to break up the flow and the group. Regrouping at Brecon, we again meandered through the spring sunlit market town and out into fairly deserted b road country.Upping the pace a little, we leave responsibility back in the town where it belongs. 5 miles in we blitz an unsuspecting sportsbike, making his own sweet way, till he gets swamped by the superbike pack in a first corner me first feeding frenzy. The road is ours for an uninterrupted hoot all the way to the next way point.The road gets all combat ready as we blip and blast across the MOD ranges of the Epynt, Red flags mean the real boys are out with real toys, just out of sight of the road (and out of range we hope). With no real straights for 12 miles or so, were butt shuffling, shoulder dropping and short shifting on roads that coil and uncoil like a sleepless rattlesnake. Part farm track, part tank addled tarmac and some perfectly resurfaced swiss army bends, useful for anything as long as its sideways.Crashing back into A road civilisation for a few short miles, its now officially competitive. No overtakes, but theres plenty of Front Wheeling in my mirrors as the faster boys demonstrate their intent to the slower riders at every opportunity. Sweeps and swoops as we gallop through and over the mountains, keeping near perfect formation, I feel like the wing commander of a fighter flight, headlights in attack order as we seek opponents for a dogfight.Denied our enemy, we spill onto another b road and peel through some roller-coaster scenery and arse crimping corners as they tighten on us like thumbscrews. Slowing very occasionally for the blind crests and farm entrances. Now hunched over the tank, now stood up and braking hard, heeling over, knee pointed at the exit, bike wiggling on the power as the bend is apexed, and the next, and the next.We plot up in a pub carpark for a giggle and a smoke, touch warm tyres and tut-tut at close overtakes and fumbled lines. Short spin for a cuppa and fill up, then were on the home stretch, or at least pointing back in the right direction (ish).Its always faster on the way back, weve passed the psychological midway point and theres a beer at the end of this road rainbow. Up and over again, little traffic resistance, we pass a couple of ancient Austin 7s full of cardigans, knitted hats and snotty kids enjoying a slow dawdle through the breathtaking scenery. To us its a road with a green blur for a border.We retrace our steps a little back through the ranges, descending to then rising up the Beacons once more, now were proper fast, proper confident, slicing and dicing the traffic, were in the groove, settled in formation, not stupid fast, not bullying ,but making progress and scaring squares, eyes stuck in tin box travel mode swivel to follow us as we waft past, all leather and noise.More tea and meets with mates at the burger bar with views to die for, we see friends freshly setting out for an evening spin, as were arriving most are leaving for home, we sup up and head out.Past the lakes and up over bleak moors stained pale by early spring setting sun. Suicidal Sheep hold their death urges in check as the squadron barrel rolls through the remaining home bound traffic. Clear road views allow wrong side corner overtakes, we can see hundreds of yards ahead and the sheep mercifully stay away from our flightpath.Into the home run, with only four miles of down followed by five of up, its winner take all to be first back to the bar. I sneak a lead through snaky off camber bad tarmac, we totter responsibly through the village and head up again to the high country we know so very well.Mug the first car, hard on the gas and up through the gears, reeling in a mini close to the next corner, out past and in for the apex leaving no room for the following pack. Sit her up and gas it again for the next uphill left, Im giving away 70 horses and 30 kilos to the blades behind, but its all relative cos Im in front and theres more cars ahead. Once more Im blessed by timing as I stuff myself in front of the queue on a right hander, expecting lights fading in the mirror, theyre on me, that cant have been nice for the drivers they just beat up.Now were just proper silly, rushed overtakes late passes and two long straights between us and the destination, full gas, full lean, full commitment, fully crazy, fully loving it. Eventually a lone blade cracks past and brakes brickwall hard into the turn off.We got there. Then the adrenaline rush and back slapping, shoulder punching, bar room boasting that leaves our fellow drinkers wistful and wanting detail so they can get some vicarious kicks from our blast. But listening to a story aint like being in one.
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When it comes to sport, being a small country, Wales has managed to punch above its own weight over the years. Be it in rugby, athletics, football, boxing, snooker and even rugby league Wales has produced its fair share of heroes. A new book published this week will test how sport loving and how knowledgeable the Welsh public really are. So You Think You Know Welsh Sport? includes questions an all kinds of sports. The book has 50 rounds of 10 questions with the questions getting harder as you get along.

It is safe to say that the author Matthew Jones, a 29 year old chemist from Cardiff is a Welsh sports anorak. He spends his weekends travelling the length and breadth of Wales visiting sporting events and he has already published a quiz book on Welsh rugby. It was due to the success and the enthusiastic feedback to So You think You Know Welsh Rugby? that Y Lolfa decided to commission the new book. Matthew Jones said about his new book,

If you struggle to only get a couple correct then your knowledge is probably equivalent to a drunk dart player however if you manage to get ten out of ten then you are the trivia king of Welsh sport!

The book includes questions like:

Which Middle East country appointed Terry Yorath as their manager in 1995?

Who recorded Glamorgans best ever bowling figures of 7-16 in a one day contest, against Surrey in 1988?

In 1990, whose 27 year Welsh 100 meters record did Colin Jackson break?

Which future rugby union international scrum half was Welsh schools champion in the high jump in 1969 and 1970?

So You Think You Know Welsh Sport? is published by Y Lolfa and will be available in bookshops and on www.ylolfa.com , from Saturday the 8th of June for 3.95.

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The Order of Whippets


By Ian Price2, 2009-06-02
During the long dark winter nights in the Rhondda valley, long term married men and those who are otherwise bored gather in small groups to put the world to rights. They often congregate around snooker tables or dart boards pints in hand with opinions on every subject known to man. Inevitably when a band of brothers meet regularly there is a tendency to see themselves as a unique entity apart from the general rush of society. In such a climate it is often the case that secret societies are formed. In the wider world we see exemplar organisations such as the Masons or the Buffs. In small villages lesser known societies exist. Some time ago a group of local men decided that, as they were all members of the local darts team, allotment holders and pigeon fanciers, there were grounds to form their own arcane association. For reasons that defy explanation they called themselves The Order of Whippets. Their aim was to provide a sanctuary for fellow thinkers and a collective means of support for themselves and their families.As with all such associations the means of entry was by invitation only and shrouded in mystery. Taking the Masons as their guide but without their resources our trusty crew managed to book a room above a public bar in which to perform their initiation ceremonies. From time to time the locals at The Marquis of Bute public house were treated to a strange cacophony of bumps and thumps on the ceiling above their heads. This was regarded as a minor annoyance by landlord Sam Owens as the amount of beer consumed during these ceremonies more than offset the irritation of an hour or so of shenanigans.And so it was in late January of 1972 that the monthly meeting took place. Two new members were to be initiated. Messrs Charlie Ellis and Evan John had been given the all clear by the Grand Whippet Iestyn Morris for inclusion into the hallowed ranks. They arrived at the pub at seven sharp and to the bemusement of the great unwashed were blindfolded and led upstairs. It wasnt long before the thumps and bumps started.Meanwhile downstairs the bar had started to fill up. Included in the ranks of the local sumpers were Mrs Phyllis Pugh, Mrs Evan John and Mrs Stella Ellis. Mrs Pugh was a staunch no nonsense woman who had single handedly brought up six children. She was listening incredulously to the two other women waxing eloquently about the status their husbands would achieve in the village after they had received the rank of Initiate Whippet. What are they doing up there? said Pugh. Having caught her attention the other two proceeded to regale her with details of the ceremony that was taking place upstairs. I must swear you to secrecy said Mrs John Evan told me its a very dignified affair that involves oaths and .. she was interrupted by a loud thump from upstairs . oaths and signatures. THUMP! Really? Mrs Pughs eyebrows were fully arched. THUMP! Yes replied Mrs Ellis They have to put their Sunday best on . THUMP! .. and recite some beautiful poetry .. THUMP! Theres money in it . Before she could complete her sentence there was an almighty crash behind them. They turned around to see a man dressed in a duck costume laying flat out on the pool table surrounded by debris. Above him was a hole in the ceiling he had created and peering down through it was what appeared to be a chicken, a panda and a dog. The duck let out a strangled cry STELLAAAAA STELLAAAAAH. Stella Ellis could only get a quick Christ Almighty out before the duck said GET AN AMBULANCE.AAARGH! MY LEG.By now the entire bar was looking on trying to make sense of the sight before them. The landlords jaw was nearing the floor and refused to lift. When it did recover he looked up to the ceiling and howled IESTYN. Im going to bloody well murder you. Get down here and bring those tossers with you.After giving The Grand Whippet a dressing down that incorporated every swear word in the English language, Sam Owens managed to glean that the initiation ceremony involved the men dressing up in costumes and leaping from table top to table top whilst consuming a pint of beer at every stop. Ellis had lost his footing and missed a table after drinking six pints and had hurtled at the speed of sound through a weak spot in the ceiling.When word got around the village, The Order of The Whippets ceased to be. The members just couldnt maintain an air of mystery when everyone was laughing at them and so they joined the local bowls club instead. It was a safer bet in the long run.Sometime in the late seventies there was an attempt to revive The Order of Whippets but it was short lived. Charlie Ellis had been appointed Grand Whippet and had devised an initiation ceremony that involved walking along a six inch wide protecting rail that ran the length of a bridge. For some reason he failed to take into account the thirty foot drop to the river below and when the inevitable happened the police made it quite clear that anymore nonsense of this kind would lead to arrests for all manner of legal infringements. That unfortunately put paid to The Order of Whippets once and for all. We shall never see their likes again. More's the pity.
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Ceri Rhys Matthews is producer of the Smithsonian Folkways CD, "Blodeugerdd: Song of the Flowers" , being released at this year's Smithsonian Folklife Festival and which has been described as "a really beautiful concept piece featuring some people who have either never been recorded before, or who were trying out new combinations for the recording."



Ceri Rhys Matthews Americymru: H ow did this project come about? Who participated in it, in what capacity?

Ceri: Betty (Belanus, Smithsonian Folklife Festival curator) and Ceri Jones - who was 'Project Manager for Wales at the Smithsonian 2009' at the time - came to see me at a project I was working on in Dolgellau called Prosiect Ioan Rhagfyr; a twenty five year project which revolves around flute playing and flute making in the Dolgellau area. They asked if I would advise on possible participants for the music programme at the Smithsonian Folk-life festival. I guess they knew they would get 'alternative' suggestions from me. So, I became part of their curatorial team. During this process I became aware that a CD was going to be released on the Smithsonian Folkways label to be released at the Festival, and so I alongside many others put forward a proposal. And I won the tender. My idea was to record a few of the many thousands of musical tales that could be told of and in; around and about Wales. But I wanted these to be the 'unheard' stories - stories by people who do not 'represent' Wales or any faction in Wales, but people who have nurtured and kept alive a musical narrative, quietly - maybe in their kitchens, or with friends in intimate music making moments. They carry the stories that are never heard above the usual hubbub and hullabaloo of celebrity, fame, radio, tv and the mass media.
So, I hired a Tudor gate-house in the Preseli hills, worked out a timetable and asked about twenty musicians or so to come singly, in pairs or trios to come and record a track of their choosing. Anything they were concerned with at the time. The results were astonishing and inspiring, not least because of the interaction between the individuals and the nature of the building and its surroundings. The building itself is after all, a kind of portal. And the music recorded was a key to something that is heard less and less these days; something magic, inspired, at times unearthly, and also very intimate. It's not party music as someone pointed out to me on listening to the recordings. It's not party music in either sense of the word. But it is the music of the people. Or at least, some of them. I could have made three or four CD's and it was an onerous task to leave people out.

I think it's fitting that it is to be released on the Folkways label. A label that always recorded the ordinary people; those without an official voice. But whose collective voices became a vehicle of cultural expression for millions, beyond commercial consideration.

The musicians on the CD are:
1. Mary Hopkin
2. Anne Marie Summers and Helen Wilding
3. Ceri Jones
4. John Morgan, Diarmuid Johnson, and Chris Grooms
5. Linda Griffiths
6. Ceri and Catrin Ashton
7. Daniel Huws
8. Christine Cooper
9. Llio Rhydderch and Tomos Williams
10. Cass Meurig and Nial Cain
11. Jo Cooper and Elin Lloyd
12. Jem Hammond and Tom Scott
13. Max Boyce, Christine Cooper, and Llio Rhydderch
14. Julie Murphy, Sille Ilves, and Martin Leamon

Americymru: How would you describe the final result?

Ceri: On compiling the tracks we realised that the CD had a shape. That the individual narratives contained in the tracks made a larger more encompassing story. We likened it to honeybees returning to a hive and telling their individual tales, but those tales painting a picture of the source of their nutrition - of fields of wild flowers. From these wild flowers we pick a posy. The Song of the flowers, literally; Blodeugerdd in Welsh, Anthology in Greek. Without pinning anything down, a shape may be discerned from the individual narratives and the songs seem to cluster into 'themes', or 'tendencies' which may be characterised thus



1. Remembering

Mary Hopkin sings a song that is imprinted on the cultural DNA of the people, and yet it is a surprise to hear her sing it. Well known internationally for her popular song, this is where she started, in her and our youth.

Anne Marie Summers and Helen Wilding Smith live on the porous border between modern England and Wales. Both have strong Welsh family and childhood connections. Being outside, they remember a cultural inheritance, and give a forgotten dance form, the estampie, back to the giver of that inheritance.

Ceri Jones was born and raised in Canada but this summer came to visit his grandmother in Llangrannog for the first time. He remembers his inheritance in a different way.

A reverie between John Morgan, Diarmuid Johnson and Chris Grooms. From the quiet and abstract opening notes, the musicians conversation is like the dawn, from which we can read the signs of the day to come. Here are elements of the memory, magic, song tunes, instrumental music and emotion which will unfold thought the rest of the anthology.

Linda Griffiths remembers how a lover hurt her.

Ceri and Catrin Ashton moved away from Conwy to Sheffield. The dance tunes they play, they played as young girls at home.

2. Describing magic

Daniel Huws sings of the mystical nature of the nativity, in a plygain carol from Anglesey that has been unsung for some generations.

Christine Cooper sends a bird as a love messenger, or llatai, from a winter-like desolate, treeless place without love, to a lover. Wait, the lover says, wait until May.

Llio Rhydderch and Tomos Williams improvise on a forgotten tune. They explore the tune like dancers, with two of the instruments of the forest.

Cass Meurig and Nial Cain engage in a mystical dialogue with the cuckoo about the nature of time, a story Cass sings to her children, and then brings us into the world of dance.

3. Dance and celebration

Jo and Elin play triple time hornpipes from the border, as Jo prepares to make a new life abroad.

Jem and Tom have some light hearted fun with flutes.

4. Emotion and the fabric of life

Max Boyce, with Christine and Llio, explores the fabric of sentiment and emotion, and ask the question; what is loss?

Julie, Martin and Sille compare the different emotions men and women feel in love.

These small individual narratives are the grains of sand in which the whole of the land may be seen, with its towns, mountains and beaches; its rivers, rocks and stones; its lovers, friends, families and homes. Taken together, these songs make a snapshot of a hive of activity. The story of a posy of wildflowers.

Americymru: What is planned for its release and where will it be available?

Ceri: The CD will be on general release coinciding with the folk-life festival. There will be a launch concert during which six of the musicians who appear on the CD will take part. I don't know that all dates and times are finalised yet. The musicians appearing in Washington will be Ceri Ashton, Catrin Ashton, Linda Griffiths, Christine Cooper, Sille Ilves and Martin Leamon

Americymru: Will you be appearing at the Folk-life Festival?

Ceri: Yes, I'm pleased to say I'll be performing mainly in a duo with Christine Cooper. But also, and this is very exciting, different combinations of musicians are encouraged to collaborate with each other throughout the festival, so expect some exciting combinations. Last night, a group of seven of us got together that will be playing for a twmpath one evening. Musicians are getting together with storytellers, poets etc. in all sorts of great combinations. But I'm really looking forward to getting a chance to play some really straightforward beautiful flute and fiddle tunes with Christine.

Americymru: How did you come to be a musician, what lead you to music? What instruments do you/have you played and what was your musical education?

Ceri: Well, I don't know that I am a musician. At least I was always told by my teachers in school that I wasn't one, so I've never really believed that I am, or counted myself as one. I suppose I play music. And I love music. And I love listening to it - I love listening to other musicians, and so I suppose that's how I started. There was no-one playing the music I wanted to hear- so I had to play it myself. I met a man called Jonathan Shorland who had made a pibgorn and some pipes and he showed me how to get started... And so I did. I played pipes and things. Then when we started fernhill, the group I play with, we needed guitar sounds, so I had to do that, learn to play the guitar. Then wanted to play the flute - more than anything else, really (except singing) and so I learned to play the flute, and make the sounds I wanted to hear and the tunes I wanted to hear.

Americymru: You've recorded and performed both solo and as part of an ensemble, you formed fernhill and collaborated with Christine Cooper, including on your 2005 solo CD, 'yscolan' . What has been the path of your career as a musician and where do you intend it to go?

Ceri: Ha! career!! To career is to lurch about, out of control isn't it? If I have a career it's not a normal trajectory I'd have to say. I don't know. I went to Art School where I learned that everyone is an artist. This really fitted in with my idea of what folk music is about. And so my career is to get as good at playing tunes as I can - as often as I can. So I don't have a job or anything - and I don't earn enough money, but I think I'm getting better at playing music. And sometimes people ask you to play for them, and that's brilliant. And every so often like a painter has to make a painting, a musician has to make a record, and so if we can we do. I've been really lucky in that my music has found patronage with some inspired people. Wyn and Richard Jones at Fflach records and Tim Healy at Beautiful Jo records. They are truly enablers, and friends of musicians. Geniuses in their way and kind and generous souls. Where do I intend it to go? To play as much music with Christine and fernhill and all my friends as well as new people I meet, as is humanly possible.

Americymru: What performances are you most proud of in your career?

Ceri: Well, performance and the sort of narrative music that I'm engaged in don't really sit comfortably. I'd have to say that when the listener and the player connect, then something special happens. It often happens between musicians and that's magic and what keeps you going. When it happens between the listener and the player, it's like you're dancing with each other. That's happened a few times. It's quite rare and special and happens in unexpected places often. Bessie's in Cwm Gwaun has had many special moments. And my time piping in Libya with Berber musicians was special. But piping along the via Dolorosa in Jerusalem to al-Quds university with thousands of Palestinians roaring and dancing still makes the hairs on the back of my neck rise.

Americymru: What would you most like to achieve as a musician?

Ceri: To attain the freedom I hear in musicians who can hear things which seem unreachable to me. People like John Coltrane or Micho Russell. And singers, like say, Bjork or like Mary Hopkin, or Tymon Dogg or Otis Redding - They all make me cry. I'd also like to earn my place in the anonymous pantheon if that's not an oxymoron.

Americymru: What's next for you and where can people see you play and find your music?

Ceri: Well, the folk-life festival comes up soon. Then there's my regular teaching at Dolgellau, and at Canolfan William Mathias in Caernarfon. I run a music retreat in Pembrokeshire three times a year for all types and abilities of musicians - but musicians who want to get closer to the essence of their own musical voice - the next one's coming up in August. Gigs around Wales with Christine and some exciting fernhill dates on the horizon too. We need to record some sounds too, but it's harder and harder to do so these days what with the ugly commerciality that chokes everything. Still, if we can raise some money we will. So that's a big thing that needs doing soon.


More info about Ceri Rhys Matthews and fernhill:-
www.yscolan.info/
http://yscolan.blogspot.com/
www.youtube.com/user/yscolan
www.myspace.com/ceriandchristine www.fernhill.info/
www.myspace.com/fernhillmusic
http://www.fflach.co.uk/
http://www.bejo.co.uk/


More info about the Smithsonian Folklife Festival 2009 here:-
Smithsonian Folklife Festival
Americymru Events Page

Interview by Ceri Shaw Email

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Llangollen Festival to benefit from the British staycation

With many British holiday-makers opting to holiday at home this year due to the economic downturn, the town of Llangollen, North Wales is set to receive a record number of visitors as it plays host to one of the worlds most vibrant Festivals, the Llangollen International Musical Eisteddfod, which this year takes place from 6th to 12th July.

MORE HERE..

Llangollen ywr gyl yn gwyliau!

Gyda chymaint o Brydeinwyr yn dewis cael gwyliau adref eleni oherwydd y dirwasgiad, mae tref Llangollen, Gogledd Cymru yn barod i dderbyn y nifer fwya o ymwelwyr wrth ir ardal eu croesawu i un o wyliau mwyaf blaenllaw, sef Eisteddfod Gerddorol Ryngwladol Llangollen, syn digwydd y 6ed ir 12fed o Orffennaf.

MORE HERE..

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Penderyn on the BBC's The One Show


By Stephen Davies, 2009-06-01
Penderyn Distillery will be featured in a report on the BBC's The One Show tomorrow night. The show starts at 7pm.
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Help To Support Ieuan The Lion Memorial Fund When You Shop and Search Online Ieuan The Lions Memorial Fund helps to support the Terminally ill , Disabled and Sick children of South Wales. We have teamed up with fundraising website easyfundraising and Id like to ask whether you would consider supporting us by using this fantastic new site.The way it works is simple. All you have to do is use the links provided on the easyfundraising site - http://www.easyfundraising.org.uk/ieuan - whenever you shop online and, at no extra cost to you, well receive a free donation of up to 15% from every purchase you make!You still shop as normal and there are over 600 well known retailers to shop with, including Argos, NEXT, Amazon, Debenhams, John Lewis, Boots, ToysRUs, M&S and many more. Best of all, easyfundraising is completely free to use and it doesnt cost you a penny extra to raise funds for us when you shop online using this innovative fundraising service.You can book holidays and flights, make DIY purchases, buy books, CDs, DVDs, gifts or flowers. Theres an extensive clothing & fashion section, sports & outdoors, broadband, insurance, motoring, mobile phones, electrical items and lots more. You can even raise funds by making business purchases such as computer equipment from DELL, PC World, Apple or HP or stationery from Staples and Viking. Raise funds when you search the web You can also support us by searching online with easysearch, a new charity search engine where Ieuan The Lion Memorial Fund will raise funds when you search the web. Use easysearch instead of Google or any other search engine and you could raise around 20 a year by searching just 10 times a day.And, just like easyfundraising, easysearch is completely free for you to use!Whats more, easysearch is a super search engine which tracks down the most relevant and accurate results from several search engines - Yahoo!, Windows Live Search, Ask.com and many more. This means you'll find what you're looking for quickly and easily every time - in one easy search.Please support us by shopping online with easyfundraising http://www.easyfundraising.org.uk/ieuan and searching the web with easysearch http://ieuan.easysearch.org.uk You can support Ieuan The Lion in many ways, from making a donation to hosting a charity event, from corporate sponsorship to a cake sale at your local school all donations no matter how small will go directly to children who need your help.Here are just a few ideasDonations you can donate securely through this website, using your credit or debit card or your PayPal account. Just click on the Donate button on www.ieuanthelion.com .Activity challenges are a great way of involving friends and workmates in a worthwhile cause: Sponsored ascents of one of Wales famous mountains, cycling marathons, organised abseiling, dragon boat racingthe list is endless. And of course well help you promote your fund raising event through our website.Corporate sponsorship. Companies can gain valuable branding and profile benefits through sponsorship of Ieuan The Lions Fund, while at the same time ensuring that they are supporting a fantastic cause. For more information about what your company can do, contact us by email at wayne.yendle@ntlworld.com or by phone on 01633676286Non uniform day. Schools can help by allowing students to make a donation to attend school in their own clothesThe list is endlesstrivia quizzes, fancy dress day at work, guess the baby competition, concerts, fashion shows, car boot sales, sponsored silence you choose.And of course well help you promote your fund raising event through our website.Thank you for your attention.PLEASE VISIT www.ieuanthelion.com
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